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Day 2 Assignments
Reply to post your assignments.
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16 Replies
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Lenore Bechtel’s Marketable Components
I’m pleased to learn that my script has more of the marketable components than I ever dreamed it had, and I’m grateful for the assignment that made me emphasize those components in new loglines.
Tell us your current logline.
After Meredith scandalizes Sweet Adeline purists by improvising on stage with original lyrics she and boyfriend Quincy wrote, she must choose between singing with her mother and grandmother at Gulf-Atlantic Regional competition or with a quartet that will sing her “Bibllical Brushoff,” aimed at Quincy, who she thinks betrayed her because of her chastity vow, in this moral, merry musical that pokes fun at barbershop zealots.
2. Look through the 10 Components of Marketability and pick one or two that have the most potential for selling this script.
A. Unique: It is! The only movie dealing with Sweet Adelines was with Irene Dunn in 1934. <div>
B. Great Title. I think so! Some 21,000 Sweet Adeline members world wide will know its meaning, and chocolate lover will have their own interpretation.
C. True. It’s not true, but it’s plausible that a rebelious third generation Sweet Adeline would cause conflict with her mother and grandmother if she dropped out of their quartet.
D. Timely — Yes! There is a a revolutionary movement among many young people who are returning to the conviction that they should remain chaste until marriage.
E. It’s a first in two ways: It’s the first movie about female barbershop singing since 1934, and it’s the first movie that shows teenage girls’ desires to resist loose morality and remain chaste until marriage.
F. Ultimate. It will be the funniest depiction of barbershop zealots ever made.
G. Wide audience appeal. Yes! The 500 Sweet Adeline choruses around the world all have friends and family who’ve learned to love barbershop singing.
H. Adapted from a popular book. No!
I. Similarity to a box-office success. “Music Man” ( 1962 & 2003) and “American Harmony” (2009), both which had male barbershoppers, were box office successes.
J. A great role for a bankable actor. Yes! Gloria Rodrigo, whose international Sour Tour is already sold out May 17 – July 7, would draw huge numbers of fans who remember her in Disney’s High School Musical and Bizaardvark. If we couldn’t get a popular name like Gloria, we might talk my granddaughter’s agent into letting her do the role. Mallory Bechtel was Zoe Murphy in Broadway’s “Dear Evan Hansen,” was in the horror film “Hereditary,” and is now filming “Pretty Little Liars” for an upcoming HBO Max series.
3. Do a quick brainstorm session about ways to elevate those two components for this script and tell us how you might pitch the script through the two components.
I chose Timely and Similarity to Box Office Success:
A third generation Sweet Adeline struggles to resist her mother and grandmother to stay true to her own unique singing style, while struggling to resist her boyfriend’s attempts at intimacy to stay true to her chastity vow. “Music Man” meets “Strictly Ballroom” in this moral, merry musical that pokes fun at barbershop zealots and supports the new revolutionary movement for chastity until marriage.
Example: If you say your script has a great role, in one or two sentences, tell us how you can emphasize that role as you pitch your concept.
A female singer drawing crowds to stadiums—like Gloria Rodrigo—would enjoy expanding her fan base with the role or Meredith, who resists her Sweet Adeline family to sing her own way, while resisting her boyfriend’s sexual desires to keep her chastity vow, in Sweetie Heaven”—a moral, merry musical that pokes fun at barbershop zealots and supports the new revolutionary movement for chastity until marriage.
4. Answer the question “What I learned doing this assignment is…?” and post it at the top of your work.
I’m pleased to learn that my script has more of the marketable components than I ever dreamed it had, and I’m grateful for the assignment that made me emphasize those components in my logline.
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Getting Your Scripts to Power Players 5/16/22
Laura Hyler’s Marketable Components Lesson 2 Homework
What I learned doing this assignment is trying to keep my log line short and sweet and provocative is not easy.
My current logline is: A naïve Caucasian widow must learn how to handle racism, or risk losing the love of her life.
Two components that my script has are: uniqueness and timeliness. It is unique because very few films have dealt with interracial relationships (they frequently skirt around potential issues) and how outside pressures affect the individuals involved and the relationship.
It is timely because of the increase of interracial relationships in our country, and because of the racial tensions that still exist.
I could emphasize the fact that most films do not directly address racial issues in interracial relationships. Some movies like Save the Last Dance and Finding Forrester touch on it, and Guess Who’s Coming to Dinner had some poignant dialog, but also seemed to stay in the safety zone.
So, taking into account both the reluctance to address racial issues in interracial relationships and the timeliness, I could re-write the log line.
New Logline: A Caucasian widow must learn to address racism with family members, friends and the man she loves, or risk losing the love of her life.
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Susan Denaker – Marketable Components – What I learned doing this assignment is that I don’t think adding those extra marketable components into my pitch made it necessarily unwieldy or too long. Pleasantly surprised and feeling more clarity.
Current Logline – It is 1989. Two long estranged sisters inherit their father’s failing vineyard in Sonoma and have to break some rules (and Marijuana laws) to save it. Things heat up when a couple of crooked sheriff’s deputies and three well-heeled bikers get into the mix.
Of these following components – A. Unique.B. Great TitleC. True.D. Timely — connected to some major trend or event.E. It’s a first.F. Ultimate.G. Wide audience appeal.H. Adapted from a popular book.I. Similarity to a box-office success.J. A great role for a bankable actor. –
B- I would say, I have a great title – High Vines And Misdemeanors. Pretty much lets you know what you’re in for.
D- It is timely, insofar as weed is edging toward national legalization and its medical uses are becoming more well researched and discussed. This may mean it also has wide audience appeal but the line between those two seems a bit blurry.
And finally J- Two great roles for two bankable actresses over 40.
How I can incorporate great title, timeliness and great roles into my current pitch. –
It is 1989 when weed is still illegal. A concert pianist who may have Parkinson’s and her pregnant hippy sister inherit their father’s failing vineyard in Sonoma and have to break some marijuana laws to save it. Things heat up when a couple of crooked cops and three well-heeled bikers get into the mix with surprising results.
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ASSIGNMENT 1
VAUGHN JELKS’ PROJECT AND MARKET
1. Genre: Sports | Crime | Drama
Title: THE MONEY PLAYER
Concept: The NBA version of Oliver Stone’s “Any Given Sunday”
2. What I think is most attractive about my story is that it depicts an immensely popular sport with a huge audience but delves into a more personal off-the-court and behind-the-scenes gritty story. Today’s NBA savvy sports fan wants to know more about their celebrity athlete superstars than just what happens on the court, and tend to love following professional athletes’ tabloid exploits and personal salacious drama with committed zeal.
3. I’ll target producers because I believe it will be more strategically effective to find and compile comparable projects from producers/production companies with productions that are akin to my screenplay’s genre and budget level.
4. What I learned today is that in addition to a well written and highly marketable screenplay, I need high quality pitch/marketing materials and an effective marketing campaign to get my script in the door. My pitch needs to speak directly to the producer’s needs. I have to keep marketing until I either sell the script or exhaust the market.
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Bob Bland, Marketable Components for Doc Band-Aid
What learned?
Move toward crystalizing the essential elements of the story into simple, easy to emotionally understand components.
Current Logline: Doc Band-Aid, a drama/romance: Set in the late ‘70s, when a traumatized, homeless vet catches a glimpse of his Vietnamese fiancé who he thought died in the war, he is driven to try for one, last improbable chance at happiness, only to discover that she is unwilling to risk falling in love again.
Most Marketable Components:
Great title: Doc Band-Aid. The title has a double meaning and reflects something significant about this story that deals with wounds and healing. At its heart, it’s a bittersweet love story about two people, once deeply in love but now both terribly damaged by their past, who reconnect a decade later. Can they rip off the band-aid, heal from their past wounds, and perhaps love again?
Great role for bankable actors: The two principal characters, one Asian, have huge emotional ranges for actors, many in the same scene, with multiple cinematic moments as they struggle mightily to confront their guilt and fears from the past in an attempt to move toward one last chance for happiness.
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LESSON 2
VAUGHN JELKS’ MARKETABLE COMPONENTS
What I learned is that there are 2 things that make a script marketable – business hooks (10 components of marketability) and story hook (the most interesting parts about your story and lead characters. A-list screenwriters create a pitch that can sell based on marketability, then write the script. Marketing dictates story.
Logline: A falling NBA star, his loyal entourage, and corrupt sports agent moonlight in crime to keep up their lavish lives.
THE MONEY PLAYER’s Components of Marketability –
Unique: A high-profile, privileged sports celebrity going criminally bad instead
True: Inspired by a true story based on my behind-the-scenes and off-the-court adventures with NBA 1st round draft pick and former L.A. Lakers player.
Wide audience appeal: The NBA is avidly followed by millions globally, and its hip-hop heavy culture influences today’s social media savvy, product-purchasing teens.
Great roles for bankable actors:
*Breakout lead role for a real NBA star who can act (like Ray Allen in Spike Lee’s HE GOT GAME)
*Diverse ensemble of hot young Hollywood rising stars to play the cool, street-smart entourage
*Veteran Hollywood actor to play the corrupt and cunning showman sports agent
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Mary Emmick’s Marketable Components
Logline: When a teen from a small farm town realizes who her fiancé is she struggles to find meaning and true love as she is confronted with discrimination and disinformation during the time of COVID-19.
My script, Don’t Look Away, Isabel, fulfills these components: Wide audience appeal and Timely – connected to some major trend or event.
Wide audience appeal: This coming-of-age drama appeals to pre-teens, teens, and adults. People are interested in our social and political climate and are looking for ways to deal with the unpredictable times we are living through.
Timely – connected to some major trend or event: Isabel is confronted with racism in her small town and is influenced by her history teacher, a student in her class and a new boy who profoundly change her outlook and values. Her parents watch conservative television and do not want to wear masks or get vaccinated. As her eyes are opened to injustice, she realizes her fiancé is not the person she wants to make her life with, and she can no longer look away from all that is wrong with her world.
What I learned from doing this assignment is the importance of creating a business hook to command the attention and interest for agents, managers, and producers. Using the 10 components of marketability help to make the writer attractive to a producer because it increases the chance that they can get funding for the film.
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Scott TOM Dennis’s Marketable Components
1. Current logline:
When a brilliant yet deeply troubled documentary writer uncovers compelling proof of FDR’s hidden strategy that allowed Pearl Harbor, it leads to the shocking discovery that he was one of the individuals sacrificed there in his previous life.
Marketing components: 2 with most potential for selling this script.
1. Based on a True Story. 2. Has a great role for a bankable actor.
Brainstorm : TRUE STORY
A) The story is absolutely true based on someone we know and their life story recovering deep mental illness/PTSD trauma through uncovering the truth about what led to their previous life’s demise.
B) We were able to secure the full rights and their blessing to tell their uniquely powerful and poignant story.
GREAT ROLE
A) the lead role is a true tour-de-force part… It gives the young lead actor a chance to embody a huge range of powerful emotions and situations… From the deepest despair to profound healing…and tempered with a wicked sense of humor…with several unique supporting parts to play off of.
What I learned doing this assignment:
I discovered that our story already has two very powerful built-in business hooks…And I’m looking forward to developing our pitch to highlight these in the best way possible.
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This reply was modified 3 years, 1 month ago by Scott Dennis.
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This reply was modified 3 years, 1 month ago by Scott Dennis.
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This reply was modified 3 years, 1 month ago by
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John Stimson’s Marketable Components
4. In this lesson I learned about and to think about “Business Hooks.”
1. A respected and charismatic engineering professor at the University of Washington is a bomber for hire who attacks political targets.
2. J: A great role for a bankable actor
B: Unique
3. The main character is a villain who goes against the tradition grain; not an iconoclastic loner Unabomber-type, but instead he is the most popular professor on campus. The character is meant for the handsome leading man.
I once told the premise of this story to three Black Muslim men from Africa and they were amused about prospect of a white American being depicted as a terrorist.
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Melanie’s Marketable Components
Logline: Murder, Ink – Thriller
As a young aspiring journalist pens a thriller based on her life, a local best-selling author is mysteriously killed under the same circumstances as his last book. She suddenly finds her words coming to life too when she becomes the killer’s next target.
**After this assignment, I’ve decided to do a rewrite on my script. Thanks to your marketing advice, I realized the plot needed to be elevated so I’m tweaking the script.
The top two components of marketability for my script include a Great Title and being Unique.
In the age of streaming and lack of prints and advertising, titles are sometimes all the viewer sees to base their decision of whether or not to watch your show. “Murder, Ink” is just two words but gives a big punch – it’s a thriller, there’s a business behind the murders, and that somehow these crimes have to do with authors. The concept is unique, I believe. Although there are tons of movies about writers, I feel this approach is different in that the plots of the thrillers are coming true in the writers’ lives. I also think this can lead to a sequel.
What I learned most during this assignment is that my script needs to back up my title since that’s a big component of selling it. This is a valuable lesson that has potentially fast forwarded me through years of trying to pitch a script that won’t sell. Thank you!
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Rob’s Marketable Components
Current Logline: During the 1930s Dust Bowl era, a gutsy widowed farmer’s wife fights corrupt and ruthless men to ensure her family’s survival, eventually becoming the Matriarch of a huge farming dynasty in California.
Marketable Components for this script:
– Similarity to a box-office success (Places in the Heart – with Sally Field, Danny Glover, Ed Harris, and John Malkovich)
– A great role for a bankable actor. Strong female heroine – feisty and gutsy. Plus the entire cast can attract talent. They are distinctive and complicated.
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N. Lucas Marketable Components Assignment
1. Tell us your current logline. – I am working on this
2. Look through the 10 Components of Marketability and pick one or two that have the most potential for selling this script.
• A. Unique. I think so- No TV show or series has taken a comic look at being a female State Health Inspector.
• B. Great Title: “Out of Temp” I think it’s a solid title. The Health Inspector takes temperatures of everything when they are in the back of the house- and will undoubtedly use this line in every episode.
• D. Timely – A perpetual and daily routine. Who hasn’t worked in food service at some point in their life? The situation which many adults are finding themselves in right now- may be working in a restaurant – becoming a delivery driver, or taking on waitressing or bartending to make ends meet. Pandemic restrictions and guidelines can be weaved in, as well.
• E. It’s a First: Tackling food service events/ behind the scenes/ back of the house/ humor, mental health, categorical stereotypical chefs —Mexicans are cooking in the Italian restaurant. Cubans are cooking in the Greek one up the street, etc. There is a lot to work with here.
• G. Wide audience appeal.- Everyone has familiarity with food service and would be drawn to know ‘what goes on in the back of the house’. Just as we are drawn to ‘bar rescue’ and other type shows- we like to see the inner working of a restaurant.
• J. A great role for a bankable actor.- I’m thinking Jane Lynch. I think it is stellar that she is 62 now- because she has the energy of someone younger, but can draw baby boomers who are still working. Big Name / Bankable Star
3. Do a quick brainstorm session about ways to elevate those two components for this script and tell us how you might pitch the script through the two components.—…..I have to decide which components would be the most important to highlight and expand on – so I am working on this.
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Lindy Baker’s Marketable Components
What I learned doing this assignment is the importance of having many of the ten Components of Marketability in your script in order to create a pitch that makes a producer know that s/he can sell it.
Logline: This is based on my own true events..
Even though she is in the middle of an identity crisis, a psychic accepts a woman’s plea to find her missing 6-year-old great niece and finds herself facing a treacherous conspiracy of faceless people who are orchestrating a child trafficking ring.
There are at least 2 components for this script.
1.) Unique – This story is unique because of its two major themes.
One is that this psychic isn’t liking being psychic, and finding herself stuck with it, she is reaching for something inside her to change so that she accepts it as something useful to have and not just something that others are fascinated with – something in it for HER. I haven’t seen any movies of this kind. They always want the psychic to be evil, or solving a mystery, or religious guru of some sort. Even the few people who have been allowed to see the first pages in a writer’s group I belong to wanted a Protagonist with her shi*t together. This story is from her eyes and feelings, doubts and hurdles. She is not what most people expect as a psychic. It’s also different in how the clues keep the audience guessing of where the missing child is and who did it.2.) True – As a person born clairvoyant (psychic), having been asked to assist some Southern California homicide departments with their investigations and also asked by family members of missing children, this is a story based on one of my cases. My accolades include named one of the Top 10 Psychics in the US by Globe Magazine and a Public Service Award by the Stark County Prosecutor’s Office for my part in establishing the 1<sup>st</sup> Victim Witness Assistance Program in the U.S. I volunteered as a Rape & Assault counselor.
There are other components also, but rather than list them here, I’ll move on to the next class.
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Gordon Cowan – Marketable Components
1. Logline:
When mistakenly given a file outlining a wealthy psychopath’s heinous scheme, Gwen must trust her very survival to the deadly assassin who’s sent to retrieve it.
2. Look through the 10 Components of Marketability and pick one or two that have the most potential for selling this script. (Tell us how your script already fulfills them AND how you might highlight these two in order to elevate the pitch).
Response: HARDWIRED (great title BTW) is significantly attractive for an A-list actor for these specific reasons (“spoilers” included):
a. The “hit man” is actually a “hit woman.” And she’s black.
b. She’s “bad ass,” “smokes” her marks efficiently, receives $3M per hit, is a hardened “mixed arts” capable combat fighter in a “street smarts” way.
c. Her B story: privately, she has a soft heart, supports a shelter that gets kids off the streets, gets them clean. Her hit contract payments support this shelter. Subtext: she’s a street kid shelter graduate herself.
d. She’s haunted by a significant personal loss, occurring when she was 10 years old (revealed below).
e. We NEVER see her face until just after she arrives to kill her mark.
f. FIRST SPOILER: the next “job” she accepts is from a ultra rich psychopath (rich guy) who, unbeknownst to her or to rich guy, or to the viewing audience, is her very own sister, Gwen. Sister Gwen is marked for death merely because she was inadvertently given a file at work that rich guy wants nobody to see.
g. SECOND SPOILER: when the assassin sees who her mark is (still not known by Gwen or audience) she breaches the assassin’s code of conduct – she doesn’t follow through with the hit. This marks her for death as well.
h. THIRD SPOILER: Gwen is actually the killer’s identical twin sister. In other words, the assassin is about to murder her own identical likeness. It is not until just after this revelation to the assassin that the audience discovers it when, moments later in private, the world’s deadliest assassin begins sobbing when reliving the very event that haunts her (also haunting her sister, Gwen) which is the day when the two sisters were split at age ten, to be orphaned separately, in a way that neither would ever know what happened to the other.
i. She is so good that she sits-in as her sister Gwen at the FBI’s interview of Gwen (following a significant event occurring at the end of Act II). Neither the FBI nor at this point the audience, is aware that the assassin sits-in as Gwen. And she also easily passes the FBI’s polygraph of who they believe is Gwen. Subtext: you kiddin’ me? The FBI had in their own building, in their own hands, one of the world’s deadliest assassins and didn’t know it? And let her go?
j. A-list actor, whoever she is, would be given a challenging and significant role in playing two key roles – the brutal assassin AND also her mark, her identical twin sister Gwen who is the true protagonist.
Personal note: I have thoughts on who could really benefit from becoming attached to this film if it ever became made. Yes, she’s an A-List actor. And she’s played “bad ass” roles in her film career.
3. After brainstorming tell us how you might pitch the script through the two components.
Response: I am working on various pitches but have yet to refine them. And you’re making me work on it. You have my gratitude.
4. What I learned doing this assignment is to filter the script for its most redeeming components and to focus on just one or perhaps two of them.
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This reply was modified 3 years, 1 month ago by Gordon Cowan.
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This reply was modified 3 years, 1 month ago by Gordon Cowan.
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This reply was modified 3 years, 1 month ago by
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Nancy Lucas, Marketability Components
As I continue my assignment using ‘A Tropical Christmas’ as my Project, what I learned from this assignment was that – it is the uniqueness of the characters, and yet the ‘commonality ‘of a problem or dilemma – that will drive the marketability of this sort of script. I know I need to work on the Log line and also a much easier tag for this. I need to really pull strong words from the description to tie it into a concise sell.
Log Line: What happens when a successful lawyer is tasked with planning his best friends wedding, on Christmas day, in Cupid’s Cove, Florida, where developers have threatened to buy the mid-century modern motel at auction and turn it into a high rise the day before the wedding.
The 10 components:
A) I think it is unique, as I have watched MANY of these movies- and, while the Christmas sub-genre of the romance movie is very popular- I think the twist of having it set in a tropical location, during high-season, with the goal being on a compressed schedule -yet BIG day– adds element that this particular audience would find appealing.
B) I feel the title is strong- but will also- rework with other ideas as I go along.
C) Not a True Story
D) Timely: Not necessarily timely–but seasonal. Hallmark creates another 40 new of these movies every year. Other Streaming services are buying them up in an effort to take some of the marketshare from Hallmark– and they are open to producing films that do not necessarily have snow- or the usual elements of a ‘Christmas film’.
E) Not- a first–but a VERY POPULAR genre and seasonal sub genre (Christmas)
F) Ultimate- no.
G)Wide Audience Appeal: Most definitely. The G-Rated romance market is wide open. Netflix has joined the fun by having a romance film with all of the ‘beats’ necessary for a great film- starring Brooke Shields and Carey Ewles just last year. Again- I feel this market is wide open for a fresh approach.
H) Adapted from a book– No.
I) Box office success– No, but Made-for-TV movie Success- YES!
J) Great Role for a bankable Character? ABSOLUTELY. Many Hallmark movies have major Actors in supporting roles, cameos, etc. I feel this story could incorporate many beloved actors from the past.
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“Dreamscape” (1984 – Kevin Bacon) meets “Zodiac” (2007 Jake Gyllenhaal) meets “The Secret Life of Walter Mitty” (1947 Danny Kaye, 2013 Ben Stiller) meets “Back to the Future” (1985 Michael J. Fox) meets “Somewhere in Time” (1980 Christopher Reeve).
A college research professor promotes a contending theory which is devoid of the influence of time which goes beyond Einstein’s 20<sup>th</sup> century physical world theory of relativity as a clairvoyant student of his must put the professor’s theory to task in order to stop a vision of a serial killer murder of his mother-in-law coming to pass.
This theory is that “Cause does not have to precede effect” superseding the “what if” as to Einstein’s previous 20<sup>th</sup> century science frontier.
The proving of this postulate uses this prophetic clairvoyant under hypnosis to be able to enter the timeless collective unconscious, so-named by Carl Jung the father of psychology.
Based on certain documented witnessed true events and a real cutting edge new hypnosis technique called “retro-intention”, which allows memories of past events to be altered or even totally erased in one’s physical brain’s memory.
The unique difference in this story is in using this same technique employing a psychic who is going to alter and eliminate what this professor claims as “memories of future events” that have not happened yet in the physical world, the “local universe”.
The goal of the science fiction theme is in order for a psychic to change or eliminate thoughts and memories of the past and yet those of the future employing yet conscious physical brain creations of new visions under a cutting edge retro-intention hypnosis protocol. This is in order to selectively replace these future memories, coined by the professor, which are memories of past, present, and future events existent in the collective unconscious devoid of time and containing every thought of every person who has lived and who is to be born in the future to explain the scriptural “book of life”. Such memories of these thoughts are able to be affected for alteration or elimination but only in the collective unconscious through a clairvoyant who uniquely can engage both the physical local universe world and the non-local collective unconscious simultaneously.
How is it that one becomes psychic?
The author is a master clinical hypnotherapist, scientific theorist, and a documented proven prophetic clairvoyant and a healer, so much as ordained in the American Catholic church relying on his real events of his life.
This goes beyond the realm of existing hypnosis being employed traditionally.
This story reveals how a psychic’s personal involvement itself brought on by seeing a horrific vision of a future crime can result in perpetuating the actual crime as to a murder of his mother-in-law seen in his prophetic vision which is what the lead character is trying to avert.
No one has attempted revealing this in any other film.
Questioning Einstein’s sole reliance on e=mc squared, Carl Jung’s theory of inherited memories, and quantum physics’ sub atomic theories of particle existences locations –finally! No other sci fi has ever attempted this; cutting edge.
To prove this it’s implemented in a secret university scientific hypnosis experiment to enter the theorized yet unproven “collective unconscious” so-named by Carl Jung, father of psychology.
It’s by using a clairvoyant student rather whose only goal and without the help of the police or with his wife’s knowledge however which is to avert a serial killer’s murder of his new mother-in-law which he envisions to tragically take place soon attempting to change her fate.
In the tradition of but reaching beyond Arthur C Clark, Jeremiah Setchin, H.G.Wells, Issac Asimov, Robert A. Heinlein, Michael Crichton.
This story in Friends in High Places is based on real events and real people and has been created by a scientifically trained research theorist, a master clinical hypnotherapist who also happens to be a proven prophetic clairvoyant, and also because of his miraculous healings he credits to God and His angels and has been ordained in the American Catholic Church of Malabar, founded by the apostle Thomas, the healer, also known as doubting Thomas, fyi.
Structured as an ongoing miniseries as well.
The story is considered either as a:
1. sci fi thriller comedy.
2. Thriller sci fi comedy
3. Comedic sci fi thriller.
Ghost Busters type of animation for the friends in high places.
alternative title – Back into the bottle
alternative title – Beyond the Genie
alternative title – Some Gift
Our lives are the battlefield for the spirit world.
How do we, get the genie,… back in the bottle?
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