• Sharilyn Kyle

    Member
    September 20, 2022 at 1:54 am

    Sharilyn’s Dialogue 7 – 8

    What I learned doing this assignment is…I already started implementing these techniques from the last lesson.

    TEASER

    BEFORE: I introduced the protagonist first. She was food fucking, which didn’t allow for dialogue.

    • A. Dialogue as Action NONE! Just sex sounds.

    AFTER: I switched the order of the scenes so the antagonist is shown first sexing his blow-up doll girlfriend, then transition into the protagonist doing herself. I gave her one line.

    • B. Subtext “Cum out, cum out wherever you are?”

    ACT ONE

    BEFORE: Erin misses the Food delivery hand off and she apologizes

    • A. Dialogue as Action “Gimme.” motion

    AFTER: Now, I deleted her “Sorry” line and just had her hand motion, “Gimme.” then I broke up his “same order. Different day. Right?” line to make it go back and forth between them as in an understood banter.

    BEFORE: Walley and Kandy are having b-fast. Walley starts a tirade. Kandy stops him in his tracks asking him not to start complaining.

    • A. Subtext: Walley is paranoid. He’s not so good in bed.

    AFTER: I took out the word “complaining” and replaced it with “Yu. Talking about them.” Walley denies he was “gonna talk about them.” Now I wanna know , “Who is them?” Also, Kandy continues with “Say something nice.” He refers to the night before which hints at his sexual insecurity.

    ACT TWO

    BEFORE: Mi-Ya and Ms. Chen are about to hog-wash Erin. Ms. Chen says “Time to clean.” This is a direct order.

    • A. Dialogue as Action – They do hose Erin down

    • B. Subtext “I’m so excited.”

    AFTER: I deleted the “Not.” after she says this line as clearly she is not excited.

    ACT THREE

    BEFORE: Erin is stuck on the floor. She’s fighting with Mi-Ya. She says, “You always do this.” I deleted the next two lines which state the frenemy tension between the two.

    • A. Subtext – Erin and Mi-Ya have a deep divide between them that comes out in these fewer lines.

    AFTER: Just 3 lines per character now is more fight filled than before. Less is more.

    ACT FOUR

    BEFORE: Ms. Chen and Patty not allies are not allies against the strange neighbor dude.

    • B. Subtext – Ms. Chen, in her own rude way, affirms Patty’s gender.

    AFTER: I gave Ms. Chen the rude/funny line “ And man. Strong man.”

    BEFORE: Patty and Erin argue with Erin kinda whining about her parents installing the cameras. Erin states:

    • B. Subtext – “Correction. They’re not my real parents.”

    AFTER: This line opens the door to the discovery about her adoption and her resentment toward them.

    ACT FIVE

    BEFORE: Patty just leaves Erin staring at her nude, fat self in the mirror.

    • B. Subtext – “Here. There. You know me.”

    AFTER: Erin asks Patty, “Where to?” And Patty responds a little naughty. She later accepts a ride from weird neighbor dude across the street. Leaves us wondering what is, was, will be between those two.

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