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Lesson 13
Reply to post your assignment.
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8 Replies
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Ken’s Scares, Releases, and Creepy moments
Outline:
The Spider has escaped the anti-venom lab by hiding in Rexy’s large purse. It has had a long night of hunting and killing and feasting on humans and creatures. It’s daylight and her time to rest.
This becomes a disturbing situation when Rexy drives home with the purse(and spider) next to her. At one point, she brakes and we see the Spider’s leg shift out of the bag and retract back inside, just inches away from Rexy’s leg. She carries the purse inside her house and places it on a credenza in the hallway.
Rexy’s daughter, Lilly arrives, and in a moment of release, Rexy, her daughter Lilly and dog, Rosco, go to the kitchen, make pancakes and laugh about Lilly playing catch with her dad (Rexy’s ex) and hitting him in the face with a football.
Rexy tells Lilly that she has a surprise gift for her in her purse. It’s a Donkey Kong video game. Lilly goes to get it and we have another disturbing situation when she sticks her hand in the purse and rummages around. The package is not in there and surprise, the spider is not either. The package has fallen to the ground under the credenza. She grabs it and we see the Spider comes out of the shadow for a quick punch strike but misses and retracts back into the shadow.
After the meal, Rosco goes outside through the doggie door. Lilly goes to her upstairs bedroom to lay on her bed and play her game and eventually dozes off. Rexy goes to take a shower. The Spider, is attracted to the jungle noises of the game and makes its way up the stairs, onto her bed and climbs up on top of Lilly.
In a shocking, unnerving, situation, Lilly awakes to see the Spider and begins to call out for her mother. However, Rexy is using a hair dryer. When Rexy turns it off, she hears Lilly’s desperate, emotional pleas and comes to her room wrapped in a towel. They develop a plan for Lilly to swipe the Spider off and Rexy will hit it with a tennis racket.
The launch is a success, but Rexy misses and the Spider jumps up on her towel. Rexy goes into hysteria knocking the Spider off. The Spider, fully aroused intends to attack again. However, in a jump scare of a different sort, Rosco the dog attacks the spider and engages in a rough and tumble fight all the way down the stairs to the ground floor.
The Spider bites Rosco and we think it will die. Exhausted from the night and dog fight, the Spider escapes out the doggie door. In a moment of release, Rexy remembers she has a vial of anti-venom in her purse and administers it to Rosco.
Scenes:
EXT./INT. REXY’S CAR – CONTINUOUS
Rexy get’s in her car and starts the engine. The movement of the car, going from reverse to forward, causes the LARGE PURSE to move.
A spider leg comes out, then retracts. Rexy doesn’t notice it. Rexy drives through the neighborhood and pulls up to her two-story home.
EXT./INT. REXY’S HOME – CONTINUOUS
Rexy swings her LARGE PURSE onto her shoulder and carries it to the front door. Rexy picks up a small Amazon package from the porch. She slides it in her purse.
REXY
It came.
She opens the door. ROSCO, her small-sized dog, greets her with much affection. She forces a smile.
REXY
Oh, to be a dog. Always happy.
She lays her keys and her purse on its side on a hallway credenza, and gives the dog a good head rub.
The front doorbell rings. Rexy opens the door to her daughter, LILLY(11), a happy, athletic girl. They hug.
REXY
Hi, Lilly girl.
LILLY
Hi, Mom.
Her EX-HUSBAND waves, as his vehicle backs out of the drive and leaves. They enter and Rexy closes the door.
REXY
Hungry?
LILLY
Yes.
REXY
Come on. Breakfast at dinner. I’m hungry for buttery pancakes.
LILLY
And hot maple syrup.
REXY
And ice-cold milk. I bet Rosco would like a pancake, too.
They head toward to the kitchen. Rosco follows but looks back at the LARGE PURSE. The promise of food wins Rosco over, however. They disappear into the kitchen.
The LARGE PURSE on the credenza begins to shake. A spider leg appears, then another. The small package drops to the floor. Teras’s head becomes fully visible.
Loud LAUGHTER from Rexy and Lilly comes from the kitchen, and retracts into the purse.
REXY (O.S.)
Turn the mixer off first.
KITCHEN
The girls have aprons on and batter splatters on their faces.
LILLY
So, I threw this perfect spiral, and it hit dad right in the nose.
Rexy gasps.
REXY
He always has been klutzy.
LILLY
His eyes are turning black.
They LAUGH.
REXY
Oo. I needed a good laugh. Hey, I got you an early birthday present.
LILLY
You did?
REXY
It’s in my purse. On the credenza.
HALLWAY
Lilly runs up to the purse and starts to stick her hand in.
She realizes she has batter on the back of her hand. She wipes it off on her apron.
She lifts open the purse with one handle and sticks her hand slowly in the other. She feels around and gets a confused look.
She glances down and finds the PACKAGE partially under the credenza. Just behind package, in the shadows is Teras.
She bends down and grabs it, just as Teras reaches out to strike her hand. Teras misses and retracts into the shadow.
Lilly grins and hustles back into the…
KITCHEN
Lilly opens it. It is a GAME for a SWITCH CONSOLE.
LILLY
DONKEY KONG! Yes! Thanks, Mom.
Lilly hugs her.
REXY
You’re welcome. But, don’t forget to spend time with your mom.
LILLY
I will.
Hot syrup pours, melting butter. Rosco sits up with tail wagging profusely just below the table.
LILLY
Good dog.
REXY
Obedience school is paying off.
LILLY
Here, boy.
Lilly puts down a small plain pancake. He laps it up and begs for more. Rexy SIGHS.
LILLY
Can I give him another one?
REXY
Why not?
Lilly does.
LATER
The table is cleaned. Lilly puts up the fridge items. Rexy rinses the plates and loads them in the dishwasher.
REXY
Do you want to go anywhere, do anything tonight?
LILLY
Mom, I stayed up late two nights in a row. I thinks I’d like to just go to my room and lay down, maybe play with the new game.
REXY
Sure, Honey.
They pull off their aprons. Rexy gives Lilly a hug and watches her leave the room.
REXY
(to Rosco)
Alright, boy. Go outside and do your duty.
Rosco exits the kitchen door via a doggie door.
LILLY’S BEDROOM
Lilly lays down on her back on top of the covers. She plugs in the new KONG game to her SWITCH CONSOLE, and plays it.
DOWNSTAIRS HALLWAY
Teras hears the JUNGLE SOUNDS of the Donkey Kong game.
BATHROOM
Rexy takes a shower.
STAIRS
Teras, now at the top of the stairs, looks toward the Bathroom, but is drawn by the JUNGLE SOUNDS coming from Lilly’s room.
Teras slowly enters…
LILLY’S ROOM
Lilly plays on. Teras crawls behind the bed out of our view.
INTERCUT: REXY/LILLY
Rexy washes her hair.
Lilly becomes overwhelmed with tiredness and puts the SWITCH on her night stand. Her hands fold over her stomach and her eyes blink slowly until she finally drifts off to sleep.
Rexy gets out of the shower and wraps in a towel.
Teras’s leg appears coming up on the bed near Lilly’s feet.
Rexy blows her hair dry.
Teras climbs up on top of Lilly’s body. As Teras climbs up on her hands, Lilly wakes up to see the face of Teras. Fear fills Lilly’s eyes.
LILLY
(softly to loudly)
Mom. Mom. Mom. Mom.
Rexy continues blow drying, but finally shuts it off. Lilly’s distressed cries finally reach her.
LILLY (O.S.)
Mom. Please come now.
Rexy swings open the door and flies down the hall into Lilly’s room. She and Teras see each other.
From one mother to another, Teras seems to have a sad, longing face. Rexy cocks her head trying to interpret the strange look.
LILLY
(whimpering)
What do I do, Mom?
Rexy looks around.
REXY
Stay still. This spider is deadly. What do you have that I can hit it with?
LILLY
My tennis racket over in the corner.
Rexy creeps over, gets it, and creeps to the foot of the bed.
LILLY
Don’t hit me.
REXY
I won’t. Now, When I say go, I want you to flip it off with your hand. Really hard and fast toward the door. I’ll whack it when it hits the ground. Ready?
Lilly nods.
REXY
Go.
Lilly successfully launches it off and scrambles out of bed. Rexy attempts to hit it. Teras sidesteps. Rexy misses. Teras jumps up on Rexy’s towel. Lilly and Rexy SCREAM.
Rexy whacks Teras off. Teras tumbles out the door into the…
UPSTAIRS HALLWAY
Teras uprights herself at the top of the…
STAIRS
Rosco suddenly flies up the stairs, growling and barking and launches headlong into the spider. A rolling, wrestling match commences.
LILLY
Rosco, no.
Rosco and Teras roll and fight closer toward the stairs. Finally, they plunge downward. Bouncing, GROWING, SCREECHING.
When they hit ground level, the two fly apart, sliding on their sides. Lilly and Rexy come flying down the stairs.
LILLY
Rosco!
Rosco breaths heavily and whimpers. Teras gets upright, shows her fangs, SCREECHES and stalks Rosco. Suddenly, a blast of CO2 from a fire extinguisher, sprays Teras in the face. We see Rexy’s angry face.
REXY
Not my dog.
Teras backs away. Rexy forces Teras toward the back door. Trying to get the spider to go to sleep. Teras backs up to the door and accidentally bumps the doggie door open.
Teras escapes. Rexy runs back to Rosco in the…
HALLWAY
Lilly, in tears, holds Rosco as the dog fights for life. Rexy kneels. Lilly looks up at mom.
LILLY
I think he got bit.
REXY
Oh, no.
It suddenly dawns on Rexy that she has the anti-venom in her purse.
REXY
Wait a minute.
She dashes to her purse and dumps out the contents. The glass vial rolls off the credenza. In slow motion it falls and hits the floor. Rexy’s face goes into full panic. She GASPS.
It hits, bounces once, and spins. It does not break. BIG SIGH. She sees a needle among the contents, scoops it up, and rushes to treat Rosco.
She injects Rosco. Lilly’s teary eyes look for hope in Rexy’s. Rexy’s can’t offer much. They wait. Rosco calms down and goes still.
Rosco suddenly throws up breakfast all over Lilly and stands on all fours, wagging his tail and licking his lips.
LILLY
Eww. Rosco-wuh.
REXY
It works. The anti-venom works.
They all hug.
REXY
Thank God, you’re both okay. I love you so much.
LILLY
What was that thing?
REXY
A spider from the lab. It must have gotten in my purse. But, go get cleaned up. I have to make a call.
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I love this, Ken. The use of the Donkey Kong game is brilliant. And the part with the dog injects some terror and relief into the scene.
I also appreciate that you alway post first and provide such great and helpful examples.
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Thanks Mike. You are an inspiration, too. You’re hanging in here to the end. I’ve enjoyed your posts to see how you implement the lessons into shaping your outline and scenes. The Professor is becoming a horror character to be feared.
I’ll be happy to share outlines with you, Kris, and everyone else who wants to.
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Mike’s Scares, Releases, and Creepy Moments
What I learned doing this assignment is…
Outline:
The group just got the question correct, and Jacob survived the ordeal.
The Professor escorts Jacob into the hallway. The hallway is dimly lit (creepy moment) Jacob asks what happens next, and he is told that he will be brought back to his friends. Jacob starts complaining that e wants to leave and begging to be let go.
The Professor offers him an extra credit question. If he answers correctly, he will be let go; if he answers incorrectly, he will be suffer the consequences. Jacob accepts the offer.
Jacob is brought to another room. This one is burned out (creepy moment). In the front, there is a table with two guns. One has a tag on it with and A, and another has a B. The Professor asks Jacob a question. He takes his time thinking.
Then, Jacob picks up a gun and fires toward The Professor. There are no bullets. He then picks up the second gun and fires. Again, no bullets. The Professor feels him that this was a trick question. Both answers were correct. Jacob then argues that he got it wrong and should be taken back to the other room to answer another question.
The Professor walks him back down the hallway (release). He stops, and Jacob turns around. The Professor tells him he has been caught cheating and now must suffer the consequence. The Professor raises the spear gun and aims it toward Jacob (horror).
Scene:
INT- HALLWAY- EVENING
Still holding the spear gun, The Professor leads Jacob down a very dimly lit hallway.
JACOB
I got the question right, didn’t I?
THE PROFESSOR
To be accurate, young man, your colleagues got the question correct. You just made the choice based on their answer.
JACOB
Yes, but I didn’t get killed. I get to go right.
THE PROFESSOR
Yes, you get to go.
JACOB
So I’m leaving? There’s a way out?
THE PROFESSOR
I’m afraid your question wasn’t specific. You get to go back to join your friends.
JACOB
That’s no fair. I got it right.
THE PROFESSOR
Again, to be accurate, they got it right.
JACOB
Still I should get to go. If I go back, do I have to answer another question. Will I ever get to leave?
THE PROFESSOR
Young man, if you have been diligent in your studies, you should have nothing to worry about. I assume math has been part of your curriculum.
JACOB
Yes, but I missed…
THE PROFESSOR
Good. Missing class is no excuse. you are responsible for making up any missed work.
JACOB
So is there anything I can do? Please?
THE PROFESSOR
Ae you asking for extra credit?
JACOB
Yes. Yes. Can I have extra credit? Is there a video I can watch or homework I can do?
THE PROFESSOR
Young man, extra credit is extra. It shows that you have knowledge above and beyond what is required. Do you understand?
JACOB
I do. Yes, sir.
THE PROFESSOR
Yes, Professor.
JACOB
Yes, Professor.
THE PROFESSOR
Okay, let’s go into this room on the left.
The Professor nudges Jacob toward a closed door. He opens the door and pushes Jacob in.
INT- A BURNED OUT CLASSROOM- EVENING
Jacob is standing in the room, and The Professor enters. The camera scans the room. It is burned out. Desks are in various states of disrepair. Up front is a charred table, and on the table are two pistols. The Professor nudges Jacob toward the table. Each pistol has a tag. One has an A and one has a B.
JACOB
There’s no monitor in this room. How are you going to ask them the question.
THE PROFESSOR
This is extra credit. You will answer on your own.
Jacob gulps, suddenly more nervous.
JACOB
Oh, okay. As long as it’s not a hard one.
THE PROFESSOR
This is one any junior high school student should know.
JACOB
Breathes deeply.
Okay. I’m ready.
THE PROFESSOR
For this question, you are to choose the gun representing the correct answer, and put it to your head and pull the trigger.
JACOB
Takes another deep breath.
Okay, shoot. (beat) I mean, I’m ready for the question.
THE PROFESSOR
For this question, identify which formula gives us the slope and coordinates of a line. A: y=mx+b or B: m=(change in y)/(change in x).
JACOB
What?
Jacob is quiet in thought for a minute. The camera goes back and forth between the guns.
THE PROFESSOR
Do you want me to repeat the question?
JACOB
Wait. No. I remember this one.
Jacob picks up gun B and puts it to his head. The he turns it toward The Professor.
It’s A.
Jacob pulls the trigger and we hear clicks. He looks at the gun, confused.
The Professor stands impassively.
Jacob puts down the gun and picks up the other. He points it toward The Professor and pulls the trigger. It clicks as well.
The Professor grabs Jacob and throw him against the wall.
THE PROFESSOR
It’s a trick question. Either answer would be correct.
JACOB
So I got it right. Both times.
THE PROFESSOR
I’m afraid not. You thought you picked the wrong answer. It’s the only way you could be wrong.
JACOB
But- But. It was a trick. You have to give me another question. Take me back. Let’s do the next one.
THE PROFESSOR
Get up, young man. Dust yourself off.
Jacob stand up and brushes himself off. His face shows a look of terror.
The professor motions toward the door with the spear gun. Jacob walks toward the door with the professor right behind him.
THE PROFESSOR
Take a right, back toward where we came from.
Jacob turns to the right, with The Professor following him closely.
THE PROFESSOR
Stop here.
They stop.
Turn around.
Jacob turns around.
Now look at me.
Jacob turns around and looks at The Professor. He pulls off his mask, revealing a grotesquely scarred and burned face.
Jacob screams.
The Professor holds up the spear gun and points it at Jacob.
THE PROFESSOR
You’ve been caught cheating. You have to pay the penalty.
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Kris’ Scares, release, and creepy moments.
What I learned from this lesson is these beats will work even in a smaller scene where nothing horrible happens to any characters. Not only does it create tension within the scene, but it can be used as a building block to create an overall tension in the entirety of the film.
Pete has returned to the construction site to dispose of the human remains.
EXT. CONSTRUCTION SITE – NIGHT
Pete’s Volvo bounces down the muddy road. He rolls to a stop, steps into the mud with his rubbers. He retrieves a flashlight from glove compartment, and trudges toward –
THE DISCOVERY SITE.
Rain spatters the tarp creating a machine gun of natural pops.
Pete reaches down to one corner of the tarp and rips it back revealing –
AN EMPTY HOLLOW
Where the human remains had been discovered only hours earlier.
Pete scans the grounds with his flashlight; is he in the right spot?
Rain trickles down his face, clouding his vision.
HOOT!
With a start, Pete wheels toward a sound in the night up above, aiming his flashlight beam at – –
AN OWL casting judgment on him from a limb high up in a tree.
Pete breathes a sigh of relief.
He steps down into –
THE DISCOVERY HOLLOW.
His foot immediately swallowed by mud. As he retreats, his boot doesn’t budge and he stumbles, plopping his stockinged foot down into the muck beside the boot.
PETE
Oh, for the love of God.He wobbles as he stabs his foot at the errant boot, but misses.
TWITCH!
A match ignites ten yards away.
Pete squints. Remembers he has a flashlight, and aims it at –
BRIGGS, lighting his pipe.
PETE
Who’s there?
Briggs approaches puffing on his pipe like a slow moving locomotive. He cradles a cracked open double barrel shotgun in one arm.
He looms over Pete who struggles to get back into his boot.
PETE
This is private property, no trespassing.
BRIGGS
What you looking for boy?
PETE
My dad can make life very difficult for you unless you state your business here.
BRIGGS
I know you are, young Sullivan. There’s nothing left your dad can take from me.
Pete finally manages to get his boot back on, acts like he now has the upper hand. Notices that Briggs is carrying a burlap satchel, not unlike the one where the human remains had been discovered in.
PETE
What’s in that satchel?
Briggs smirks, holds it open for Pete to reach into.
Pete is hesitant.
BRIGGS
Go on, boy… if you’re so curious.
Pete holds his breath. Inches his hand into the bag.
Whatever he’s landed upon has put a frown on his face.
He pulls out his hand, holding a dead fox. Pete flinches.
Briggs laughs. Takes his fox, and wanders into the dark, leaving Pete stuck in his hole.
PETE
(trying to act tough)
This is private property. No hunting allowed.
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Rachelle’s Scares, Releases, and Creepy moments!
What I learned: Building in the release is so important. I think about it with horrors I have watched, and you can’t just keep going horror after horror, there needs to be a break.
INT. SAME – SAND PIT
Will and Olly find their tunnel ending in ever more sand until they are atop a pile of it.
“Look at these cute little prints,” Will says. Something skitters on their periphery (Startling).
Will is panicked, he can’t stop talking (emotional).
Olly scouts a ladder on the wall and makes his way there. Will is beside himself, and doesn’t notice what Olly is doing. The Kamaitachi bursts through the sand and cuts Will limb from limb (shocking).
Olly escapes to the sound of Will’s screams, keeps climbing the ladder until he reaches the top of the building (release). He looks around, feeling safe for the moment.
When Olly turns around, the Doctor is there (creepy).
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Bill Anderson’s Scares, Releases and Creepy Moments!
What I learned doing this assignment is the fun that can be had with releases and how they amplify the horror that follows
Outline:
Scare – something exactly like the roots Jack described starts to come for Leah
Release – it’s just two squirrels fighting over a nut
Creepy moment – Michael looks like he’s breathing and alive, but it’s just an illusion caused by decomposition gasses – he’s dead and rotting unnaturally fast.
Context:
EXT – GNARLY TREE – EVENING
As Leah and the dog pass by, a fruiting body of the fungus emerges on the surface of the gnarly tree – at time-lapse speed – menacingly quick… we see the tree is becoming covered in fungus – voraciously consuming it from within… mycelial fibres are increasingly clothing the outside of the skeleton as if it were being wrapped by an embalmer…
Scripted scene:
EXT – WILD FOREST – EVENING
As the forest shimmers, hisses, creaks and groans with supernatural threat, even though Leah sees more and more of the fungus growing in the wood she becomes less convinced with every step that Jack was merely hallucinating.
She hears rustling in the leaves behind her: the dog starts to whimper – she turns – she can’t see where the rustling is coming from, but it’s getting louder, more vigorous….suddenly from behind a tree something shoots towards her under the leaves – exactly like the killer roots Jack described! – Leah is frozen to the spot with fear, the dog whimpering uncontrollably, the commotion in the leaves powering towards them… just before it hits Leah and kills her two squirrels fighting over a juicy big nut spring out of their leafy cover – the dog barks, Leah sighs with relief – the squirrels are cute! – the victor scampers off with the nut, the loser looks at Leah as if to say “Do you have a nut for me? I thought not…” before sidling off to search elsewhere.
Leah and the dog carry on… but she sees something that stops her in her tracks: the body of Michael lying on the forest floor where we last saw him…
…Leah approaches Michael with great caution, but gets close enough to see that his chest is moving slightly – he’s breathing! Still alive! She rushes to Michael and turns his body over – we hear a release of pressure, Leah recoils from the smell of decomposition gasses – Micheal’s body is horrifically consumed by fungus and penetrated by roots – hugely unnatural advanced decay – in a rhythmic movement, pockets of rotting gas build up, swelling the dead tissue and then burst out: like death is breathing – his body is already hollowed out by fungus and maggots which crawl out of his mouth – eel-like amphibian scavengers wriggle out of his eye sockets… Leah backs away, struggling to comprehend how this could have happened so quickly…
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6. Andre’s Scares, Releases, and Creepy moments!
1. Pick a scene from anyplace in my script that could use these three horror moments.
2. Create an Outline of that scene and build in a Scare, Release, and a Creepy moment
3. Write the scene…
The Human Race War-Triggering the Nxggxrs, Asians, Caucasians, Jews and everyone else intentionally left out.
• Eerie musical rendition of old negro spirituals. Off beat, yet familiar.
* A father lies to his wife and children, falsely promising them everything will be alright, everything will be okay. He is LYING! We the audience know it. He knows it. And they feel it, as they die one by one, then him. Picked off life ripe fruit from low hanging branch of fallen humanity. A Giant eats them, some call them Nephilim.• All HELL is unleashed on screen…
• A world where the people have killed their God.
• A world where financially poor yet innocent people are held in prisons, yet wealthy and guilty people are allowed to roam freely.
• Marriage is a pseudo arraignment for societal hierarchy. Majority of spouses cheat, adultery is rampant, one third of children are not fathered by the husbands because the wife stepped out and slept with the boss or co-worker, or “best friend”. Many men secretly have households outside the marriage.
Marriage is a failed institution. Another taxed haven money grab for bodily control and sexual perversion. A status symbol designed to make one appear to be wanted and desired. Where a marriage license is granted by dead celebrity performers, all for $25, signing ones name on the dotted line, a few false empty words such a promise to honor and protect till death do us part. Well, the death do us part is workable…• The US Constitution is ripped apart and interpretated as deemed fit.
The First amendment is reinterpreted to abridge the freedoms of speech, control a puppet press. Used to silence and infringe on the peoples the second amendment, all in the strategy to disarm before attack.
• The Second amendment is infringed upon by faulty claims of mental illness and false criminal convictions.
• The Third amendment is disassembled by making homeownership invalid due to cost of homeownership. Without consent of the Owner, no soldier shall in time of peace be quartered in any house.
• 4th Amendment protecting the right of the people to be secure in their persons, houses, and papers and effects against unreasonable searches and seizures is interpreted as deemed fit. Those without rights cannot be violated. What else would you expect from a false system of bullshit? Truth and honesty? You will own nothing, and be happy.
• With false crimes being charged against its citizenry, the freewill of a people is infringed upon with the 13th Amendment of Slavery and involuntary servitude being reinstated as punishment for crimes not committed, but charged and falsely convicted.
In a nation spiritually and financially incapacited by a diabolically corrupt “leadership”. The perfect setting for a soulless Being to preside.
• Lynching’s are legalized. Beneath the hood, are black faces, continuing the perpetration of racism. There is money, fame and clout in being a victim, both the Jew and Black have mastered this.
• Slavery and lynching’s regain prominence in God fearing, praise Jesus, In God We Trust, all mighty God loving America. A blood sacrifice is what the celebration is all about; another shed his blood for my sins. Thank you!
But not just the black community, ALL communities are both slavery and lynching’s repurposed. All in the name of human desired race war. But not the race war that fear-based pseudo-supremist anticipate, one much much grotesque. One against humanity itself! The War that was fought in heaven, can now be fought here on earth!
Humans are dumb enough to inflict violence upon its own. Once the numbers have been depleted, two-thirds, the real opposition, whom has been watching, participate in the blood bath; those being Djinns, Giants, Nephilim, Fallen Angels and various Midway Creatures such as Beelzebub and Baphomet.
• The black community has always been the test bed for what will be allowed in the “land of the free and home of the brave”, and the time before the civil rights era was that period of trial.
Civil Rights have been overturned by fallen government and self-seeking corrupted authority.
The black community has been failed not just by (corporation usa) country, but the black church and the black community. Being a government token institution, The Black Church has failed the black community in leadership, family values, and spiritual guidance. But they give one damn good party sermon. Pass the collection container again please, paster needs another private jet for his getaways. Eerie negro spirituals play while the collection plate is passed around, paster needs a third home (to support another baby in the pew, from another minor girl). Hallelujah, praise Jesus. Thank you for dying for my sins.
When members of a community willfully accept a negative colloquialism that has demonized and victimized it own community while widely accepting the negative narrative of the negro, what could go wrong? Nigga this, and nigga that. This is for the niggas!
• During the riots and peaceful protests of the early 2020’s, we all remember yes, black lives that matter convened to séance anti-matter of the blackest kind. That anti-matter, Black Life Matter (anti-matter) under the watchful eyes of those seeking to benefit from its powerful outcome, is merged and fused with the aborted fetuses from today and past generations of the most vial humans that ever walked the planet; from Genghis Khan, Ted Bundy, The Night Stalker, Dorothea Puente, Vlad The Impaler, Hannibal from Africa and even those kept secret due to the more heinous of crimes.
• The negative narrative of the African American is accepted by the black community as their accepted and normalized narrative of normalcy.
2/3 of all blacks die for accepting the negative narrative of the negro.
The remaining 1/3 survives long enough to realize the lucky one died off early.
One-tenth of this one-third who survive after the initial two-thirds die off in the human race war, are selected to be infused with biologic uplift. They are chosen for their potential, their innocence of heart, their sense of purity, and non-degrade.
The black church has failed them. How can a community allow themselves to accept a narrative about them, and act it out in acceptance? This narrative being SANs, and what that implies statistically.
• Black Lives matter séance during riots and chaos to invoke dark evil spirits to house the Anti-Christ.
• 2/3 of all Asians are less smart and financially broke.
They start mass suicides due to this new reality.
The remaining 1/3 survives long enough to realize the lucky one died off early.
One-tenth of this one-third who survive after the initial two-thirds die off in the human race war, are selected to be infused with biologic uplift.
They are chosen for their potential, their innocence of heart, their sense of purity, and non-degrade. Our Protagonist Indigo is one of them.• 2/3 of all Caucasians die the rest are outnumbered by the now majority who were minority.
And the financial systems fail, along with political systems.
The fear of every white man, that his daughter would have sex with a black man, and that his wife has, comes true; a true living nightmare for the once superior white man.
Similar to Asians and Blacks, the remaining 1/3 survives long enough to realize the lucky one died off early.
One-tenth of this one-third who survive after the initial two-thirds die off in the human race war, are selected to be infused with biologic uplift.
They are chosen for their potential, their innocence of heart, their sense of purity, and non-degrade.
• The 1/3 of each race remaining, now fight with midway creatures and djinns and other unseen forces.
They wanted a race war, they got one, just not how they anticipated.
All “races” of humanity, The remaining 1/3 survives long enough to realize the lucky one died off early.
One-tenth of this one-third who survive after the initial two-thirds die off in the human race war, are selected to be infused with biologic uplift.
They are chosen for their potential, their innocence of heart, their sense of purity, and non-degrade. Dogs, cats and other animals are spared.
• CALIGASTIA (the Devil), Earth’s apostate Planetary Prince, was a Lanonandek Son, number 9,344 of the secondary order.
Experienced in the administration of the affairs of the local universe in general and management of the local system of Satania in particular, is still free on our planet.
Free to Prosecute his nefarious designs. But he has absolutely no power to enter the minds of men, neither can he draw near to their souls to tempt or corrupt them unless they really desire to be cursed with his wicked presence.
In looking back over the long career of Caligastia “The Devil”, we find only one outstanding feature of his conduct that might have challenged attention; he was ultra-individualistic.
No real fault was ever found in him up to the time of his shameful betrayal of UrantiaEarth.
Inclined to take sides with almost every party of protest, He was usually sympathetic with those who gave mild expression to implied criticism.
We detect the early appearance of this tendency to be restless under authority, to mildly resent all forms of supervision.
Fade out as eerie rendition of old negro spirituals fade out.
4. What I learned doing this assignment is… I do not like to be rushed on a project, but I already knew that, filmmaking is a team participation, Goal of lesson is to add three techniques that can up the emotional experience for my audience,
CREATING SCARE
Definition: A sudden fright or alarm, sometimes with little or no reason.
Purpose: Foreshadows or sets us up for the horror to come.
The scares are just single moments and can be built in anyplace. They can also be used at the beginning of a sequence of horror moments.Startling
Lights go out
Something falls
Window or glass breaks
A friend jumps out at someone
See the monster without warning
A howl or screechEmotional
Someone freaks out
Attacked out of nowhere
Eerie shadows
Strange noises
Wake up with no idea what is happening
The characters are being watched
Finding a snake or spider
Projectile vomitShocking
Safe person is revealed as the monster
Something unknown grabs someone
Lightning flashes (no one there), lightning flashes again (the monster is there).
Something explodes
See a friend harmedRELEASES
Definition: A freeing from confinement, pain, emotional strain, freedom from danger or distress.Purpose: the purpose of a release is to make the next emotion more intense. It gives them safety and hope. If horror after horror, audience becomes numb to the effects, so go back to safety so sense of horror is not lost.
Continued horror becomes the norm. By adding in releases, it renews our experience of the horror.
• We have escaped.
• It’s not the monster, it is her friend.
• We feel safe, and then are slammed into the concrete.
• We think we have killed the monster.When the release happens, we relax. If it is followed by horror, the horror is much more intense because audience is caught off guard.
Essentially, get the audience to drop their guard, but then they are caught off guard by the shocking horror that follows.
CREEPY MOMENTS
Definition: Disturbing, disgusting; difficult to stomach. Repellent; causing one to experience uneasiness.Purpose: To evoke another emotional experience from the audience. Creepy moments can be used by themselves or as part of a larger horror sequence.
Disturbing Environment
• Searching in the dark with flashlights
• Digging in the woods in the night
• Going into the dark attic or basement
• Reaching into a dark place
• Dungeon or place of torture.Going Out
• The smell
• Finding the body bag. Opening it. Seeing the corpse.
• Touching a dead body.
• Slime or vomit
• Eating or drinking something connected to the monsterUnnerving Character
• Contact with the monster
• When humans do something unhuman
• Anything to do with children
• Children talking to invisible monsters
• Voices coming out of nowhere
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