• Ricki Holmes

    Member
    February 20, 2022 at 12:02 am

    This was tough, for me.

    I think it will help me to focus much more on the MIS side of the plot and in turn, make my scenes have a deeper meaning. It will make sure I concentrate on those three factors and the scripts will be stronger for the effort.

    • Ricki Holmes

      Member
      February 20, 2022 at 12:04 am

      Sadly after spending hours filling in document, the information is lost! argh!!!

  • David Sylvester

    Member
    February 23, 2022 at 11:09 am

    David Sylvester BI Stacking Suspense

    I combined questions 3 and 4.

    The first half of the movie is the setup for mystery and intrigue, and the pre-battle scenes are the reveals of the mysteries in the first half.

    Every scene has an M.I.S. In it.

    The. Character’s MIS is the basis of there getting caught up in the story’s Big MIS

    The reveal of the true antagonist wasn’t revealed until the end and still wasn’t sure.

  • David Sylvester

    Member
    February 23, 2022 at 12:06 pm

    David Sylvester SOTL Stacking Suspense

    The inciting instance is where the protagonist chooses to stumble into the villain’s master plan. Clarice agrees to do a little side job for Jack Croword to interview Lecter.

    Every scene (besides having some type of MIS in it) also has one MIS hook at the end.

    Mid-point – Lecter’s plan is executed and everyone’s world is turned upside down by him escaping. He uses Clarice’s MIS pleasing father figure and be the best of whatever she does. She catches one serial killer but is in the (villain plan) of Lecter for his escape.

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