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Day 7 Assignments
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8 Replies
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Ron’s Beat Sheet Draft 2
1. Cuccinelli is the newest junior officer fresh from Melville. Accepted at face value, assigned to 129 as XO. Neutral so far.
2. Within a week, 129’s skipper is wounded, Cuccinelli takes command and “may have” sunk a destroyer in his first week, but reports indicate that he was wild, out of control. First example of lack of maturity, excessive risk tolerance.
3. The Commander bawls out Cooch, hoping to set him straight. Commander assigns Cooch to the dogshit job, picking up an Aussie coast watcher. Commander can’t afford to tolerate “loose cannons”; Cuccinelli ignores the feedback, is “Stuck” in his anger and ego.
4. Cooch muffs that opportunity as well, loses one sailor, damages his boat, almost kills the coastwatcher.
5. Time for another chew session. Here the Commander is personally insulted that his commands have been ignored and denied. It’s personal now, Commander does not like Cuccinelli AT ALL.
6. Circumstances conspire to leave us several officers short. Cooch must be assigned to a 4-ship patrol, no choice, even though Commander is skeptical. Backed into a corner by circumstances, Commander’s dilemma is reminiscent of the aircraft carrier commander at the beginning of Top Gun: “you guys lucked out, I have to send you to Top Gun”.
7. That goddam Cuccinelli has apparently forged a real team out of that 4-ship, they sink one destroyer and damage the second. Commander sees the changes in Cuccinelli’s attitude, sees Cooch’s natural leadership not as an issue because it’s untamed, but as an asset because now it’s disciplined.
8. Destroyers phased out, new targets are armed barges. Torpedoes useless, PTs revert to gunboats. Cuccinelli shows great maturity, patience, etc, wins Navy Cross. Commander further sees value in Cooch, and wants to promote him as useful to the war effort.
OPENING ONE:
EXT ON WATER -NIGHT
TE1: Cooch (XO on the 129) rises to the occasion -but imperfectly – when his skipper is injured in a night time attack. Cooch takes the conn and engages the enemy but in a reckless manner.
EXT ON WATER -NIGHT
INCITING INCIDENT: Cooch overplays his hand, almost gets self and crew killed in dangerous maneuvers. Manages to escape whole.
EXT ON WATER – NIGHT
TE2: Destroyer sunk, but ambiguous as to whether it’s 129’s torpedoes.
OPENING TWO:
INT SQUADRON HQ – DAY
TE1: Cooch is bawled out by Squadron Commander
EXT ON WATER – NIGHT
INCITING INCIDENT: Cooch is given the dogshit assignment, securing an Aussie coastwatcher from an island
EXT ON WATER – NIGHT
TE2: the pickup goes bad, the Japanese were lying in wait. It almost costs Cooch the coastwatcher, his boat is damaged, and he loses one sailor, because he took undue risks
EXT ON WATER – DAY
TE3: Cooch waits too long, now it’s daybreak, has to limp home in the morning sun. Encounters a Navy bomber with a Zero on its tail, helps take out the Zero, rescues the rear gunner Sanchez
INT SQUADRON HQ – DAY
TE3: Cooch bawled out again by Squadron Commander
OPENING THREE:
EXT – DOCKS – LATE AFTERNOON
TE1: Circumstances force Commander’s hand, he assigns Cooch to a 4-ship “but only for 72 hours” until he can bring in someone else
EXT ON WATER – NIGHT
INCITING INCIDENT: In the event, Cooch’s boat sees two destroyers instead of one on radar, uses discreet radio signal to bring help from other PTs. One destroyer sunk, the other damaged.
TE2: Cooch has his “awshit” moment – where he almost gets himself -and his crew – killed, AGAIN, by being rash, or undisciplined, but is saved by random “fog of war”
INT – SQUADRON HQ – DAY
TE2: Now Cooch is back in Commander’s good graces but success is secretly built on contradicting the Commander’s orders
OPENING FOUR:
EXT ON WATER – NIGHT
TE1: Cooch maintains attack on barges (destroyers gone) and shows maturity and patience in execution
INCITING INCIDENT: While on attack, another PT shows up, Cooch coordinates an attack “almost by mind meld” the way musicians can play with each other and “know” where the music is going. He shows restraint and succeeds in sinking 4 barges.
TE2: Cooch earns a Navy Cross for his courage, and so do the other 2 skippers
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<div>What I learned in doing this assignment is how to create a beat sheet in a speed-writing fashion.</div>
Danielle’s High Speed Beat Sheet:
Act 1
Opening – EXT. Apartment – DAY
Montages of Tina kicking out various boyfriends and the kids watching
TE 1: Tina wants to make a change in finding the right man
INTICING INCIDENT: Montage of Tina meeting Kenny, they look happy, cut to him in front of the TV each day while she goes to work, insert other montages of him mooching. Tina kicks him out. The kids watch.
Placeholder: How does Tina feel, what are her thoughts? How does this affect the kids?
TE 2: A woman at Tina’s church gives her a bitter prophecy about her lifestyle.
Placeholder: How does Tina feel about this? What does it make her do/think?
Act 2
INT. Church – Day
Barry is hanging around the Sunday school area and catches Tina’s eye. He’s warm, she’s interested.
TE 1: Barry asks Tina out. He seems to be the perfect package she’s been looking for in a mate.
Placeholder: Barry says the right things and they have a lot in common. Tina thinks this is the right man for her. She meets his family, his kids. There are romantic feelings on both sides.
INTICING INCIDENT: Tina invites Barry to move in with her and her kids.
Placeholder: The kids start to like him, they post fun videos with him, he helps them with their homework. He’s romantic with Tina.
TE 2: Tina catches him in a couple lies about his job.
Placeholder: How does Tina feel? Betrayal? Suspicion? Disloyalty?
ACT 3
INT. School – DAY
Tina decides to surprise Barry at his job but finds out he doesn’t work there.
Placeholder: How does Tina feel about this? Who does she tell?
TE 1: Tina confronts Barry about his job, and he becomes violent.
Placeholder: What is Tina feeling now? How does she respond to the violence? What does she do, call the police, give Barry another chance?
INTICING INCIDENT: Tina sees questionable images of kids on Barry’s phone and computer. And he wants to spend more time than usual with her daughter.
Placeholder: How does this make Tina feel, is she worried? How does she handle this?
TE 2: Barry’s abuse against Tina escalates. Tina notices that Barry has been in her daughter’s room. Tina confronts him.
Placeholder: How does Barry respond? How is Tina handling Barry’s abuse and lies? How is she coping? Are the kids witnessing the abuse? Does she hide any injuries, and does she tell anyone?
ACT 4:
INT. Church – Day
Tina has a breakdown. She recalls her painful past.
TE 1: Tina gets help and her assignment is to confront the person who has hurt her in the past. Tina confronts her mother, and they rehash the past.
Placeholder: What does Tina remember? How does Tina heal and move forward? Why does she want to change? Will she forgive?
INTICING INCIDENT: Tina finally kicks Barry out after a bad fight, but when he leaves her daughter goes after him to find him. Her daughter has bonded with him and sees him as her beloved father figure that’s she’s never had.
TE 2: Tina finds out about Barry’s record of being a child abuser. She gets her daughter back.
Placeholder: Tina’s fear and desperation on finding her daughter. Tina’s transformation and strength. How will she get her daughter back? Will she get her back before Barry hurts her?
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Carol Dougherty’s High Speed Beat Sheet
What I learned from this assignment: I learned how much I like to overwrite and overthink things. I learned that I had identified at least one incorrect transformational event – which is good, as I saw it. I learned that it’s difficult at times to give up some of the scenes I love (because there a lot that aren’t in here – there isn’t room), but that it also is helpful in terms of honing in on what’s most important. And I do make a commitment to use the high speed writing method as I found it very helpful!
Act 1:
INT. ONSTAGE – NIGHT
OPENING – successful opening night of Antony & Cleopatra with Terry (best friend/acting partner)
INCITING INCIDENT – sees unknown woman in the audience and is reminded of Danni, her first (and only) love
INT. PEN’S DRESSING ROOM – NIGHT – Pen changing to go seek out unknown woman, Sam (lover) shows up unexpectedly
INT. PEN’S DRESSING ROOM – NIGHT – Sebastian (director) comes to challenge Pen to take on a new role in next season
INT. PEN’S DRESSING ROOM – NIGHT – unknown woman shows up at door, then Terry, who knows her (Katie) and introduces them
INT. GREEN ROOM – NIGHT – Pen gives Sebastian his answer and watches Katie
INT. THEATRE RECEPTION AREA (TO GREEN ROOM) – DAY – months later, Pen runs into Katie at entrance to theatre and takes her to green room for coffee
INT. GREEN ROOM – DAY – Pen charms and is charmed by Katie
INT. GREEN ROOM – DAY – Terry shows up as Katie leaves and warns Pen to watch her step with Katie
INT. TERRY’S KITCHEN (TO LIVING ROOM) – NIGHT – Pen flirts with Katie
INT. TERRY’S KITCHEN – NIGHT – Terry pissed at Pen – Katie reminds him of his late half-sister
INT. TERRY’S LIVING ROOM (TO KITCHEN AND OUTSIDE) – NIGHT – Katie and Sebastian go head-to-head in a discussion, and he invites her to rehearsal; Pen impressed
INT. REHEARSAL HALL – DAY – first read-through; Katie invites Pen for a picnic on next day off
EXT. LAKE – DAY
TE 1 – during a picnic in a rowboat Pen wants to hear about Katie, and ends up responding from the heart
TURNING POINT – Pen has a perfect opportunity to pursue Katie and doesn’t – she realizes she is developing feelings for her
Act 2:
New plan – Pen decides to try a combination of friendship and manipulation
Plan in action – Katie doesn’t respond exactly as Pen plans. They connect in rehearsals and outside, but when Katie finds out Sam is Pen’s lover, she pulls back. Pen eventually breaks off with Sam but refuses to tell Katie.
INT. REHEARSAL HALL – DAY – Pen blows up in rehearsal
INT. REHEARSAL HALL – LATE AFTERNOON – Pen sneaks into Terry’s rehearsal
INT. PUB – NIGHT – Pen, Terry, Katie, Sebastian out together and Michael, grad school friend of Katie shows up. Katie not please, Terry charmed.
INT. – REHEARSAL HALL – DAY
TE2 – Pen tries to make Katie jealous and embarrasses herself and hurts Katie
INT. PEN’S LIVING ROOM – NIGHT
TE3 – an unexpected kiss in an informal private rehearsal causes both Pen and Katie to take turns shutting down
INT. PEN’S LIVING ROOM – NIGHT – Pen trying to make sense of Katie’s actions and suddenly puts it together with her character, Viola
EXT. PEN’S GARDEN – DAY – Pen and Katie friendly, Katie asks about Danni
INT. REHEARSAL HALL – DAY – Pen uses movement from Katie’s action night before, Katie upset
EXT. LAKESIDE THEATRE LAWN – DAY – Sebastian talks with Katie, then Pen apologizes
INT. REHEARSAL HALL – DAY – Katie inadvertently uncovers Katie’s relationship with Danni and Terry flips out
INT. PEN’S LIVING ROOM – NIGHT – Terry and Pen reconcile
INT. PEN’S DRESSING ROOM – NIGHT – Katie visits Pen after the opening and is a little drunk already, makes a pass at Pen which she deflects
INT. GREEN ROOM – NIGHT – Pen runs across Michael flirting behind Terry’s back
EXT. PEN’S GARDEN – DAY – Katie is hungover and embarrassed but tells Pen she hoped Pen would drop Sam and choose her
INT. RACETRACK BOX – DAY – Pen takes Terry, Michael and Katie to track for Sam’s horse’s race – his wife and son show up
EXT. KATIE’S HALLWAY/LIVING ROOM – NIGHT
TE4: Pen apologizes for what happened at the track, they end up in a fight
INT. PEN’S DRESSING ROOM – DAY – Terry heard about last night and checks in
INT. PEN’S DRESSING ROOM – DAY – Sam shows up later and Pen breaks up with him, he is livid
EXT. PEN’S GARDEN – DAY – Pen hears Michael break up with Terry and goes to him
INT. TERRY’S KITCHEN – LATE NIGHT – Pen helps Terry with a dinner, he has a heart attack
INT. AMBULANCE – LATE NIGHT – Pen is with him, his heart stops
INT. HOSPITAL E.R. – LATE NIGHT – Pen furious with Terry for dying
INT. HOSPITAL E.R. ENTRY – LATE NIGHT – Katie and Sebastian show up and Pen points them to where Terry’s body is
EXT. LAKE PATH – NIGHT – Pen walks around lake, finds Terry’s dog, Trixie has followed her
Midpoint Turning Point – Pen’s acting partner/best friend, Terry, dies suddenly and Pen retreats into her work.
Act 3:
Rethink everything – Pen isolates herself in her grief and works through the end of the season.
New plan – She decides to head home to England to figure out if she can act without Terry and who she is without her best friend and acting partner. In England she revisits the past and discovers some possibilities for the future. She ignores Katie’s plea for contact, decides to quit acting, then realizes she doesn’t want to quit and that she loves Katie.
EXT. TERRY’S GRAVE – DAY – Sebastian has shocking news for Pen, she has news for him
INT. PEN’S HALLWAY/LIVING ROOM – NIGHT
TE5 – Terry’s death prompts Katie to offer comfort to Pen
INT. PEN’S BEDROOM – EARLY MORNING – Pen can’t tell Katie she’s about to leave for England
INT. SEBASTIAN’S HOME – EARLY MORNING
TE6 – Pen asks Sebastian for his help
INT. LIBRARY IN BATH, ENGLAND – DAY – Pen looks up info on her father and finds a woman who knew him
INT. MOLLIE’S KITCHEN – DAY – Sebastian asks her to come back for next season
INT. SEVENOAKS, ENGLAND HOTEL ROOM – NIGHT – Pen discovers clippings and reviews of her father and letters from him to her mother, plus pictures of the three of them
EXT. THICKET OF TREES/BUSHES – DAY
TE7 – Pen returns to the place in England where she last saw Danni before her suicide
INT: SEVENOAKS, ENGLAND HOTEL ROOM – DAY – Pen lets Sebastian know she’s coming back and that she’ll play the parts
Turning Point: Huge Failure/Major shift – Pen tells Sebastian she’s coming back. She decides to let Katie know she loves her when she gets back, and before she can do so, Katie rejects her.
EXT. LAKE PATH – DAY
TE8 – Katie rejects Pen when she returns
Act 4:
Climax/Ultimate expression of the conflict – Pen and Katie see each other often in rehearsals. Pen treats Katie with the kind of warmth and friendliness Katie offered before Pen left but Katie continues to rebuff her, unable to understand why Pen couldn’t respond to her at all from England. Pen doesn’t withdraw from Katie, and in fact begins connecting as a friend with others in the company as well. Katie notices the positive change but announces she has been offered a new job in another theatre and that she will take it and leave after opening night.
Resolution – Pen talks to the company before the opening, apologizing for her standoffishness before and after Terry’s death. She also thanks several people for their help, ending with Katie, telling her in front of the company that she loves her. Katie leaves, but after the opening performance, Pen and Katie confront one another in Pen’s dressing room. Katie realizes Pen is sincere and decides not to take the other job but to stay with Pen and the theatre they both love.
INT. REHEARSAL HALL – DAY – first read through of Private Lives with Michael
INT. GREEN ROOM – DAY – Pen and Michael talk to clear the decks
INT. REHEARSAL HALL – DAY – Pen and Michael work well together and it upsets her
EXT. PEN’S GARDEN – DAY – Katie comes by to talk about Pen’s work with Michael
EXT. PEN’S GARDEN – EARLY EVENING – Pen has the company over to share some mementos of Terry
INT. PEN’S KITCHEN – EARLY EVENING
TE9: Katie tells Pen she’s been offered another job and she’ll leave after opening night
INT. GREEN ROOM – EARLY EVENING – Pen addresses the company before the opening that night, thanks them for their support after Terry’s death and addresses both Sebastian and Katie; tells Katie she loves her
INT. PEN’S DRESSING ROOM – NIGHT – Katie stops in furious about Pen’s public statement, they reconcile
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This reply was modified 2 years, 8 months ago by Carol Dougherty. Reason: unnecessary scene
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This reply was modified 2 years, 8 months ago by
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Danielle LEGRAND’s Beat Sheet Draft 2
What I learned doing this assignement is marking the different stages of the Antagonist’s journey.
Pass 1 : INTERWEAVED THEME :
1. The story is about people who have will power but who feel a bit cramped by the rules of Society which weigh heavy on them.
2. The suffering of not being adapted to the world they are living in.
3. Men or women need their better half to lead a fulfilling life.
Pass 2 : THE ANTAGONIST JOURNEY :
1. AUDREY is angry about men in general.
2. She educates her children with solid principles in order to make them strong.
3. She wants to prove herself and her family she can make good things.
4. To set up a Church choir she deals with ADRIAN
5. They come out of their shells.
6. She appreciates him more and more
7. Society rules catch up with her
8. She discovers she is free in her Soul.
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Laura’s Beat Sheet
WHAT DID I GET OUT OF THIS ASSIGNMENT: I think my disadvantage with this assignment is that I had major sections already written and I kept trying to thin it out and rewrite it with a different approach. What I should have done was close the old files and allow myself to come up with some new ideas. If this was a new project for me, I can definitely see the benefits of the high speed writing.
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Robin Atwood’s High Speed Beat Sheet
What I learned in this assignment is how the story changes from exercise to exercise. Hopefully for the better. The beat sheet helps further outline the 4 Act Structure and the TE. It brings to light where you have some flaws and that is even when I was writing quickly without any editing. I will be using the high speed writing rules proposed in this lesson.
EXT. FOREST — DAY
Opening: Ivy is in the forest gathering herbs when Henry comes upon her. He is immediately smitten with her beauty and innocence and decides he must have her. Ivy is frightened by the unknown man who is greedily staring at her.
TE 1: Meets Ivy and is immediately smitten.
Inciting Incident: Ivy runs from him. He follows slowly.
INT. IVY’S FAMILY COTTAGE — DAY
She finds out from her father that the man pursuing her is Henry the crown prince of England. She is intrigued and daydreams of a life with him.
EXT. IVY’S FAMILY COTTAGE — DAY
Ivy and Henry have their first conversation.
Inciting Incident: Ivy is afraid of Henry who is worldly and confident. He vows to pursue her until she gives in.
PLACEHOLDER: Ivy talking with her mother about Henry.
INT. IVY’S FAMILY COTTAGE — DAY
There’s a knock on the door. It’s Henry. He brings gifts for the family. He turns on the charm to woo them all.
TE 2: Henry’s gifts and charm allow him to get a bit closer to the family.
Inciting Incident: Ivy’s father asks Henry to join him outside to discuss his intentions.
EXT. IVY’S FAMILY COTTAGE — DAY
Henry tries to convince Ivy’s father that he only has the best intention. Ivy’s father explains his concerns and love for his only daughter.
PLACEHOLDER: Henry expresses interest in herbalism cures while talking to Ivy’s father in an effort to get closer to him. Henry finds that he is truly interested.
EXT. FOREST — DAY
Henry has accompanied Ivy and her father into the forest to gather herbs and plants for healing. Ivy’s father explains what they are gathering and how they cure. He further explains how it’s the only medicine that the poor have available to them.
Inciting Incident: Henry is surprised at his own interest in herbal medicine and asks for more information. He is more interested in the information than in Ivy. She is intrigued.
EXT. FOREST CLEARING — DAY
Ivy’s mother joins them bringing food for a picnic in the clearing. Henry lays on the charm flirting with Ivy’s mother and ignoring Ivy. Her father looks on with interest.
Inciting Incident: Ivy is hurt that Henry is ignoring her. She wants his attention.
TE: 3
INT. IVY’S COTTAGE — NIGHT
Ivy, Henry and her parents are back at the cottage. Henry has joined them for dinner. He is telling them stories about his life. He asks for stories about Ivy. Ivy and Henry’s relationship heats up. It’s late and Henry asks if he can sleep in their barn because it’s too late to find his way back home. After some consideration they agree.
Inciting Incident: Ivy is thrilled to have Henry’s attention again. Ivy and Henry fall in love and begin a relationship. A year later she gives birth to a boy. She is heartbroken that they cannot be a family.
PLACEHOLDER: These visits continue for months and Henry charms everyone in the family. He explains to them that they must keep it a secret.
TE: 4
INT. WESTMINSTER ABBY — DAY
TE: 5
It’s Henry’s Coronation. He is able to have Ivy who is pregnant with their second child and her parents present in a hidden alcove. He does this because he know how much it will mean to them. He wants them there for his big day. Ivy is thrilled to be a part of his public life even if she is hidden out of view of others.
Inciting Incident: After the coronation, Henry goes immediately to his betrothed Catherine of Aragon. Ivy is devastated.
INT. WESTMINSTER ABBY — DAY
Henry marries Catherine of Aragon two months after his coronation. He is concerned about Ivy but he is duty bound.
Inciting Incident: Ivy is giving birth to their second son during the marriage ceremony.
TE: 6
INT. IVY’s FAMILY COTTAGE — DAY
Ivy is giving birth to their third son while King Henry is in London attending to Catherine as she is giving birth to their second child.
Inciting Incident: Ivy is sad and crying while birthing the babe. Her mother and father are extremely upset. Ivy can’t believe the path she has chosen for herself and her family. PLACEHOLDER: Ivy realizes that her relationship with Henry will never be more than it is. She must make sure she and her family are all provided for knowing now that this is the only relationship she will have. A smarter, more worldly Ivy knows what she has to do.
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Angelina Fluehler – High Speed BEAT SHEET
“What I learned doing this assignment is…?”
I repeated and learned the rules of screenplay “syntax”: I implemented the slug lines and place holders in my Beat Sheet however I must it slightly disturbs from reading the 4 act structure.
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George Petersen HIGH SPEED BEAT SHEET
What I learned from this assignment is this: if I deny myself the opportunity to proof read, I work faster.
Surfing Grandpa
Act 1:
EXT. SHORELINE – DAY
Opening:
Corky struggles with his medical limitations — will he ever surf again?
He demonstrates an unusual fear of the water.
A surfer who fears the water?
INT. DOCTOR’S OFFICE – DAY
First doctor visit: We learn of Corky’s diagnosis – Broken Heart Syndrome, the result of a surfing trauma, is not a matter of life and death. No permanent heart damage. It’s temporary. Still, he needs to take it easy for awhile. No surfing for now. Take your medication.
INT. CORKY’S CASA – KITCHEN – DAY
THE DREAM: Raquel expresses hope for their new surf coaching business. Corky will train, teach. She will cook and maintain the house for clients. They’ll be a team, build a retirement income together. There is no retirement income for professional surfers.
INT. DOWNTOWN SURF SHOP – DAY
Inciting Incident:
Corky gets a call from Clint, who asks Corky to take on Slash as his first client — with the restriction that he doesn’t tell Slash under any circumstances that he is his grandfather. All hell will break loose if the Reverend finds out.
PLACEHOLDER: The negotiations and arrangements for Slash to be Corky’s first surf coaching client.
EXT. AIRPORT – CUSTOMS – DAY
Turns out, Slash doesn’t know much about the true nature of surfing or anything else.
EXT. AIRPORT PARKING LOT – DAY
Big blowout. Slash demands to be put back on a plane home. But then —
Slash learns that Corky’s coaching revolves around one of the best left breaking waves in the world. A goofy-foot’s dream. Wait — Slash is a goofy-foot too.
EXT. ROADS TO THE JUNGLE – DAY
Turning Point:
Corky takes Slash into the isolated tropical world. No going back to the real world now.
Act 2:
INT. CORKY’S CASA – DAY
Slash meets Raquel.
EXT. NOAH’S HOUSE – NIGHT
Slash meets Noah, Corky’s neighbor.
EXT. THE BEACH – DAY
Corky tries to teach Slash professional surfing techniques. The result: a series of surf lessons that end in chaos
The Big Local attacks Slash for cutting in.
INT. HOSPITAL
Corky takes Slash to the hospital, where Corky learns that there’s more to life than just surfing.
INT. DOCTOR’S OFFICE – DAY
Corky get the OK to surf again. Easy does it.
EXT. THE BEACH – DAY
Midpoint Turning Point: Huge failure / Major shift:
Slash learns that Corky is his grandfather.
Corky feels the pain of a relationship that never was.
Act 3:
Rethink everything
PLACEHOLDERS:
New plan – instead of focusing on surfing technique, a more psychological, emotional approach will be taken involving Noah’s dog,
Raquel’s grandmother and
a family celebration
INT. SURF SHOP – DAY
Clint calls Corky: The Reverend (Slash’s other grandfather) has found out what’s going on and has decided to make the trip down himself and take Slash away — it’s over. All is lost.
EXT. AIRPORT – DAY
Turning Point: Another Huge failure / Major shift:
Corky intercepts the Reverend at the airport
Confronts him, stands up for his grandson.
Act 4:
EXT. THE BEACH – DAY
Climax/Ultimate expression of the conflict:
With Slash’s help, Corky gets back into it, masters the big wave
Resolution:
As they say their goodbyes at the airport, Corky and Slash bond as grandfather and grandson
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