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Lesson 9
Posted by cheryl croasmun on October 18, 2023 at 2:54 amReply to post your assignment.
0Jennifer Quintenz-Berry replied 1 year, 7 months ago 30 Members · 31 Replies -
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Kimbal Thompson BWAI M1, L9 Inviting Obsession Through Open Loops
What I learned doing this assignment is how big and little picture open loops are used to create obsession throughout a series.
ASSIGNMENT 1
1. Think about the Diplomat. Make a list of the Big Picture open loops that were established early in the season.
· Who attacked th British Aircraft Carrier?
· Will Kate succeed as the Ambassador to England?
· Why does Kate want to go to Kabul?
· Will Kate become Vice President?
· Will others continue refer to Kate as Ambassador rather than referring to Hal as such?
· Why did Kate check to see if sheets were on the Guestroom bed?
· Will Hal let Kate perform her responsibilities without him?
· Will Hal get a car in England?
· Can Kate break the protocol?
· Did Hal manipulate Kates’s meetings?
· Can the U.S. Secretary of State perform?
· Why is the President at odds with his Secretary of State?
· Why is Kate being kept away from Meg?
· Will the aerial photo of the Iranian boat cause Gannon to react publicly?
· Will Gannon be able to get rid of Gannon?
· Will Hal be gone soon?
· Will Kate take Hal back?
· Does Hal want Kate to become VP?
· Who is kidnapping Hal?
2. Go back and watch the pilot again. As you do, notice how many open loops are being used to create the need to see future episodes. At least those above.
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ASSIGNMENT 2:
1. Use this list to brainstorm big picture open loops for your first season that you will use to keep the audience captivated.
GOALS:
<ul type=”disc”>
- New goals?
- Goals related to the big
picture? - Crushed goals?
- Competition / conflict around
goals? - Are they going to be caught?
- Problems created from past
actions? - Good plans gone wrong?
- What is the major problem for
this character? - What are they trying to solve?
- Major change imposed on
character? - Previous solutions cause new
problems? - Relationships in peril?
- New relationships forming?
- Conflict inside relationships?
- Relationships changing?
- Can they survive X?
- Putting themselves in danger / making
dangerous decisions? - Who else is pulled into their
danger? - Internal dangers (drug
addiction, need for medicine, inner demons)? - New goals?
- Goals related to the big picture?
- Crushed goals?
- Competition / conflict around goals?
- Are they going to be caught?
- Problems created from past actions?
- Good plans gone wrong?
- What is the major problem for this character?
- What are they trying to solve?
- Major change imposed on character?
- Previous solutions cause new problems?
- Relationships in peril?
- New relationships forming?
- Conflict inside relationships?
- Relationships changing?
- Can they survive X?
- Putting themselves in danger / making dangerous
decisions? - Who else is pulled into their danger?
- Internal dangers (drug addiction, need for medicine,
inner demons)? - New Goals: Art discovers a hidden agenda behind the slate
production in India, raising questions about the true nature of the
project. - Big Picture Goals: Boe faces pressure from a rival stone merchant trying
to sabotage the deal, creating a fierce competition for the exclusive
rights to the Indian slate. - Crushed Goals: Art’s original vision for the project faces setbacks
due to unforeseen challenges in the slate production process. - Conflict around Goals: Boe’s shady past comes to light, creating internal
conflict and jeopardizing the partnership with Art. - Risk of Being Caught: Seth’s investigation intensifies, putting Art and Boe
at risk of exposure and legal consequences. - Problems from Past
Actions: Art’s decision to involve Taco
in the project leads to unforeseen complications, threatening the success
of the slate shipment. - Good Plans Gone Wrong: Boe’s attempt to resolve the conflict with the rival
stone merchant backfires, leading to a dangerous escalation. - Major Problem: The revelation of a hidden drug operation in the
vicinity of the slate production site puts Art, Boe, and Seth in a
perilous situation. - Trying to Solve: Art and Boe must navigate the dangerous underworld
they’ve unwittingly stumbled upon while trying to salvage the slate deal. - Major Change: Seth undergoes a transformation as he starts
questioning his own assumptions and begins to doubt the legitimacy of his
investigation. - Previous Solutions Cause
Problems: Art’s attempts to protect Boe
from Seth’s suspicions inadvertently draw them deeper into the drug
cartel’s web. - Relationships in Peril: Art’s relationship with his client is strained when
the slate shipment faces delays and complications. - New Relationships Forming: Boe forms an unlikely alliance with Suniel’s daughter,
complicating his already turbulent personal life. - Conflict Inside
Relationships: Seth’s pursuit of justice
strains his relationship with his superiors, who begin to question the
validity of his suspicions. - Surviving the Drug Cartel: Art, Boe, and Seth must navigate the dangerous world
of drug trafficking as they inadvertently become entangled with the
cartel. - Internal Dangers: Boe’s past involvement with the cartel resurfaces,
threatening not only his life but also those around him. - Who Else is Pulled In: Art’s family becomes unknowingly entwined in the
danger as the drug cartel extends its reach to Hawaii. - Dangerous Decisions: Art, desperate to salvage the project, makes a risky
decision that puts everyone in even greater jeopardy.
CONSEQUENCES:
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SOLVING PROBLEMS:
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RELATIONSHIPS:
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DANGER / SURVIVAL / RISKS:
<ul type=”disc”>
2. Use this prompt with AI to generate even more Open Loops.
I’m writing a TV Series that is a drama about An architect and stone merchant are asked to fly to India from Hawaii to oversee the production quality control of slate flooring sold by the stone merchant that the architect has specified for a large project in Hawaii. A DEA agent mistakenly tails them on the trip thinking that Art is a drug smuggler.
Conflict = The DEA agent mistakenly suspects Art
Lead Characters = Main Character 1 = Architect Art is a successful late 30’s architect. He has specified a large amount of Slate from India for paving of his project’s exterior walks and interior flooring. He is athletic and well spoken.Character 2 = Main character 2 = Stone Merchant: Boe Bosley is the exclusive purveyor of the Indian slate specified. He is in his mid-fifties, six-foot five inches tall, weighs two-hundred sixty pounds and stutters when nervous.
Character 3 = DEA agent Seth Johnson, mid-forties, average build mistakenly believes the protagonists to be drug smugglers on a trip to arrange a major shipment from Asia into Hawaii.
Character 4 = Suniel, stone supplier in India
Character 5 = Taco, German they meet at Hotel
[Format/Genre] about [Concept] and [Conflict] with [Lead Characters]. Can you generate [Open Loops] and setups that could play out over the course of Season 1.
Definition of “Open Loops”: Questions that can only be answered in future episodes. An open loop is a rhetorical device to instill curiosity by creating anticipation for what will come next.
Open Loops opportunities:
GOALS:
<ul type=”disc”>
CONSEQUENCES:
<ul type=”disc”>
SOLVING PROBLEMS:
<ul type=”disc”>
RELATIONSHIPS:
<ul type=”disc”>
DANGER / SURVIVAL / RISKS:
<ul type=”disc”>
Format/Genre = Drama
Concept = Concept = An architect and stone merchant are asked to fly to India from Hawaii to oversee the production quality control of slate flooring sold by the stone merchant that the architect has specified for a large project in Hawaii. A DEA agent mistakenly tails them on the trip thinking that Art is a drug smuggler.Conflict = The DEA agent mistakenly suspects Art
Lead Characters = Main Character 1 = Architect Art is a successful late 30’s architect. He has specified a large amount of Slate from India for paving of his project’s exterior walks and interior flooring. He is athletic and well spoken.Character 2 = Main character 2 = Stone Merchant: Boe Bosley is the exclusive purveyor of the Indian slate specified. He is in his mid-fifties, six-foot five inches tall, weighs two-hundred sixty pounds and stutters when nervous.
Character 3 = DEA agent Seth Johnson, mid-forties, average build mistakenly believes the protagonists to be drug smugglers on a trip to arrange a major shipment from Asia into Hawaii.
Character 4 = Suniel, stone supplier in India
Character 5 = Taco, German they meet at Hotel
Title: Shadows of Slate
Format/Genre: Drama
Concept: An architect, Art, and a stone merchant, Boe Bosley, find themselves entangled in a web of suspicion when a DEA agent, Seth Johnson, mistakenly believes they are involved in drug smuggling during a trip to India to oversee the production quality control of slate flooring for a large project in Hawaii.
Conflict: DEA agent Seth Johnson mistakenly suspects Art and Boe of drug smuggling, leading to a series of tense situations and unexpected twists.
Lead Characters:
1. Architect Art: Successful, athletic, and well-spoken, Art is the architect behind a large project in Hawaii that requires a significant amount of slate from India.
2. Stone Merchant Boe Bosley: Exclusive purveyor of Indian slate, Boe is a towering figure who stutters when nervous, and he finds himself unwittingly caught up in the suspicions of the DEA.
Supporting Characters: 3. DEA Agent Seth Johnson: Mid-forties, average build, Seth mistakenly believes Art and Boe are involved in drug smuggling, leading him to tail them on their trip to India.
4. Suniel: Stone supplier in India who becomes a crucial link in the slate production process.
5. Taco: A mysterious German they meet at the hotel, adding an element of intrigue to their journey.
Open Loops and Setups for Season 1:
GOALS:
<ul type=”disc”>
CONSEQUENCES:
<ul type=”disc”>
SOLVING PROBLEMS:
<ul type=”disc”>
RELATIONSHIPS:
<ul type=”disc”>
DANGER / SURVIVAL / RISKS:
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Top of Form
3. Tell us your top Big Picture Open Loops that could be in your pilot.
Pilot Episode – “Shadows of Slate”:
1. The Unseen Hand: As Art and Boe arrive in India to oversee the slate production, they discover subtle manipulations behind the scenes. The question arises: Who is orchestrating these actions, and what is their ultimate agenda in the project?
2. Seth’s Past Connection: In the pilot, it’s hinted that Seth Johnson might have a personal connection to the drug cartel operating in the region. The open loop revolves around the revelation of Seth’s hidden past and how it might influence his investigation.
3. The Mysterious Taco: The enigmatic German, Taco, reveals cryptic knowledge about the slate production and the cartel. The pilot leaves viewers wondering about Taco’s true identity, motives, and how he became involved in this intricate web of intrigue.
4. Boe’s Shady History: Boe’s past involvement with criminal elements surfaces, but the extent of his connections and the potential threats he poses remain unclear. Viewers are left to question Boe’s true loyalties and how much danger he brings to the partnership with Art.
5. The Client’s Hidden Agenda: Art’s client, the one funding the project in Hawaii, seems to have a hidden agenda. The pilot introduces a series of cryptic conversations and mysterious decisions, leaving viewers wondering about the client’s true intentions and how they tie into the drug cartel’s operations.
6. Suniel’s Family Ties: Suniel, the stone supplier in India, is hinted to have familial connections with the cartel. The pilot raises questions about Suniel’s role in the larger criminal network and whether his ties will become a liability for Art and Boe.
7. The Rival Stone Merchant: Boe’s rival in the stone business is introduced, creating a fierce competition for the exclusive rights to the Indian slate. The pilot sets the stage for a corporate espionage subplot, leaving viewers curious about the rival’s next move and how it will impact Art and Boe’s venture.
8. The Slate Production Challenges: Unforeseen challenges in the slate production process threaten Art’s vision for the project. The pilot hints at underlying issues in the supply chain, leaving viewers to wonder if these problems are merely logistical or if there’s a more sinister force at play.
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Etta’s Big picture Loops Assignment 2
What I learned from this assignment is that considering the Open Loops is helping me brainstorm my characters from a different angle and changing a bit of what I thought the show was going to be,
Big Picture Loops for my as yet Untitled Show
Goals: Lydia aims to introduce environmentally friendly practices within the fracking company, but faces opposition from other board members.
Consequences: Lydia adopts and alter ego and a disguise to keep up her environmental activism, but alsways risks being discovered.
Solving Problems: Lydia struggles to keep her Quaker values intact while navigating the corporate world, leading to quirky ethical dilemmas.
Relationships
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In peril: Lydia’s attempts to bond with Martez result in hilariously awkward misunderstandings, escalating their conflict in ridiculous ways.
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New relationships: Angela becomes an unlikely confidante, providing offbeat advice that leads to comedic situations.
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Conflict inside relationships: Alonzo’s tech-savviness clashes with Lydia’s Luddite tendencies, leading to quirky family disputes.
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Changing relationships: Lydia’s interactions with the Quaker community involve humorous attempts to reconcile her corporate role with her spiritual values.
Danger: Lydia’s well-intentioned but misguided actions frequently get her in trouble one way or another
Eclipse Neilson Big Picture Open Loops
What I’ve learn that the more detail I give AI the better the answers that are going down the path I am choosing. Ido admit at times it is over whelming ,even though I know it will all fall into place.
ASSIGNMENT 1
- Think about your Example Show. Make a list of the Big Picture open loops that were established early in the season.
- All the different relationships that keep returning in the episodes.
- The drug habit and how she attempts to resolve it.
- Her unfolding ability to feel and express feelings that comes to dramatic closure at the end.
ASSIGNMENT 2:
1. Use this list to brainstorm big picture open loops for your first season that you will use to keep the audience captivated.
GOALS:
- New goals? Save the forest
- Discover her origins through her time travel, where clues are revealed.
- Her relationships with Winthrop, Wing and the old One. Her deepest feelings are for Wing who is only a ghostly illusion of a past life .clues will be revealed as time goes on.
- Goals related to the big picture? Ultimately she must heal her past and we get a glimpse of her future as we see her speaking to a child of war in the future.
- Crushed goals? Winthrop her beloved adopted father betrays her capolting her to the losses in life and one reveled in the beginning that is Winthrop in another life time.
- Competition / conflict around goals?
CONSEQUENCES:
- Are they going to be caught? She almost looses the forest from Winthrop’s betrayal.
- Problems created from past actions?
- Good plans gone wrong? She believes Winthrop her adopted father is her only adult on earth who has loved her but must suffer through the moment of betrayal and find her power as a young healer by finding a way to heal is grieving shame.
SOLVING PROBLEMS:
- What is the major problem for this character? She is different and has mystical psychic gifts that she can not deny and she is here with a destiny to fulfill to help save humanity.
- What are they trying to solve? Help save the soul of humanity and earth.
- Major change imposed on character? She grows up and must harness her rage as power.
- Previous solutions cause new problems?
RELATIONSHIPS:
- Relationships in peril?
- New relationships forming? The friends in her village who are able to let the mystical beings in the forest help them.
- Conflict inside relationships? She is in love with Wing but he is keeping a big secret from her.
- Relationships changing? She must let go of Wing hoping he will return to earth some how in the future for her- but how will that manifest.
DANGER / SURVIVAL / RISKS:
- Can they survive X? Will the forest and the mystical ones along with the trees and creature be saved?
- Putting themselves in danger / making dangerous decisions?
- Who else is pulled into their danger?
- Internal dangers – Robyn’s deep despair needing to be healed.
BWTV-AI Module 1 – Lesson 9: Inviting Obsession Through Open Loops
Sylvia’s Big Picture Open Loops
What I learned doing this assignment is…What’s strange is that I asked AI for more specifics and it gave me more generalities. I love this “loops” thing. I must delve into it more. This is a great and eye opening assignment.
Assignment 1 Sample Show:
Big Open Loops:
How will she survive? Will she get adopted? What exactly happened to her mom? Why is the orphan staff such psychos? What’s will the drugs? Will she get addicted? Her buddy, is she her friend or is she her foe? What’s with the chess? How does she become so great at it? Will she understand boys/girls romantic relationships? Will be compromise herself from her curiosity and get herself “in trouble”?
Assignment 2 My show:
I’m writing a TV Series that is [Format/Genre] about [Concept] and [Conflict] with [Lead Characters]. Can you generate [Open Loops] and setups that could play out over the course of Season
1. Definition of “Open Loops”: Questions that can only be answered in future episodes. An open loop is a rhetorical device to instill curiosity by creating anticipation for what will come next.
Open Loops opportunities:
GOALS: • New goals? • Goals related to the big picture? • Crushed goals? • Competition / conflict around goals?
CONSEQUENCES: • Are they going to be caught? • Problems created from past actions? • Good plans gone wrong?
SOLVING PROBLEMS: • What is the major problem for this character? • What are they trying to solve? • Major change imposed on character? • Previous solutions cause new problems?
RELATIONSHIPS: • Relationships in peril? • New relationships forming? • Conflict inside relationships? • Relationships changing?
DANGER / SURVIVAL / RISKS: • Can they survive X? • Putting themselves in danger / making dangerous decisions? • Who else is pulled into their danger? • Internal dangers (drug addiction, need for medicine, inner demons)?
Format/Genre = one hour/dramedy
Concept / Conflict=In the world of charity galas and romantic mishaps, a woman’s philanthropic journey uncovers hospital secrets, challenges gossip-loving friends, and with her estranged daughter’s resistance, threatens to unveil the mysteries of her past. Sub-World: Ghostly Guardians of Pediatric Patients
Lead Characters =Emily the mother and her daughter Abigail
AI:
**Open Loops Opportunities:**
**GOALS:**
1. New Goals: Abigail starts a charity project but faces unexpected challenges.
2. Big Picture Goals: Emily aims to expose a corrupt hospital executive.
3. Crushed Goals: Abigail’s attempt to reconnect with her mother faces setbacks.
4. Competition/Conflict: A rival philanthropist challenges Emily’s fundraising efforts.
**CONSEQUENCES:**
1. Caught: Abigail risks exposure when digging into the hospital’s secrets.
2. Past Actions Problems: Emily’s past cover-ups lead to a mysterious threat.
3. Plans Gone Wrong: A well-intentioned gala to save the hospital creates chaos.
**SOLVING PROBLEMS:**
1. Major Problem: Emily discovers a child’s ghost seeking justice in the hospital.
2. Trying to Solve: Abigail investigates the ghostly presence, unveiling more secrets.
3. Imposed Change: Hospital management changes, affecting Emily’s charity events.
4. New Problems: Solutions to past mysteries reveal a more significant conspiracy.
**RELATIONSHIPS:**
1. Relationships in Peril: Abigail’s investigation strains her bond with Emily.
2. New Relationships: Emily befriends a nurse with ties to the hospital’s secrets.
3. Conflict Inside Relationships: Gossip-loving friends betray Emily for personal gain.
4. Changing Relationships: Abigail learns a shocking truth about her father.
**DANGER/SURVIVAL/RISKS:**
1. Survival: Emily faces a life-threatening situation during a charity event.
2. Dangerous Decisions: Abigail risks her safety to expose the hospital conspiracy.
3. Pulled Into Danger: Emily’s closest friend becomes entangled in the hospital secrets.
4. Internal Dangers: Abigail struggles with the emotional toll of her discoveries.
ME: Please answer again with more specifics
AI:
**Open Loops Opportunities:**
**GOALS:**
1. New Goals: Abigail launches a charity initiative for pediatric patients.
2. Big Picture Goals: Emily aims to expose financial misconduct within the hospital.
3. Crushed Goals: Abigail’s attempt to reunite at a gala gets disrupted.
4. Competition/Conflict: A rival philanthropist challenges Emily’s fundraising supremacy.
**CONSEQUENCES:**
1. Caught: Abigail’s snooping may attract the attention of hospital authorities.
2. Past Actions Problems: Emily’s cover-ups resurface, jeopardizing her reputation.
3. Plans Gone Wrong: A planned gala to reveal secrets takes an unexpected turn.
**SOLVING PROBLEMS:**
1. Major Problem: Emily encounters a ghost seeking justice for a deceased child.
2. Trying to Solve: Abigail investigates the mysterious ghostly presence.
3. Imposed Change: New hospital management disrupts Emily’s charity plans.
4. New Problems: Resolving past mysteries exposes a more significant conspiracy.
**RELATIONSHIPS:**
1. Relationships in Peril: Abigail’s investigation strains her relationship with Emily.
2. New Relationships: Emily befriends a nurse connected to hospital secrets.
3. Conflict Inside Relationships: Gossip-loving friends betray Emily for personal gain.
4. Changing Relationships: Abigail discovers a shocking truth about her father.
**DANGER/SURVIVAL/RISKS:**
1. Survival: Emily faces life-threatening danger during a high-profile charity event.
2. Dangerous Decisions: Abigail risks personal safety to expose the hospital conspiracy.
3. Pulled Into Danger: Emily’s closest friend becomes entangled in hospital secrets.
4. Internal Dangers: Abigail battles emotional turmoil from her shocking discoveries.
Pat’s Big Picture Open Loops
What I learned doing this assignment is this method of puzzle solving isn’t working for me. I had to lay out the basics of my pilot episode to have some idea of where this story is going. The suggestions I’m getting from AI aren’t helping all that much. I see a lot of repetition and blasé character traits that wouldn’t sustain this kind of writing. I’m working on it.
ASSIGNMENT 1
1. Think about your Example Show. Make a list of the Big Picture open loops that were established early in the season.
2. Go back and watch the pilot again. As you do, notice how many open loops are being used to create the need to see future episodes.
Wednesday loops –
There’s a monster in town what is it, how do we catch it?
Wednesday is put in Nevermore as a last resort. She wants out but an attempt on her life and rescue by the Hyde intrigue her enough to dig into what’s going on.
Several introductions are made – Bianca, Xavier, Enid, Miss Thornhill. Who will become an ally and who an opponent?
The origin of the town itself has a dark side to its history.
The Sheriff dearly wants to arrest Gomez for a murder back when he was a student at Nevermore.
ASSIGNMENT 2:
1. Use this list to brainstorm big picture open loops for your first season that you will use to keep the audience captivated.
GOALS:
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efforts to buy new property is derailed.
Mateo doesn’t trust Eli.
CONSEQUENCES:
<ul type=”disc”>
SOLVING PROBLEMS:
<ul type=”disc”>
dying and the rest are scared and angry, and hungry. Hunger could make
them break the covenant.
doesn’t like or trust
for using company computers on a “private” investigation.
RELATIONSHIPS:
<ul type=”disc”>
clash.
Selene slowly gains Eli’s trust.
Mateo is envious of Eli’s presence.
DANGER / SURVIVAL / RISKS:
<ul type=”disc”>
they stop them?
become victims?
How do the ghosts in Selene’s and Hawthorne’s closets come into play?