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Post Day 6 Assignment Here
Posted by cheryl croasmun on November 16, 2021 at 11:32 pmReply to post assignment.
Frank Kim replied 3 years, 3 months ago 10 Members · 11 Replies -
11 Replies
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Lois’ Show Relationship Map
I learned that relationships are important to plot
TV Relationship Map: Meff Polecat
Meff Polecat Dad Polecat Howland Mann Kamali Parker
Surface Son / father Possibly useful chemist Loves skunks
Common Ground Both are were-skunks Both value chemistry and mephiderite Buys skunk stuff from Polecats
Conflict Dad brings out Meff’s sneaky rebellious side Mann wants all the mephiderite for himself She buys Meff when he is a skunk and won’t let him go
History Dad didn’t tell Meff he was a were-skunk Has sneaky access to Polecat farm through the cave Just moved to Skunk Hollow – doesn’t know her way around
Subtext Love Competitor and enemy Love means obedience
Relationship Arc Goes from rebelling to co-conspirator Goes from customer to rival to enemy Goes from owner to rescuer without ever figuring out that her skunk is a human boy
TV Relationship Map: Dad Polecat
Dad Polecat Meff Polecat Howland Mann Kamali Parker
Surface Father / son Useful chemist She bought his son as a skunk
Common Ground Love and mephiderite Customer Loves skunks
Conflict His son is in a rebellious stage Plans to obtain all the mephiderite Wants to keep Meff as her skunk
History Family Political power plays New in town
Subtext Love Competitor and enemy possession is 9/10ths of the law
Relationship Arc Discipline to co-conspiratiors Customer to enemies Customer to family friend
TV Relationship Map: Howland Mann
Howland Mann Meff Polecat Dad Polecat Kamali Parker
Surface Mad scientist to spy on Possibly useful customer employee
Common Ground Both are were-creatures (Mann is owl) Both want to keep Meff from morphing Both want Mann’s chemistry biz to succeed
Conflict Knows Meff is spying on him Wants all of Dad’s mephiderite Wants to protect skunks from harm
History Threat to his life when he is skunk Threat to his family skunkiness Threat to her employment
Subtext Works to stop him Works to stop him Works to sweet-talk him
Relationship Arc Power struggle to life vs death battle Threat to business becomes threat to family New job becomes undercover spying against boss
TV Relationship Map: Kamali Parker
Kamali Parker Meff Polecat Dad Polecat Howland Mann
Surface Buys him as a pet Tries to steal her new pet Values her as a chemist
Common Ground They love skunks They love skunks They love chemistry
Conflict He keeps trying to escape He is stealing her pet He is mean to skunks
History She has 6 pet skunks plus Meff He runs the skunk farm where she buys supplies and skunks She move to Skunk Hollow to work for him
Subtext She loves Meff as a skunk She thinks he’s a thief She’s trying to change him
Relationship Arc Ownership to family friend Thief to friend Admirable chemist to dangerous boss
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Brenda Clarke Relationship MAP
The main character was fairly straight forward, but once I got to another character I noticed he didn’t have many interactions with other people so, now I know he needs a Mate for him to relate to which will show what he is hiding etc. Making him have more depth, more relationships. Making this a very worth-while exercise, shows up any blanks/holes!
Assignment 1. TV RIVERDALE
ARCHIE with Music Teacher
Surface: student/teacher, Conflict: He feels bad about their secret, History: sexual relationship, Subtext: Archie wants to break up but she wants to continue, Relationship Arc: Start ast student/teacher over summer become lovers/break up/teacher leaves.
ARCHIE with Betty
Surface: childhood friends, Conflict: She wants to be more than friends, History: known each other since 3/4 yrs old, grew up next door to each other, Subtext: Betty has a crush on him, Archie just wants to be friends, Relationship Arc: childhood friends, Betty wants more, he doesn’t, they remain friends.
ARCHIE with Veronica
Surface: new girl at school, Conflict: despite knowing Betty likes Archie, Veronica flirts/kisses Archie, History: they don’t have a history, Subtext: they have a friendship but is she gay will she come out in this show? Relationship Arc: strangers/flirt/kiss/become friends.
Assignment 2. Convicts
HARRIET with Rosie
Surface: Maid/friends, Common Ground: secretly both gay, Conflict: both experience Loss, History: New maid arrives & starts flirting, behaviour is encouraged, Subtext: Madly in Love with each other despite their backgrounds, Relationship Arc, strangers/ employer/servant/lovers, separation, reunion.
HARRIET with Mrs. Wright
Surface: Mother/daughter, Common Ground: Middle Class Family, Conflict: Opposing views about marriage, History: Father died when Harriet a small child, Mother strong morals, re work family/faith, Subtext: Mother widow, never re married, domineering, Relationship Arc: Over concern, lack of understanding to bonding and supportive when Harriet comes out to her mother.
HARRIET with Elliot
Surface: Stranger, Common Ground: Secretly both Gay, Conflict: opposing views about marriage, History, Chance meeting, discover they have common ground, Subtext: Elliot has an idea that may see both their situations amicably resolved, Relationship Arc, Strangers to common ground to assisting each other. Elliot suggest Lavender marriage, she agrees and both travel to Australia to unite with their loved ones.
ELLIOT with Richard
Surface: friends, Common Ground: secretly both Gay, Conflict: Loss when Richard is arrested and transported to the colonies, History: met in a pub, sex in laneway, hooked at very first moment, Subtext: madly in love, perfect match. Relationship Arc: lovers, shock, numb, inaction to courage/actions/happy reunion and set up home in Antipedes.
ELLIOT with Emily
Surface: younger sister, Common Ground: Wealthy Family/well connected in high society, Conflict: opposing views regarding family matters/marriage, History: not close, she is married with small son and 2nd on way, Subtext: unexpressed love, until Elliot comes out to his sister, she now understands his moods and tries to support him with his endeavours, Relationship Arc: Distant, lack of understanding to bonding and supportive.
ELLIOT with Oswald
Surface: Father, common ground: patriarch, Conflict: domineering, not close, History: father bangs on about getting married and Elliot producing an Heir to carry on family/traditions, Subtext: Father angry for young wife dying and leaving him with two small children. couldn’t be bothered, let the “help” take care of them, Relationship Arc: Distant to somewhat emapathy and more open to communication once Elliot marries Harriet, but angry again when he moves to Australia.
ROSIE with Harriet
Surface: Maid to Mistress, Common Ground: Secretly both lesbians, Conflict: sudden arrest of Rosie for crimes she didn’t really commit, History: maid arrives and flirts with mistress, Mistress flirts back, Subtext: Rosie madly in love with her mistress, her secret, Relationship Arc: worker/employer to friends to lovers to separation/loss/anguish/ to being reunited.
ROSIE with Mrs Wright
Surface: Maid/Employer, Common Ground: mutual respect, Conflict, Mrs. Wrights’ dislike of Rosie’s sister, History: Strong morals, re work kindness/respectful, Subtext: Rosie keeping secret from her employer, she is in love with her daughter, Relationship Arc: worker/employer to to shock/disgust when daughter comes out. To understanding and respect.
ROSIE with Tilly
Surface: Older sister, Common Ground: Tough childhood/poverty, Conflict: Morals, sister is a petty thief and part time prostitute, History: Tilly helped look after Rosie when they were younger, both street urchins, Subtext: Rosie angry with sister for getting her arrested, Relationship Arc: childhood struggles, to going their separate ways to reunion to transportation, loss, Rosie’s love/respect for her sister, Tilly dies on ships crossing.
RICHARD with Elliot
Surface: friends, Common Ground: secretly both homosexual, conflict: loss/anguish when arrested, History: met at pub, love at first sight, sex in laneway, Subtext, madly in love, perfect for each other hides his sexuality, Relationship Arc: strangers, to lovers, loss/separation to happy reunion.
ELLIOT with Mate
Surface: mates/friendship, Common Ground: both sailors, Conflict: Richard is gay his mate is straight, History: both grew up in naval families & both live in hostel for Sailors, Subtext: Richard tries to hide his sexuality from his mates, Relationship Arc, friends/mates to cutting ties, when Richard leaves his old world behind him.
ELLIOT with Rosie
Surface: Stranger, Common Ground, Both gay and both transported to Australia, Conflict: not sure to trust each other, History: chance meeting, discover they have common ground, Subtext: they too decide to have a fake marriage as suggested to them by Elliot, Relationship Arc: strangers to common ground to assisting each other to wedding, to all four living together in a new home, new life in Australia.
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Bingeworthy Lesson 6 – Relationships
Griff’s Relationship Maps
What I learned from doing this assignment: Relationships are dynamic and can (do) spill over into the various facets of story. For instance, the complex relationship between Nancy and Jonathan in Stranger Things directly affects Steve, but has deeper implications when Steve sees Jonathan’s bravery against the monster. Steve will come to respect Jonathan even though he is his rival for Nancy.
In my series THE LAST STRAW the relationship between the mother, Stephanie, and the neighbor’s daughter, Marcey, is beginning to have a life of its own. I was originally going to have Brad, Marcey’s father, as the third relationship in my map, but Marcey popped up as more interesting.
Assignment 1
Relationship Map for “Stranger Things”
Nancy’s Relationship to Mike:
Nancy to Mike Surface: He is her little brother.
Nancy to Mike Common Ground: Annoying parents.
Nancy to Mike Conflict: Sibling Rivalry
Nancy to Mike History: Mike is a thorn in Nancy’s side.
Nancy to Mike Subtext: Mike enjoys teasing Nancy.
Nancy to Mike Arc: Nancy eventually takes Mike seriously.
Nancy’s Relationship to Steve:
Nancy to Steve: Surface: Boyfriend
Nancy to Steve Common Ground: Sexual Attraction
Nancy to Steve Conflict: Steve is a douche ad a bully.
Nancy to Steve History: Steve is BMOC and full of himself, which Nancy tries to ignore.
Nancy to Steve Subtext: Steve knows he puts on bravado for his friends.
Nancy to Steve Arc: Steve gains some self-awareness when he and Nancy are put in danger together.
Nancy’s Relationship to Jonathan:
Nancy to Jonathan: Surface: He is Will’s brother and a school dropout.
Nancy to Jonathan Common Ground: Find Will.
Nancy to Jonathan Conflict: Jonathan took photos of Nancy at Steve’s party.
Nancy to Jonathan History: Jonathan is not part of the inner circle of friends.
Nancy to Jonathan Subtext: Jonathan has a crush on Nancy.
Nancy to Jonathan Arc: Jonathan gains confidence because of Nancy’s interest in him.
Assignment 2
Relationship Map for THE LAST STRAW
Stephanie’s Relationship to Randy:
Stephanie to Randy Surface: Randy is Stephanie’s older son.
Stephanie to Randy Common Ground: Love
Stephanie to Randy Conflict: Hectic home life.
Stephanie to Randy History: Randy criticizes everything Stephanie tries to do.
Stephanie to Randy Subtext: Randy needs constant validation from Stephanie.
Stephanie to Randy Arc: Randy finds himself when he and Todd must work together to find Stephanie.
Stephanie’s Relationship to Todd:
Stephanie to Todd Surface: Younger son.
Stephanie to Todd Common Ground: Love
Stephanie to Todd Conflict: Todd needs some of the attention that Randy hogs.
Stephanie to Todd History: Todd blames Stephanie for chasing away his father.
Stephanie to Todd Subtext: Disapproval.
Stephanie to Todd Arc: Stephanie appreciates Todd’s calm demeanor once they are separated.
Stephanie’s Relationship to Marcey:
Stephanie to Marcey Surface: Neighbor’s daughter.
Stephanie to Marcey Common Ground: Need to do something worthy with life.
Stephanie to Marcey Conflict: Marcey seems to be setting a bad example for Stephanie’s boys.
Stephanie to Marcey History: Stephanie still sees Marcey as a little girl acting out.
Stephanie to Marcey Subtext: Marcey is wounded by the death of her mother.
Stephanie to Marcey Arc: Stephanie discovers that there is depth and purpose to Marcey.
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Lesson 6
What I learned: I’m finding that the deeper I get into these assignments with my concept, the more serious and less humorous it seems! I’ve started watching some comedies (along with my BWTV example) to look for these same qualities and see how they can be funnier.
Oh! And what I just also learned is that it won’t let you copy and paste the tables into this! Anyone have a solution for this?
Assignment 1
Assignment 2
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This is Assignment 1 (Scandal) I did assignment 2 but i don’t have the time to cut and paste it all from the tables.
Olivia President
Surface Does “fixer” work for him
Common Ground Their love of the country? Wanting to do the right thing?
Conflict He’s married and she can’t be with him because of that
History Fell in love with him on the campaign
Subtext She loves him but is having trouble trusting him now
Relationship Arc So far, from being in love with him but staying apart to trying to help him then finding out he had a lover then realizing he was set up//
Quinn
Surface Her protégé; mentors her
Common Ground They both care a LOT about the people they represent
Conflict Quinn is naïve but often sees the truth first
History Unclear; Olivia seems to know that Quinn is not who she says she is
Subtext Olivia is protecting Quin from something (not sure what)
Relationship Arc So far, from Quinn playing just “the witness” to Olivia trusting her with more important things
Olivia Billy
Surface Colleagues; different political agendas
Common Ground They were technically on the same team but now not so much
Conflict His boss versus her prior “boss” the President
History He tried to undermine her on the campaign trail, but she came out the winner
Subtext He’s nosey; she might be suspicious of him?
Relationship Arc I think it will be from campaign trail adversaries to colleagues to enemies
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S1-E6-“Big Little Lies’-51 mins.
Character 1 Character 2 Character 3 Character 4
Madeline Jane Celeste Renata
Surface: Lead Mom New Friend Best Friend Foes
CommonGround: Town Defends son Shares talk Kids play
Conflict: Losing herself Looking for rapist Not revealing abuse Butt hds
History: Long time lead Quickly friends Shows perfect life 1-up
Subtext: Hidden affair Hidden life Afraid of losing it all jealous
Relationship Working thru Listens for advice Wants to reveal Gets back
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What I learned from doing this assignment is: That this is yet another simple yet effective way to add such richness and depth to characters AND it helps take the story into different cool directions.
SHING’s Relationship Map “The EMM Triangle”
“SHING”
RAYBEAM
DOCTOR CHEN
COLONEL LAMB
SURFACE
RAY – Starship Commander – Friend
CHEN – Head of OWSA Archeology – Superior
LAMB – Ranking Officer
Moon-Base Gamma II
COMMON GROUND
RAY – Like each other – Mutual respect
CHEN – Mutual Admiration Share same love of history
LAMB – Mutual tolerance & respectful of each other’s roles.
CONFLICT
RAY – Still don’t completely trust each other
CHEN – Disagreement in approaching work
LAMB – Obeying orders – Boundaries that can and cannot be crossed – Limits
HISTORY
RAY – Met on first flight –Kept in touch via video messages
CHEN – Mentor-Former Professor at University
LAMB From resentment to reliance and trust
SUBTEXT
RAY – Keeping Secrets – Possible love interest
CHEN – Feels her methods are better.
LAMB – Lack of respect
RELATIONSHIP ARC
RAY – From Strangers to Friends to Lovers To allies.
CHEN – From teacher/Mentor to Colleague to Rival
LAMB – From strangers to Father figure.
Copyright 2017 Hal Croasmun, All rights reserved
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Kathleen’s Show Relationship Map
What I learned doing this assignment is that characters have relationships with each other.
Pope Pius XIII/Lenny
Surface – He is cold and doesn’t want his feelings to show.
Common Ground – He has people in the Catholic Church that he works with.
Conflict – He disagrees with the past people in the church and wants to do things his way.
History – Pope Pius XIII/Lenny was put in an orphanage by his parents and Sister Mary took care of him. Michael was his Spiritual Advisor/Mentor.
Subtext – He is angry that his parents left him when he was young.
Relationship Arc – He brings people in to help him but has disagreements with them because he wants to run the church his way.
My Show
Julie – Teacher
Surface – She is working as a Teacher for Pope Francis but appears to be working for the school.
Common Ground – She works with Sister Margaret who is the school’s Principal and Father John who is the Parish Priest.
Conflict – Sister Margaret believes in old fashion discipline like hitting the students but Julie knows that is wrong and against the law today. She stands up to her. Father John wants everything to go well in his Parish. He doesn’t want problems nor trouble.
History – No prior history. Only that they work together in the Catholic Church.
Subtext – Julie doesn’t believe in hitting students and Sister Margaret is from the old school. She was abused while growing up.
Relationship Arc – They start out as friends all trusting each other until Julie stands up to Sister Margaret.
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Lisa’s Show Relationship Map
What I learned doing this assignment is that when you explore your characters relationships, you can delve deeper and come up with ideas for more investing things to happen later on, which is exciting.
Assignment 1:
Elaina & Bobby
Surface: best friends
Common Ground: both students
Conflict: Bobby doesn’t trust Stephen
History: friends since grade school
Subtext: Bonnie is Psychic, Elaina isn’t
Relationship Arc: they drift apart?
Elaina & Stephen
Surface: just met
Common Ground: both students
Conflict: Stephen is distant, she does’t quite trust him
History: Elaina looks a lot like Katherine. She may have been her in another life
Subtext: they like each other
Relationship Arc: from strangers to dating
Elaina & Damon
Surface: just met
Common Ground: Damon is Dating her friend, Caroline
Conflict: He comes on to Elaina
History: May have also dated her in her past life
Subtext: Damon likes Elaina, but he can’t control her
Relationship Arc: from friendly to enemies
ASSIGNMENT 2:
Jane and Ammo
Surface: acquaintances
Common Ground: both like science
Conflict: Ammo hates vegans, but likes Jane. Jane can’t stand Ammo
History: known each other since high school, went on one date
Subtext: frenemies
Relationship Arc: from frenemies to enemies
Jane and Dr. Berkwood:
Surface: student/ teacher
Common Ground: both vegan and like science
Conflict: Dr. Berkwood doesn’t trust Marc
History: known each other since Jane was undergrad
Subtext: Jane is her Protege
Relationship Arc: from being protective of Jane to suspicious
Jane & Marc
Surface: both PhD students
Common Ground: both vampires
Conflict: Marc turned Jane and made her life more complicated
History:met at school
Subtext: Marc likes Jane. Jane is clueless but likes him too
Relationship Arc: from strangers to close
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Frank’s Show’s Relationship Maps
What I learned from doing this assignment is…
That this is a good way to start thinking about who the Connected Characters are since it became apparent to me that I would need certain roles filled as I made the character maps for three of my Main Characters. So when I started on the character map for Henry, I knew he had to have a love interest who causes him to betray his oaths as a military officer. Thus, Sanji Punjabi was born – a woman who serves in the enemy’s military forces. As I made character maps, I also realized that I was advancing my understanding of the story by seeing how these burgeoning character relationships would affect the progression of the storylines. It’s a lot of time and energy to create these character maps, but they are very useful because they help me to see how these relationships unfold in a visual manner.
Assignment 1: Relationship Map for Jessica Jones
Jessica Jones to Luke Cage:
- Surface: lovers
- Common Ground: both possess superpowers
- Conflict: Luke
senses Jessica is hiding something from him but she grows distant when pressed
about it. - History: Jessica
helps Luke fend off angry footballers. - Subtext: Jessica
murdered Luke’s wife while under the mind-control of Killgrave. - Relationship Arc: going
from lovers to potentially enemies.
Jessica Jones to Trish Walker:
- Surface: best friends
- Common Ground: mutual
respect, former roommates, both survivors of assault by males. - Conflict: Trish
thinks Jessica is behaving recklessly. Jessica wants Trish to use her influence
to prove Hope’s innocence. - History: lived
together for some time before Killgrave mind-controlled Jessica. - Subtext: they
love each other like sisters but also have some major gripes about each others’
behavior and coping mechanisms. - Relationship Arc: estranged
ex-roommates to becoming each others’ strongest allies.
Jessica Jones to Jeri Hogarth:
- Surface: boss/contractor
- Common Ground: both will get
the job done for the right amount of pay. - Conflict: Jessica
always barges into Jeri’s office unannounced. Jeri uses Hope for her own career advantage despite Jessica’s insistence that she be treated with more respect. - History: have
worked together on previous legal cases. - Subtext: Jeri
is a cynic and believes the only way to help Hope is by painting her as mentally ill,
while Jessica is more of an optimist and thinks they can gather hard evidence to prove Hope is innocent. - Relationship Arc: they have a working
relationship based on money, to helping each other break a tough case because
it’s the right thing to do.
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Frank’s Show’s Relationship Maps, part II
Assignment 2: Relationship Maps for Three Leads From My Show
Henry Hak-Jordan to Sanji Punjabi:
- Surface: lovers
- Common Ground: mutual attraction, highly intelligent, good at their respective jobs, both are opposed to the agents of Torquemada
- Conflict: they
belong to opposing armies. Sanji wants the British Empire to study the ruins.
Henry is defending them for the Tribal Nations. - History: they
start off opposed but fall in love when trapped in the ruins and are forced to
cooperate in order to survive and escape. - Subtext: their
relationship is doomed given the larger political contexts they live within,
and they both know it. - Relationship Arc: from
enemies to lovers and then back to enemies.
Henry Hak-Jordan to Aspen-Leaf:
- Surface: best friends
- Common Ground: comrades-in-arms as they service in the Tribal military, have saved each others’ lives multiple times.
- Conflict: when
Henry discovers that the ruins contain the means to open a new portal back to
Earth Prime, he must disobey orders from his superiors (which he’s willing to
do), placing him in opposition to loyalist Aspen-Leaf. - History: Grew
up together. Enlisted at the same time and have supported one another while
also maintaining a brotherly rivalry.Grew
up together. Enlisted at the same time and have supported one another while
also maintaining a brotherly rivalry. - Subtext: Aspen-Leaf
has always known that there is something strange about Henry’s past but chose to overlook it, until now when Henry begins to betray his trust. - Relationship Arc: Brothers-from-different-mothers
to enemies.
Henry Hak-Jordan to Montgomery Cavill:
- Surface: enemies
- Common Ground: They both want their respective nations to have control of the alien ruins. Both are men of resolve.
- Conflict: Both
lead soldiers on opposing sides. Montgomery is a shrewd tactician and engages
in multiple battles and deceptions against Henry and his forces in order to
take control of the alien ruins. - History: Engaged
in an aerial dogfight in the skies of Venus that ended in a draw. Ever since,
they have been mortal enemies. - Subtext: Their
hatred of each other makes them reluctant to acknowledge how similar they are.
Under different circumstances, they could have been friends. - Relationship Arc: Start
from not knowing each other to bitter enemies who will fight to the death.
Marjorie Hak-Jordan to Nelson Davis:
- Surface: ex-lovers
- Common Ground: Ambitious,
want to protect autonomy of the Free Peoples Republic from the US & other nations. - Conflict: He
is part of a conspiracy to take authoritarian control of the Free Peoples Republic.
She is violently opposed to that. - History: Grew
up together. Became high school sweethearts. He cheated on her with different
people in college. He entered politics and she entered journalism and they’ve
clashed since then. - Subtext: He’s
still attracted to her despite the years of being on opposing political
ideologies. She is still hurt by the betrayal of her trust all those years ago. - Relationship Arc: from high school sweethearts to bitter enemies.
Marjorie Hak-Jordan to Camilla Ludlow:
- Surface: best friends
- Common Ground: Love
to party and have a good time, yet also are committed to social causes. - Conflict: Camilla
wants to stop the insurgents through non-violent means. Marjorie believes
violence is the only effective way to stop it. - History: Met
during freshman year in college. Bonded over their mutual love of writing.
Camilla is now a professor of English and a successful novelist. - Subtext: When
they were still in college and Marjorie was still dating Nelson, Camilla had a
one-night stand with Nelson that Marjorie never found out about. - Relationship Arc: From
best friends to estrangement to a restored relation-ship when Camilla becomes
the chronicler of Marjorie’s life.
Marjorie Hak-Jordan to Jevan Chandler:
- Surface: Editor/reporter
- Common Ground: Belief
in the power of journalism, the power of truth, committed to justice. - Conflict: Jevan
believes in the fourth estate. Marjorie loses faith in it and begins to take
matters into her own hands. - History: Met
when Marjorie graduated from journalism school and got her first job with the Times-Picayune
where he was the editor of the Society Bee column. - Subtext: Jevan
has always been attracted to Marjorie but has kept his feelings hidden in order
to maintain their professional relationship, but she knows. - Relationship Arc: From
mentorship and professional colleagues to becoming lovers.
Ennio Torquemada to Sung Hak:
- Surface: enemies
- Common Ground: Highly
intelligent, will do anything to survive and protect their families. - Conflict: Ennio
needs to capture the Hak-Jordan children and bring them back to Earth Prime to
further his own career ambitions. - History: Were
once colleagues. - Subtext: Cat-and-mouse
game to discover the whereabouts of the Hak-Jordan children. - Relationship Arc: Former
colleagues, now mortal enemies.
Ennio Torquemada to Ana Torquemada:
- Surface: father/daughter
- Common Ground: family members
- Conflict: Determined
to keep his daughter’s existence a secret to prevent her from being terminated
by the state for being “genetically inferior”. She wants to live a free life. - History: After
discovering that his daughter was born with a degenerative disease, Ennio faked
her death and hid her from the state. - Subtext: Ennio
feels shame over his daughter, but loves her deeply too. She senses this and is
bitter about it. - Relationship Arc: Strained
relationship, to Ana betraying her father, to her father attempting to kill her.
Ennio Torquemada to Barbara Hak-Jordan:
- Surface: enemies
- Common Ground: Highly intelligent, will do anything to survive and protect their families.
- Conflict: Ennio needs to capture the Hak-Jordan children and bring them back to Earth Prime to further his own career ambitions.
- History: Were once colleagues.
- Subtext: Cat-and-mouse game to discover the whereabouts of the Hak-Jordan children.
- Relationship Arc: Former colleagues, now mortal enemies.
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