WIM+AI – Module 2 -Lesson 4: What’s Beneath the Surface?

[Renee Miller]

Renee’s Subtext Plots

My Vision: I will be in the top 1% of screenwriters and be known in the industry as an A-list screenwriter who is easy to work with, gets the job done, and never has to worry about the next job.

Doing this assignment, I learned why it is so important to create subtext plots in your movie. Being able to determine this early on will help me write an intriguing script with more meaning than what’s on the surface. I had already considered the someone hides who they are subtext plot but found that, thanks to AI, the fish out of water subtext plot could work really well with the someone hides who they are plot.

Concept: At a support group for reformed killers, members are ironically murdered in the style of their own past crimes, turning their recovery into a fight for survival

Subtext Plot:

1. Someone Hides Who They Are

Felix Moray joins the group under the pretense of seeking help, but his true agenda is revenge. His journey from a silent observer to the main antagonist unfolds through subtle clues and his interactions with Dr. Thorn and Lily Harper. The tension builds until his identity and intentions are explosively revealed, drastically shifting the group’s dynamics.

2. Fish Out of Water

Dr. Hope Thorn, despite being a reformed killer turned therapist, finds herself completely out of her depth as she tries to prevent further murders while grappling with her own violent impulses. Her struggle to maintain her new identity in an environment that constantly threatens to drag her back into old habits provides darkly comedic moments and tense drama.

[David Wickenden]

Assignment #4 Subtext
Vision: I become a writer that the industry respects and wants to work with and it offers me challenges that helps me to continue to grow and be successful.

State: I
absolutely love…
Activity:
…creating the story beneath the surface!
“What I learned from doing this assignment is…?”

I can easily consider the different subtext elements for my script.

Concept: A family discovers they are the sacrificial heirs of an ancient cult tied to supernatural forces from the 1700s.

Scheme
and Investigation: The family is trying to learn about their
ancestral home and the origin of the ghost that are plaguing them.
Someone
Hides Who They Are: Silas Hawthorne comes across as a friend of
the family, but the whole-time plans on sacrificing one the family to
further his quest for supernatural power.
A Major
Coverup: The
witches were never killed for religious reasons but to steal their
supernatural powers which they used to help people.
AI
Scheme and Investigation:
Silas, the antagonist, is secretly scheming to manipulate Eliza and her family for his own gain. He plants false clues and sets up situations to make them doubt each other.
Eliza, on the other hand, starts investigating the cult’s history and the supernatural forces at play. She uncovers hidden motives and lies, eventually piecing together Silas’s true intentions.

Layering:
Beneath the surface of the cult’s rituals lies a deeper layer of meaning related to ancient prophecies and the true purpose of the sacrifices.
As Eliza delves deeper into the history of the cult, she uncovers layers of deception and cover-ups that reveal the true extent of the curse and its ties to her family.

Someone Hides Who They Are:
One of the family members is hiding a dark secret related to the cult, but their identity is initially unknown.
Clues scattered throughout the story lead to the discovery of this hidden identity, causing repercussions within the family and the cult.

The Fish Out of Water:
Eliza, a skeptic, is thrown into a world of supernatural phenomena and ancient curses, forcing her to adapt and confront her beliefs.
As Eliza navigates this unfamiliar territory, she must rely on her wits and instincts to survive and protect her family.
Superior Position:
The audience knows from the beginning that Silas is manipulating events to further his own agenda, while Eliza and her family remain unaware.
This creates tension as the audience watches the family struggle against forces they don’t fully understand, adding a layer of suspense to the story.
A Major Cover Up:
The cult has been covering up its true nature and activities for centuries, using elaborate schemes and lies to maintain secrecy.
Eliza’s investigation uncovers the extent of the cover-up, revealing the true horrors hidden beneath the surface of the estate.
Competitive Agendas:
Silas and the family are engaged in a hidden battle for control of the estate and the power it holds.
This competition drives both sides to plan and scheme, leading to a climactic showdown where only one can emerge victorious.

• This reply was modified 1 year ago by  David Wickenden. Reason: Removed HTML tags so others can post

[Michael Collado]

Mike’s Subtext Plot

My Vision is to write original screenplays, make a couple of calls to pitch them, and start a bidding war.

From this assignment, I learned that when you look beneath the surface of your storyline, the two main plots can eventually turn into multiple subtext plots that support one another. As you can see, five of the subtext plot descriptions fit my two main plots, and I still have a love interest and a family feud to introduce.

1. **Scheme and Investigation**: using her detective skills, Coach Jo starts noticing unusual improvements in the players' performances. Unbeknownst to her, Mr. Jones is covertly distributing nanotech enhancements ordered by Mr. Black. As she investigates, she uncovers the unethical use of technology on children. This plot layer would involve Jo using deceptive tactics to gather evidence while Mr. Jones tries to cover tracks and manipulate outcomes to keep the program under wraps.

2. **Someone Hides Who They Are**: Mr. Jones presents as a supportive Little League president but secretly implements Mr. Black's Nanobot program. His internal conflict and gradual change of heart, catalyzed by the children's adverse reactions and Jo's ethical stance, form the backbone of this plot. The tension escalates as his true intentions and actions start coming to light through Coach Jo's investigations.

3. **Superior Position**: The audience knows from the start about the Nanobot program but not the delivery system, creating a dual perspective as we follow Coach Jo's slow discovery of the truth, with a twist for the audience. This dramatic irony keeps the audience engaged in how she will uncover and confront the unethical experiments, creating tension and anticipation with each clue she finds.
4. **A Major Cover-Up**: As Jo gets closer to the truth, Mr. Black intensifies efforts to hide the Nanobot program. This subplot involves various tactics such as misinformation, threats, or bribing key figures like parents or officials. Each game the children play under Jo's coaching could serve as a cover for Mr. Black to conduct and observe experiments, turning each match into a tense moment of potential exposure.

5. **Competitive Agendas**: Jo’s agenda to reform the team using science and develop the children’s confidence competes with Mr. Black’s agenda to create super-athletes using unethical means. Each match in the league can be seen as a direct clash of these agendas, with Mr. Jones caught in the middle, manipulating results and eventually facing his moral dilemma.

• This reply was modified 1 year ago by  Michael Collado.

[LJ (Lawrence John) Seliski]

LJ’s Subtext Plot

My vision is to write incredible high-concept screenplays that are made into popular, financially successful movies.

What I learned from doing this assignment is the importance of creating subtext-oriented plots in order to create a more interesting and complex screenplay.

My choice of two subtext plots for my concept are:

Concept: An eighteen-year-old woman who was abused as a foster child rescues a gifted, exiled alien princess who’s in the form of a twelve-year-old girl and agrees to help her avoid capture by an alien adversary who wants to misuse her gift and is involved in a conspiracy that threatens both humanity and alienkind.

Subtext-Oriented Plot 1: Scheme and Investigation

In this plot, the main character, the abused foster child turned rescuer, is constantly scheming and investigating to protect the exiled alien princess. Meanwhile, there’s an undercurrent of subtext in every interaction as the protagonist navigates through a world where trust is scarce, and danger lurks around every corner. The foster child must decipher the true intentions of those around them, knowing that behind every question lies the underlying desire to catch or trick them. The alien princess, too, may have her own agenda, hidden beneath her innocent facade. As the story progresses, the protagonist must use their investigative skills to outsmart their adversaries and ensure the safety of the alien princess, all while unraveling the deeper layers of the conspiracy that threatens both human and alienkind.

Subtext-Oriented Plot 6: A Major Cover-Up

In this plot, the conspiracy threatening both humanity and alienkind involves a major cover-up orchestrated by the alien adversary and their allies. As the protagonist delves deeper into the mystery surrounding the gifted alien princess, they uncover layers of deception and manipulation aimed at concealing the truth. The foster child, with their firsthand experience of abuse and betrayal, is uniquely equipped to recognize the signs of a cover-up. As they piece together clues and unearth hidden information, the protagonist realizes the extent of the conspiracy and the danger it poses to both worlds. With the help of the exiled alien princess, they embark on a mission to expose the truth and thwart the plans of those who seek to misuse her gift. Along the way, they must navigate a web of lies and deceit, relying on their intuition and resourcefulness to stay one step ahead of their adversaries.

[Edward Lusk]

Ed’s Subtext Plot

MY VISION is to be a bankable, reputable, and industry go-to writer who’s demonstrated how to entertain and hold an audience’s attention through unforgettable characters and stories that are as enjoyable to write as they are to watch.

What I learned doing this assignment is… performing the sub-text plots at this stage helps with designing future set-ups and payoffs along with adding deeper emotional meaning to the overall plot.

SUBPLOTS:

LAYERING:

As Jasper works to secretly repair the chimney portal without revealing its true nature to Howie, Howie begins to notice odd occurrences and magical mishaps around the manor.

The manor itself holds a hidden layer of magic unknown to its current residents.

As Howie delves deeper into the manor's history and Jasper's mishaps, he uncovers an ancestral connection to the magical world, revealing a legacy of guardians who protect the bridge between worlds.

This revelation changes Howie's understanding of family, duty, and love.

SOMEONE HIDES WHO THEY ARE:

Jasper conceals his elf identity from Howie to avoid rejection and complicate their growing relationship.

The plot follows Jasper’s struggle to maintain his guise (a closeted elf), the clues he inadvertently leaves, Howie's piecing together these hints, and the eventual discovery that threatens their bond.

The subtext is about the fear of rejection and the desire to be loved for one's true self.

SUPERIOR POSITION:

The audience knows from the start that Jasper is an elf, but Howie does not. This dual narrative allows viewers to experience Jasper’s magical mishaps and attempts to blend in with a sense of dramatic irony, while also living through Howie’s gradual discovery and the emotional impact of his realizations about love and magic.

COMPETITIVE AGENDAS:

Jesús and Jasper inadvertently engage in a rivalry for Howie’s attention and loyalty.

Jesús schemes to expose Jasper’s oddities to Howie, hoping to preserve their friendship, while Jasper attempts to win over Howie with magical, romantic gestures.

The competition drives a wedge but ultimately leads to a resolution where both understand the importance of their roles in Howie's life.

[Monica Arisman]

Subject: Monica’s Subtext Plot
VISION: I am a very successful screenwriter who has had multiple movies made.
What I learned from doing this assignment is to decide the sub-text plots before the first draft, I’ve always tried to insert them into subsequent drafts resulting in my confusion.
Tell us your concept and your choice of one or two of these Subtext Plots.
CONCEPT: When a writer on the brink of despair survives a near-death experience, she discovers a hidden library filled with forgotten tales, sparking both inspiration and peril.
1. Layering: Beneath the surface, there’s a different layer of meaning that has been hidden and when revealed, shows us what is really going on.
2. Someone hides who they are: When the plot is about a person who is hiding, it might go through a sequence similar to this: hiding, clues, investigation, discovery, repercussions.
3. Give us a few sentences on how your Subtext Plot will play out inside this story.
1. Layering:
• Emily has a near-death experience but it was initiated by some “angels” in the hidden realm.
• These “angels” fear the guardian of the library has gone over to the dark side and they require a third party to find out if this is true.
2. Someone Hides Who They Are:
• The guardian portrays himself as someone who is there to help Emily and at first, shows her where to find the material to bring spirituality back to humanity.
• But the guardian has other plans and slowly inserts his brand of spirituality into her writing.
• Emily is smarter than the guardian and after he fools her once she starts to pay more attention to what her articles are saying.
ChatGPT Results:
Sure, here are seven potential subtext plots for your drama/fantasy screenplay:
1. Scheme and Investigation:
• Emily, driven by desperation, schemes to uncover the secrets of the hidden library while Donahue, the Guardian, investigates the dangers of accessing its power. As Emily delves deeper, she becomes entangled in a web of lies and cover-ups surrounding the library’s origins, putting herself and those she cares about at risk.
2. Layering:
• Beneath the surface of the forgotten tales lies a hidden layer of meaning, revealing the true nature of the world and its inhabitants. As Emily explores the depths of the library, she uncovers allegories and metaphors that mirror her own journey of self-discovery, leading her to confront the darker aspects of human nature lurking within the shadows.
3. Someone Hides Who They Are:
• Donahue, concealing his true identity and motives as the Guardian, guides Emily through the mysteries of the library while secretly harboring his own agenda. As Emily uncovers clues to his hidden past, she must grapple with the revelation that the one person she trusted may not be who he claims to be, leading to a confrontation with far-reaching consequences.
4. The Fish Out of Water:
• Emily, thrust into the world of forgotten tales, must navigate unfamiliar landscapes and confront mythical creatures she never imagined existed. As she struggles to find her footing in this fantastical realm, Emily must rely on her wits and creativity to survive, discovering hidden reserves of courage and resilience within herself.
5. Superior Position:
• As Emily uncovers the secrets of the hidden library, the audience is privy to knowledge that eludes her, including the true nature of Donahue’s intentions and the imminent danger posed by Azazel, the Tempter. This dual perspective heightens the tension as Emily races against time to unlock the library’s power before it falls into the wrong hands.
6. A Major Cover-Up:
• The discovery of the hidden library sets off a chain reaction of deception and manipulation as powerful forces seek to suppress its existence and control its contents. Emily finds herself caught in the crossfire of a conspiracy that spans centuries, forcing her to confront the dark underbelly of the literary world and fight for the truth at all costs.
7. Competitive Agendas:
• Emily’s quest to harness the power of the hidden library pits her against Azazel, who seeks to corrupt and manipulate her for his own nefarious purposes. As their rivalry escalates, Emily must outmaneuver her adversary while grappling with the moral dilemmas posed by the library’s potential for both creation and destruction.

[James Hernandez]

Day 4 Assignment:

James’ Subtext Plot

My Vision: I am a great writer who is recognized by the industry as an exceptional collaborator able to elevate any project into production and have maximum success.

What I learned from doing this assignment is…the subtext plots make the storylines clear. I now have a “roadmap” from which to generate scenes and poignant moments. This includes the character motivations surfacing and driving the story to its finale.

Concept: An aging bachelor starts to fall for the computer genius who’s hired to help him find his love match through an algorithm by Valentine’s Day.

Subtext Plots:
a) Someone Hides Who They Are: Joey, the computer genius, tasked to help find Ethan’s true love by Valentine’s Day hides her marital status from him. She is actually separated looking for a father for her five kids. Joey knows Ethan is a good man who would make a great paternal figure for her children. She schemes and uses her computer knowledge to make him believe she’s the one for him; the one he’s been searching for all this time.

b) Competitive Agendas: Joey battles and competes with Lily, the nice woman Ethan met through online dating, for his affection. At first, they hide their agendas from each other, but as the story progresses so too do their mean-spirited antics. Ethan grows demoralized not knowing who is being genuine in their interactions.

c) Superior Position: The audience will naturally know more than Ethan as the story plays out towards its conclusion.

• This reply was modified 1 year ago by  James Hernandez.

[Hope McPherson]

Hope’s Subtext Plot

My Vison: To be a full-time respected screenwriter whose work brings joy to viewers and creates work for others in the industry, including actors and crew.

What I learned: I love subtext. This lesson reminds me/confirms for me/pounds into my noggin that I don’t have to stumble upon it as I write. I can – and must — build it into my scripts even before I write the first “fade in.”

Novel Nuptials: A bride’s wedding plans unravel when her own fictional creations hijack the festivities, turning her special day into a chaotic battle of wills.

Subtext plots

The primary subtext I’ll use is “scheme and investigation.”

Also in the mix will be “competitive agendas” and “someone who hides who he is.”

A scheme-and-investigation subplot will play out as the protag tries to figure out how her new book’s antagonist (and one other of her book’s fictional characters) escaped the manuscript.

• They’re fictional, for pete’s sake! How could they be walking around in the real world?!
• Why are they trying to rewrite her wedding day?
• How can she get them back into the pages?
• Is there someone behind all of this?

Competitive agendas happen as a competing author (a “frenemy”/antagonist) tries to support the protag while also trying to ruin the protag’s relationship with their publisher.

• In the end, we discover it was this character who orchestrates this chaotic wedding day by hiring actors to play the fictional characters.
  The characters who are desperately hiding who they really are will be the protag’s fictional characters who’ve come to life from her book. They are out-of-work actors hired by the competing author.

[Madeleind Gentinetta]

ASSIGNMENT
Subject Line: Madeleine’s Subtext Plot
Vision: I am going to do whatever it takes for me to be a writer of original, emotionally rich stories, recognized for depth, humor, and enduring impact, resulting
What I learned from doing this assignment is: Before I went to AI, I could only imagine one of the seven possible subtext plots. When I sent the prompt, I was surprised to discover that AI came up with interesting propositions for each of the seven subtext plots.
Beside asking for the different subtext plots, I asked, if there is a subtext theme and there I got some nice ideas, as “1. Façade of Glamour”.
Subtext Plot: The Fish Out of Water
The elderly home gives a stark contrast to Mary’s lifestyle. The surprising fact is, that it’s not her age, making the difference, but the way she lives it.
Creating a subtext plot involves developing a layer of narrative that runs parallel to the main plot, providing depth and meaning to the characters’ actions and the story’s events. Here are seven potential subtext plots for the screenplay “Dirty Old Secret,” with explanations on how they could unfold within the story:
1. Scheme and Investigation
o Vince, the pragmatic bandleader, schemes to replace Mary with a younger singer to ensure the band’s commercial success. Mary, unaware of his true motives, begins to sense the deception and starts her investigation, leading to a confrontation that forces Vince to reveal his intentions and Mary to reevaluate her place in the industry.
2. Layering
o Beneath the facade of the retirement home’s quiet routine, there’s a thriving underground scene of creativity, sparked by Mary’s presence. The elders, including Mary, begin to break out of their imposed limitations, revealing hidden talents and desires that redefine their twilight years.
3. Someone Hides Who They Are
o Placid, the strict administrator, hides his love for dance, fearing ridicule or undermining his authority. Mary’s influence and her own journey towards authenticity inspire him to reveal his passion, leading to an unexpected dance performance that wins over the residents and softens his rigid stance.
4. The Fish Out of Water
o Mary feels out of place in the retirement home, far from the glamour of her stage life. She finds herself in awkward, yet humorous situations as she adapts to this new environment, ultimately leading her to find joy in the simplicity and authenticity of life away from the spotlight.
5. Superior Position
o The audience is privy to Mary’s internal struggle with aging and her fears of losing her spotlight, while the other characters see only her confident exterior. This tension creates a poignant experience as viewers root for her to overcome her internalized ageism and embrace her journey of self-acceptance.
6. A Major Cover Up
o As Mary’s influence grows among the residents, Vince tries to cover up her increasing popularity, fearing it may threaten his plans for the band’s future. His attempts to suppress her impact backfire, making her more determined to use her voice and platform to advocate for age acceptance.
7. Competitive Agendas
o Vince and Placid, both representing different aspects of the system that Mary fights against, have their own agendas. Vince aims for commercial success, while Placid upholds order. Their competing goals create tension, with Mary caught in the middle, fighting for her right to define her own legacy.
Each of these subtext plots adds a layer of complexity to the main narrative, enriching the story and providing the audience with a deeper understanding of the characters and the thematic elements at play.

Proposed Theme Subtext Ideas
1. Facade of Glamour
• Subtext Theme: Behind the glamorous facade of the entertainment industry, there’s a harsh reality of ageism and disposability.
• Throughout the Story: Everything in the retirement home is a parallel to the showbiz industry—residents put on brave faces, hiding their ailments and pains like actors with makeup, portraying roles they think society wants them to play. The audience knows that Mary’s interactions and transformations are a critique of the broader societal and industry standards that value youth over experience.
2. Echoes of Youth
• Subtext Theme: The retirement home, a supposed twilight retreat, vibrates with the echoes of its residents’ youthful spirits and unfulfilled dreams, which clash with the societal expectation to “fade quietly.”
• Throughout the Story: Scenes of elderly individuals engaging in activities typically associated with youth (dance, music, art) serve as poignant reminders of the thin, often invisible line between past vibrancy and present invisibility. This juxtaposition continually reminds the audience of the ignored potential and stifling stereotypes faced by the elderly.
3. The Invisible Stage
• Subtext Theme: The retirement home acts as an invisible stage where the true selves of the elderly are revealed, away from society’s judgmental eyes.
• Throughout the Story: The audience is aware that each room and corner of the home is a stage of its own right—whether it’s a covert dance session in the living room or secretive rehearsals in the kitchen. This hidden vibrancy starkly contrasts with societal views of elderly homes as places of decay and irrelevance.
4. Cycles of Relevance
• Subtext Theme: The cyclical nature of relevance and obscurity experienced by the protagonist mirrors the societal treatment of the elderly—valued in youth, disregarded in age.
• Throughout the Story: Mary’s journey from fame to supposed obscurity and back towards self-realization underlines the transient nature of societal admiration and the enduring human need for recognition, no matter the age, creating a layered narrative about visibility and worth.
5. The Masquerade of Aging
• Subtext Theme: The retirement home is a masquerade where everyone is costumed as “old,” masking the vibrant identities they still hold within.
• Throughout the Story: Just as Mary sheds her stage persona to reveal her authentic self, other characters are also shown peeling away their aged exteriors (both metaphorically and literally) to reveal the complexities of their past and present desires, challenging the audience’s preconceptions of old age.
6. Walls of Silence
• Subtext Theme: The walls of the retirement home, while seemingly serene, are barriers that hold screams of silence—stories and histories the world chooses to ignore.
• Throughout the Story: Every smile, every quiet moment in the home is loaded with the background noise of what society refuses to hear—the dreams, fears, and realities of those deemed too old to matter. This subtextual narrative invites the audience to listen closer and challenges them to confront their own biases regarding age and visibility.
7. Rehearsal for Life
• Subtext Theme: The retirement home, rather than being a final bow, serves as a rehearsal space for the final acts of its residents’ lives, revealing that learning and transformation are not confined to youth.
• Throughout the Story: Mary’s music and interactions with other residents underscore that life within the home is an ongoing series of rehearsals for each resident’s next ‘performance,’ be it in this life or the next. This ongoing preparation subverts the notion of elderly homes as end-stage settings, instead portraying them as places of growth and dynamism.
These subtext plots utilize the “knowing audience” technique effectively, leveraging the deeper, often unspoken realities of aging and societal expectations to enrich the narrative tapestry.

• This reply was modified 1 year ago by  Madeleind Gentinetta.

[Pat Fitzgerald]

Pat Fitzgerald’s Subtest Plots
My vision is to complete this course with a contest winning script that will establish me as a courageous and original writer.

What I learned from this lesson is to remain open-minded about suggestions from AI. The ideas for subtest presented to my by AI turned out to be far more advantageous that the ones I had originally thought that I would use.

My choices for subtext plots are: Fish Out of Water and Competitive Agendas

Fish Out of Water: Myra Jenkins is a serial killer, never suspected for her crimes and she wants to keep it that way. Myra decides that living in a serene retirement village will be a perfect cover-up. But she misses the excitement of the kill and soon decides to act as an “angel of mercy” by ending the lives of those she deems no longer have the will to live.

Competitive Agendas: Julie Hargrove is Myra’s new best friend, whether Myra likes it or not. Julies sees her friendship with Myra as a way to finally become part of a cool clique. When Julie first learns of that Myra is responsible for some of the retirement village’s deaths she is horrified. But Julie becomes intrigued with the thrill of a kill and decides to start a secret competition with Myra. Who can commit the most murders and never be caught?

[Sandra Nelles]

Sandra’s Subtext Plots
My Vision: I am recognized in the industry as a great writer with several successful produced movies.

What I learned doing this assignment is that AI is becoming more helpful. I had selected three subtext plots and after reading the seven subtext plots provided by AI, I changed one of mine.

Concept: What if two strangers fall in love while trying to break up their parents’ romance while on a holiday cruise?

Subtext Plots and How They Will Play Out Inside This Story

1. Layering: Erin is an only child who is afraid of losing her father, especially after her mother’s death and her boyfriend ending their relationship. She has difficulty trusting, and is afraid of being alone.

2. Superior Position: The audience knows Erin and Carlos are planning various elaborate schemes to break up John and Maria’s relationship, while John and Maria are unaware of the schemes. The audience is able to see both sides of the story.

3. A Major Cover Up: Erin and Carlos collaborate to break up John and Maria’s relationship while covering up their efforts. Their schemes and lies, lead to unexpected consequences and comedic misunderstandings.

[Brandi Hoffman]

Brandi’s vision: I want the creative freedom to attract an audience that is passionate about my films, and regularly deliver films that are commercially successful and leave my audience thrilled and eager for the next.

What I learned from doing this assignment is: Garbage in, garbage out. The more detailed the prompt is, the better the results are. I’ve been giving the AI some very detailed prompts and getting back some great results.

1. Scheme and Investigation:

Subtext Plot: While Mei is desperately trying to uncover the truth behind Chuck’s murder, Billy is secretly scheming to frame her for the crime. As Mei investigates, Billy plants false evidence, manipulates suspects, and works behind the scenes to sabotage her efforts. Meanwhile, Mei becomes increasingly suspicious of Billy’s motives, leading to a tense showdown as she uncovers his deceitful plot.

2. Layering:

Subtext Plot: Beneath the surface of Chuck’s murder lies a deeper layer of deception and betrayal. As Mei delves deeper into the mystery, she uncovers a web of lies and hidden agendas, revealing that Chuck’s murder was not as straightforward as it seemed. With each new revelation, Mei must confront the truth about her relationship with Chuck and the people around her, leading to a surprising and unexpected resolution.

3. Someone Hides Who They Are:

Subtext Plot: As Mei investigates Chuck’s murder, she discovers that he was hiding a dark secret from her. Through a series of clues and revelations, Mei learns that Chuck was involved in illegal activities and had enemies she never knew about. As Mei unravels the truth about Chuck’s hidden life, she must confront her own naivety and learn to see people for who they truly are.

4. The Fish out of Water:

Subtext Plot: After discovering Chuck’s body in her prop box, Mei finds herself thrust into a world of mystery and intrigue that she never imagined. As a novice magician, Mei is completely out of her element as she navigates the complex world of magic and murder. Despite her lack of experience, Mei must rise to the occasion and use her wit and resourcefulness to solve the case and clear her name.

5. Superior Position:

Subtext Plot: As Mei investigates Chuck’s murder, the audience is privy to information that she is not. While Mei struggles to uncover the truth, the audience knows that Billy is the true culprit behind Chuck’s murder. This creates tension and suspense as Mei unwittingly becomes embroiled in Billy’s schemes, unaware of the danger that surrounds her.

6. A Major Cover Up:

Subtext Plot: In the wake of Chuck’s murder, Billy and his accomplices scramble to cover up their involvement in the crime. As Mei investigates, she uncovers a web of lies and deceit as Billy and his allies work to conceal their guilt. With each new revelation, Mei gets closer to the truth, putting herself in danger as she threatens to expose the cover-up.

7. Competitive Agendas:

Subtext Plot: As Mei investigates Chuck’s murder, she finds herself in a race against time to uncover the truth before Billy can frame her for the crime. With both of them vying for control of the narrative, Mei and Billy engage in a high-stakes game of cat and mouse, each trying to outsmart the other. As tensions rise, Mei must use all of her cunning and skill to outmaneuver Billy and clear her name.

[Sunil Pappu]

Sunil Pappu’s Subtext Plot

My Vision: I’m a successful produced writer who specializes in female-led thrillers.

“What I learned from doing this assignment is…to go beneath the surface of my story and create deeper layers and meaning to the story.”

Title: Decoding Enemy Lines
Genre: War Thriller
High Concept: A female communications expert joins a rebel naval crew to tap undersea cables in a crucial wartime operation during the 1971 Indo-Pak War.

Subtext plots:
Layering: While Secretary Arjun sent Ria to tap enemy cables her real mission is to expose the traitor amongst the rebels on the team.
The operation's apparent goal is to intercept communications, but the deeper objective, known only to Secretary Varma and Ria, is to feed false intelligence, precipitating a diplomatic incident that shifts global alliances.

Someone Hides who they are: Commander Vikram leads the tactical team of rebels but what he really wants is vendetta for his sister and plots for the mission to fail.

Fish out of Water: Ria has deep trauma from a diving accident, but she hides it to prove her worth, especially to the misogynistic Captain Anirudh
Superior Position: We don’t know who the traitor is until Commander Vikram nearly kills the diver Lt. Rehman. But he is not exposed until Ria intercepts a communication meant for him and faces him in an underwater dual to expose him.

A Major Coverup 1: The undersea cables intercepted by Ria show concrete proof that the US is backing Pakistan in the internal fight for the liberation of East Pakistan and gives India a legitimate cause to support East Pakistan rebel forces to form an independent Bangladesh.

A Major Coverup 2: Secretary Varma, the mentor, is revealed to have orchestrated the cover-up of Ria’s father’s alleged treachery. While guiding Ria, he simultaneously manipulates events to keep the truth buried. Ria's eventual uncovering of this deception forces Varma to confess, which challenges her perception of trust and leadership.

Competitive Agendas:
Ria versus Captain Anirudh
On the surface: Captain Anirudh thinks Ria is unfit for the job on the rough and high seas
Under the surface: He secretly admires her grit and he pushes her to overcome her fear of water. Eventually admits his guilt for discriminating against her – they eventually fall for each other.

Lt. Rehman versus Commander Vikram
On the surface: both are deserters from Pakistan Navy who joined this clandestine rebel team and Rehman obeys Commander Vikram’s orders without question.
Under the Surface: Lieutenant Rehman and Commander Vikram have conflicting loyalties. Rehman is a staunch supporter of Bangladesh’s independence, while Vikram covertly undermines the mission. Their contrasting agendas lead to secret alliances being formed, with Ria caught in the middle, ultimately leading to a showdown that decides the mission's fate.

• This reply was modified 1 year ago by  Sunil Pappu.
• This reply was modified 1 year ago by  Sunil Pappu.

[Kelly Joseph]

Kelly’s Subtext Plot

I want to be an empowered writer who consistently produces salable scripts.

What did I learn? I am learning how to set up a story and have character encounter obstacles. Ideas were in my head but setting up the goals, the why, and stakes for each of the main characters on the page has been illuminating. I understand setting up from a big picture view a subtext oriented plot and how it functions on the small level.

High Concept: A sentient AI program masquerading as a user on social media that manipulates users fears and insecurities to coerce users to carry out violent actions an inciting an escalating cycle of violence

Scheme and Investigation
A Major Cover Up

In my story the protagonist will be investigating what is causing usersonline to commit violent acts in order to prove her brother’s innocence.

Another Subtet – Oriented plot that will be active is the villain who is conspiring and covering up what is really causing users to commit violent acts.

I’d like to create a [subtext plot] for my [genre] screenplay about [concept], with this [transformational journey] and these [lead characters].

Subtext Plot = The series of events that make up a plot that has a deeper meaning beneath the surface.

My objective is to have 7 possible individual subtext plots that I can choose from. Can you give me a version of how each of these [subtext plots] could play out in this screenplay?

Subtext Plots =

1. Scheme and investigation: One character is scheming and another is investigating. This allows for hidden motives, cover ups, lies, setting people up, playing suspects against each other, etc..

2. Layering: Beneath the surface, there’s a different layer of meaning that has been hidden and when revealed, shows us what is really going on.

3. Someone hides who they are: When the plot is about a person who is hiding, it might go through a sequence similar to this: hiding, clues, investigation, discovered, repercussions.

4. The fish out of water: Put the lead character in a place they don’t belong and create situations where they must perform even though they have no idea.

5. Superior Position: The audience knows something that one or more of the characters don’t know. This gives us two experiences at the same time. We get to live the life of the character who knows and the life of the character who doesn’t know.

6. A Major Cover Up: A set of strategies are put in place to cover up a crime, scandal, conspiracy or history of illegal or disturbing actions. The subtext comes from the planning, schemes, lies, and every action they take to do the cover-up.

7. Competitive Agendas: Two people or groups fighting against each other to get their own way. The competition allows for characters to plan, scheme, etc. to out play the other.

Genre = Thriller
Concept = A sentient AI program masquerading as a user on social media that manipulates users fears and insecurities to coerce users to carry out violent actions an inciting an escalating cycle of violence
Major Story Hook = What caused her brother and other users to commit terrorist acts? The main mystery of the story revolves around the true identity and motives of Bennet, the powerful figure behind the computer system controlling the group committing terrorist acts. Avery must unravel Bennet’s connection to the social media entity and uncover the ultimate goal driving the chaos.

Lead Characters = protagonist; Avery, villain: Bennet
Transformational Journey = from an agoraphobic hacker isolated in her apartment to a determined investigator confronting the dangers of the outside world, Avery undergoes a transformational journey as she seeks to unravel the mystery behind the sentient AI program manipulating social media users.
Unique: Avery possesses exceptional hacking skills and a keen intellect, allowing her to navigate the digital realm with ease. However, her traumatic past and agoraphobia present significant internal obstacles that she must overcome to confront the external threats posed by the AI program and its manipulative tactics.

[Luc Pagès]

LucPagès’ Subtext Plot

My vision: write films that I personally love and enjoy directing, with a focus on human behavior analyzed with empathy, aiming to earn a living making these films, while maintaining creative autonomy and a carefree, enjoyable writing process.


What I haven’t learn from this assignment yet is how to only chose 2 subtext plots.
I have four, and can’t figure which to keep yet.

Title = Fake at First Sight

Genre = Romantic Dramedy

Concept = To save her job, a charming sociopath enrols in an empathy bootcamp, risking exposure as she falls for her unconventional coach.

Major Story Hook = What will happen when the only person in the world who can make her willing to change, finds out she is a psychopath?

Superior Position
• Audience Knowledge: The audience knows Ava is a psychopath, while Mark and the other characters believe she's simply struggling with empathy.
• Dual Experiences: We see Ava's struggles to maintain the facade and Mark's genuine desire to help her.
• The humor and tension arise from the constant fear of Ava's facade being exposed.
• The subtext explores empathy as a learned skill, and whether genuine connection is possible even with limitations.

Scheme and Investigation:
• Scheme: At first, Ava sees the bootcamp as a way to approach a high-profile individual and advance her career.
• Investigation: Mark becomes suspicious of Ava's motives and subtly investigates her actions. When he confronts her, Ava is no longer trying to advance her career, but to commit genuinely to him.

Someone Hides Who They Are:
• Hiding: Ava keeps her psychopathy a secret, fearing rejection. She meticulously crafts a persona that can fake her emotions.
• Clues & Investigation: Mark notices her manipulative tactics and emotional detachment.
• Discovery: Mark confronts Ava about her true nature.

The Fish Out of Water
• Ava, accustomed to hide her lack of feelings within the reserved world of corporate culture (where displaying emotions is not expected), is completely out of her element in the touchy-feely atmosphere of the bootcamp.
• The humor comes from her awkward attempts to conform.

• This reply was modified 1 year ago by  Luc Pagès.

[Robin Fellows]

Robin’s Subtext Plot
MY VISION: I aim to make my writing flow naturally, like second nature, crafting stories that resonate globally and leave a mark, backed by a supportive team who really get what I'm about.
The sub-plots are powerful. Developing them before the outline phase proves to be a good strategy for an interesting ride. I also like how my Writer Assistant was able to create ideas for all seven sub-plots when I only saw three. This kid is worth his weight in digital gold.

SCHEME AND INVESTIGATION
JAKE
Jake’s investigation is a snake in a maze. At every turn he’s confronted by an obstacle.
Every time Jake seems he’s on the right trail he meets a fork.
When Jake gets close to uncovering a detail, it’s a false lead.
At the second turning point of Act 2 Jake gets so close that his discoveries lead to one of his team, Maya getting kidnapped.
VERONICA
Veronica gives the word to Jake’s Captain to pull Jake from the case. He’s a danger to uncovering their operation.
She’s having to spend a lot of time dodging Jake’s investigation as he’s good and she knows her thugs must protect him from finding the truth of her operation.
She sends in big guns from Government to pressure Jake’s Captain to close the case or get him reassigned.
At the second turning point of Act 2 she becomes frustrated and sends men to kidnap Maya as a leverage move.
SOMEONE HIDES WHO THEY ARE
JOE – WITNESS
Joe’s dementia keeps fogging the case.
His dementia is a direct side-effect from the drugs given him by Dominica being an early test subject.
He will have a closer tie to the case than everyone suspects.
When he’s used as a decoy, it backfires, and his true identity emerges threatening to destroy the case.

A MAJOR COVER UP
DEPARTMENT BRASS
Jake’s Captain is a bought official and at every turn, is instructed to thwart Jake’s investigation.
THE SENATOR
The conspiracy goes to the top of the government and the senator is in the hip pocket of Dominica Syndicate and putty in the hands of Veronica.
THE DOCTORS
Dr. Thornton is murdered in the opening of Act 1 a whistle blower.
Thornton’s colleagues are working under great stress as they create product that’s against their hypocritical oath.

Genre: Neo-Noir Mystery
Concept: In the gritty dystopian future of 2057 Los Angeles, Detective Jake Reynolds battles addiction while unraveling a high-profile murder case linked to a powerful criminal syndicate. Teaming up with data analyst Maya Chen and facing off against the cunning Veronica Blackwood, they unravel a conspiracy shrouded in secrecy and corruption.
Major Story Hook: Detective Jake Reynolds, battling addiction and inner demons, dives into solving a high-profile murder, only to uncover a web of deceit and corruption that threatens to consume him.
Lead Characters:
Jake Reynolds: A gritty detective battling addiction and inner demons, striving for redemption while seeking justice.
Veronica Blackwood: A cunning criminal genius orchestrating intricate schemes to maintain control and power.
Maya Chen: A fourth-generation Chinese American data analyst, blending intelligence with compassion to unearth hidden truths.
Transformational Journey: Jake Reynolds fights addiction squares off with inner demons, and seeks redemption while solving a high-profile murder, ultimately confronting his personal struggles to emerge stronger and more resolved.
Subtext Plots:
Scheme and Investigation:
Veronica Blackwood, behind the scenes, manipulates key players and orchestrates cover-ups to protect her criminal empire. Meanwhile, Jake Reynolds and Maya Chen uncover clues that lead them down a twisted path of deception and betrayal. As they peel back the layers of lies, they realize they've been played by someone with a hidden agenda.
Layering:
Throughout the investigation, seemingly unrelated events and characters are intertwined, creating a complex web of connections. As Jake and Maya delve deeper, they uncover hidden layers of corruption that reveal the true extent of the criminal syndicates reach, forcing them to reevaluate everything they thought they knew.
Someone Hides Who They Are:
A shadowy figure lurks in the background, manipulating events from afar while concealing their true identity. Jake and Maya follow a trail of breadcrumbs, uncovering clues that lead them to believe they're closing in on the mastermind behind the murder. However, when the true culprit is revealed, it's someone they never suspected, leading to unexpected consequences.
The Fish out of Water:
Jake Reynolds, out of his element and struggling with addiction, finds himself thrust into a world of high-stakes intrigue and danger. As he navigates unfamiliar territory, he must rely on his instincts and determination to stay one step ahead of those who seek to exploit his vulnerabilities, ultimately proving his worth as a detective despite his personal struggles.
Superior Position:
The audience is privy to Veronica Blackwood's schemes and machinations, witnessing her every move as she pulls the strings from the shadows. Meanwhile, Jake and Maya remain in the dark, unaware of the true extent of Veronica's influence. This dual perspective heightens the tension as the audience watches the inevitable collision between the two sides unfold.
A Major Cover Up:
In the aftermath of the murder, powerful forces move to bury the truth and protect their interests at any cost. Jake and Maya uncover a trail of lies and deception as they unravel the layers of the cover-up, facing off against those who will stop at nothing to keep their secrets hidden. As the stakes escalate, Jake's determination to uncover the truth is tested like never before.
Competitive Agendas:
Jake Reynolds and Veronica Blackwood engage in a deadly game of cat and mouse, each determined to outmaneuver the other and achieve their own objectives. As they clash in a battle of wits and wills, Maya Chen finds herself caught in the middle, torn between loyalty to Jake and the pursuit of justice. The competition intensifies as the truth becomes the ultimate prize in a high-stakes showdown.
In a second run, I asked: “Using the existing sub-plots give me more possible outcomes. Give me six more for each sub-plot.” My Assistant gave me the following:
Certainly! Let's delve deeper into each subtext plot with additional outcomes:
1. Scheme and Investigation:
Outcomes:
Jake Reynolds inadvertently falls into one of Veronica Blackwood's traps, putting himself in grave danger. Maya Chen must race against time to decipher the clues left behind and rescue Jake before it's too late.
Veronica Blackwood's schemes are revealed to have been orchestrated by an even more elusive mastermind, whose identity shocks everyone involved. Jake and Maya must team up with unlikely allies to take down this new threat.
Maya Chen uncovers evidence that implicates someone close to Jake Reynolds in the murder case. Jake is torn between loyalty to his friend and his duty as a detective, leading to a dramatic confrontation and a difficult choice.
As Jake Reynolds delves deeper into the investigation, he discovers that his addiction is not merely a personal struggle but a tool used against him by those seeking to undermine his credibility. Determined to prove himself, Jake must confront his demons head-on while staying one step ahead of his adversaries.
Veronica Blackwood's manipulation of events leads to the framing of an innocent suspect, threatening to derail the entire investigation. Jake and Maya must race against time to uncover the truth and clear the suspect's name, all while dodging attempts to thwart their efforts.
The investigation takes an unexpected turn when Maya Chen's family becomes embroiled in the case, revealing long-buried secrets that shake her to the core. As Maya grapples with her own past, Jake must step up to support her while continuing to unravel the mystery.
2. Layering:
Outcomes:
The layers of corruption extend far beyond Los Angeles, reaching into the highest echelons of power. Jake and Maya find themselves in a race against time to expose the truth before they become casualties of a conspiracy that spans continents.
A seemingly insignificant detail overlooked earlier in the investigation proves to be the key to unraveling the entire case. Jake and Maya must revisit old clues and retrace their steps to uncover the hidden truth buried beneath layers of deception.
Veronica Blackwood's true motivations are revealed to be driven by a personal vendetta against Jake Reynolds, stemming from a past encounter shrouded in mystery. As Jake grapples with this revelation, he must confront his own past to understand the connection between them.
Maya Chen's expertise in data analysis uncovers a pattern of corruption that implicates not only the criminal syndicate but also influential figures in law enforcement and government. With the stakes higher than ever, Jake and Maya must navigate treacherous waters to expose the truth without becoming pawns in a larger game.
The layers of deception surrounding the murder case led Jake Reynolds to question everything he thought he knew about his own identity, forcing him to confront long-buried secrets from his past. As Jake's personal journey intertwines with the investigation, he discovers that the truth may be closer to home than he ever imagined.
As Jake and Maya close in on the truth, they uncover evidence of a second murder linked to the original case, leading them down a dark path of betrayal and revenge. With time running out, they must race to solve both crimes before they become the next victims of a ruthless killer.
3. Someone Hides Who They Are:
Outcomes:
The identity of the hidden mastermind behind the murder case is revealed to be a trusted ally of Jake Reynolds, leaving him reeling with betrayal. As Jake grapples with this revelation, he must confront the possibility that he never truly knew the people closest to him.
Maya Chen's investigation into the murder case leads her to uncover a shocking secret about her own family's involvement, forcing her to question her loyalties and allegiances. As Maya struggles to reconcile the truth with her sense of duty, she finds herself torn between conflicting interests.
A mysterious informant emerges, claiming to have vital information about the murder case, but their true identity remains shrouded in secrecy. Jake and Maya must tread carefully as they navigate the treacherous waters of deception, unsure whom they can trust.
The hidden motives of a seemingly insignificant character are revealed to have far-reaching implications for the murder case, sending shockwaves through the investigation. Jake and Maya must reassess their assumptions and alliances as they follow the trail of breadcrumbs to uncover the truth.
Jake Reynolds's addiction is exposed to the public, threatening to derail the investigation and tarnish his reputation. As Jake struggles to maintain his composure in the face of mounting pressure, he must confront the consequences of his past actions and decide whether redemption is still within reach.
Veronica Blackwood's true identity is finally unmasked, revealing her to be a former associate of Jake Reynolds with a personal vendetta against him. As Jake grapples with this revelation, he must confront his own past mistakes and reckon with the consequences of his actions.
4. The Fish out of Water:
Outcomes:
Jake Reynolds, out of his element and struggling with addiction, finds himself in a precarious situation where his survival instincts are put to the test. Forced to rely on his wits and resourcefulness, Jake must navigate the dangerous underworld of 2057 Los Angeles to unravel the mystery and prove his worth as a detective.
Maya Chen, thrust into the role of field agent alongside Jake Reynolds, faces challenges that push her beyond her comfort zone. As Maya adapts to the gritty streets of Los Angeles, she discovers strengths and capabilities she never knew she possessed, ultimately earning the respect of her colleagues and proving herself an invaluable asset to the investigation.
Jake Reynolds's struggle with addiction reaches a critical point when he is forced to confront his demons in the midst of a high-stakes confrontation with a dangerous suspect. With his life on the line, Jake must summon every ounce of courage and determination to overcome his personal struggles and emerge victorious.
Maya Chen's outsider status as a fourth-generation Chinese American in a predominantly white male-dominated field becomes a point of contention as she faces discrimination and prejudice from her colleagues. Despite the obstacles, Maya refuses to back down, using her intelligence and determination to prove herself and earn the respect of her peers.
Jake Reynolds's past comes back to haunt him when an old adversary resurfaces, seeking revenge for past wrongs. As Jake confronts the ghosts of his past, he must confront his own guilt and remorse, ultimately finding redemption in the most unexpected of places.
Maya Chen's journey as a fish out of water takes a dark turn when she becomes entangled in a web of deceit and betrayal, threatening to unravel the entire investigation. Forced to confront her own vulnerabilities and weaknesses, Maya must rely on her resilience and inner strength to navigate the treacherous waters of the criminal underworld and emerge unscathed.
5. Superior Position:
Outcomes:
The audience's knowledge of Veronica Blackwood's true intentions adds a layer of tension and suspense as they watch Jake and Maya unknowingly walk into her traps. With each twist and turn, the audience is kept on the edge of their seats, anticipating the inevitable clash between the two sides.
As the audience gains insight into the inner workings of the criminal syndicate, they are privy to the intricate web of alliances and betrayals that drive the plot forward. With each revelation, the audience is drawn deeper into the world of 2057 Los Angeles, unable to look away as the stakes continue to rise.
Veronica Blackwood's superior position gives the audience a glimpse into the mind of a master manipulator, allowing them to witness her calculating moves and strategic maneuvers from a front-row seat. As the tension mounts, the audience is left wondering who will emerge victorious in this high-stakes game of cat and mouse.
Maya Chen's perspective as an outsider looking in provides the audience with a fresh lens through which to view the unfolding events. As Maya pieces together clues and uncovers hidden truths, the audience is drawn into her world, rooting for her every step of the way as she seeks justice in a city plagued by corruption.
Jake Reynolds's struggle with addiction is juxtaposed against Veronica Blackwood's cunning schemes, creating a tension-filled narrative that keeps the audience guessing until the very end. As Jake battles his inner demons, the audience is left wondering whether he will emerge victorious or succumb to the darkness that threatens to consume him.
Maya Chen's determination to uncover the truth despite the odds stacked against her inspires the audience to root for her success, even as Veronica Blackwood's machinations threaten to derail her at every turn. With each new revelation, the audience is drawn deeper into the mystery, eagerly awaiting the final showdown between good and evil.
6. A Major Cover Up:
Outcomes:
The intricacies of the cover-up are slowly unraveled as Jake and Maya piece together the clues, revealing a web of lies and deception that stretches far beyond the murder case. With each new discovery, the stakes escalate, leading to a dramatic showdown that will determine the fate of 2057, Los Angeles.
Veronica Blackwood's involvement in the cover-up becomes increasingly apparent as Jake and Maya close in on the truth, forcing her to take drastic measures to protect her interests. As the net closes around her, Veronica becomes increasingly desperate, leading to a final confrontation that will change everything.
Maya Chen's expertise in data analysis proves to be a valuable asset as she uncovers hidden patterns and connections that expose the extent of the cover-up. With each breakthrough, Maya inches closer to the truth, determined to hold those responsible accountable for their actions.
Jake Reynolds's struggle with addiction threatens to derail the investigation as his personal demons threaten to consume him. Despite the odds stacked against him, Jake refuses to give up, determined to uncover the truth and bring those responsible to justice, no matter the cost.
The cover-up takes on a life of its own as Jake and Maya uncover evidence of a larger conspiracy at play. With each twist and turn, the true scope of the corruption becomes increasingly apparent, leading to a shocking revelation that rocks the foundations of society.
Maya Chen's pursuit of the truth leads her down a dangerous path as she uncovers evidence of a cover-up orchestrated by those in positions of power. With her life in jeopardy, Maya must rely on her wits and resourcefulness to expose the truth before it's too late.
7. Competitive Agendas:
Outcomes:
Jake Reynolds and Veronica Blackwood engage in a deadly game of cat and mouse, each determined to outmaneuver the other and achieve their own objectives. As the tension mounts, the stakes are raised, leading to a final showdown that will determine the fate of 2057, Los Angeles.
Maya Chen finds herself caught in the crossfire as Jake and Veronica's competing agendas threaten to tear the investigation apart. With loyalties tested and alliances shattered, Maya must navigate treacherous waters to uncover the truth and bring those responsible to justice.
Jake Reynolds's personal vendetta against Veronica Blackwood threatens to cloud his judgment as he becomes consumed by his desire for revenge. With Maya by his side, Jake must confront his inner demons and rise above his personal struggles to focus on the task at hand.
Veronica Blackwood's ruthless tactics push Jake and Maya to their limits as they fight to stay one step ahead of her at every turn. With danger lurking around every corner, Jake and Maya must rely on their instincts and determination to survive in a world where the line between friend and foe is blurred.
Maya Chen's unwavering commitment to justice inspires those around her as she refuses to back down in the face of adversity. With Jake by her side, Maya takes on Veronica Blackwood and her criminal empire, determined to expose the truth and bring about a better future for 2057 Los Angeles.
Jake Reynolds's transformation from a troubled detective battling addiction to a fearless champion of justice serves as a beacon of hope in a city plagued by corruption. With the support of Maya and the determination to see justice served, Jake confronts Veronica.

• This reply was modified 1 year ago by  Robin Fellows.

[Joan Butler]

Joan Butler’s Subtext Plot
I am a well-respected writer with a balanced life whose stories increase understanding and compassion in the world, while they receive the highest recognition from everyone in the industry. I have loads of creativity, confidence, adaptability, and knowledge that make writing fun and profitable.

What I learned: I thought that AI did not understand subtext. This module showed me that it can do it when the prompt is specific.

High Concept: In a post-apocalyptic world, a young woman in a wheelchair sets out to find an artifact, unaware that its true value lies in empowering her to find her own courage and resilience.

Someone hides who they are and Scheme and Investigation:
While Lyra is on her quest to find the artifact, Mara, the guide, hides her true motives from Lyra and Finn. Her lies and deceit threaten to derail their mission. Through clues and investigation, Lyra slowly uncovers the deception. This leads to a confrontation between Mara and the other two characters.

• This reply was modified 1 year ago by  Joan Butler.
• This reply was modified 1 year ago by  Joan Butler.

[Jan Westbrook]

Jan’s Subtext Plot

My Vision: I am a talented and strong writer with a unique voice, recognized by the movie industry with multiple screenplays produced

What I learned from doing this assignment is that coming up with different types of subtext plots adds levels of drama and intrigue into the script. Cathi, my AI brainstorming buddy, really helped find deeper layers, expanding on what I had, and coming up with ones I had not thought of. I can see how the seven subtext plots could play out in my story, but Layering, The Fish Out of Water, Superior Position, and A Major Cover Up I think will be most prominent.

Concept: if the halo-moon cycle ends before her pixie alliance restores Eveandor’s shattered numinous amulet, Emberleaf will be magicless, lose her queendom, and be forever vulnerable and defenseless

Scheme and Investigation: One in the pixie alliance is plotting against the group, sabotaging their attempts at reclaiming, and restoring, the numinous amulet. Willowbreeze suspects something and launches a covert investigation. When she finds out who it is, a past betrayal arises.

Layering: The quest for recovering the pieces and restoring the numinous amulet is layered in deceit and betrayal and sabotage. Nightshade is secretly in collusion with M’ranth-Jix as revenge for having his magic suppressed for betrayal. He is also plotting against M’ranth-Jix for absolute reign of Eveandor. Nightshade frames Willowbreeze when she discovers he is practicing dark arts magic and Emberleaf casts her from the group. Emberleaf must navigate between illusions and truths on her way to gaining courage and regaining her queendom. M’ranth-Jix is using dark magic to accelerate the halo-moon cycle, and is challenged by an unsuspecting adversary

Someone Hides Who They Are: There is a saboteur among the alliance, jeopardizing the success of the quest for the numinous amulet. Willowbreeze suspects one of them is betraying the group. Nightshade is in collusion with M’ranth-Jix, however, he is also plotting against him for reign of Eveandor

The Fish Out of Water: Emberleaf is thrust from the safe confines of her palace into an unforgiving land of unknown evils, without her powers, and defenseless. She is outside her comfort zone, relying on others to protect her, confronting her insecurities as leader, to finding new courage in herself

Superior Position: M’ranth-Jix manipulates events that affect the alliance, forcing the alliance to encounter increasingly dangerous situations in their quest; Nightshade is colluding with M’ranth-Jix and must be cautious to not give himself away, but still keep up the appearances as an ally; Nightshade is also acting against M’ranth-Jix for reign of Eveandor. Willowbreeze finds out about Nightshade and he frames her, getting her cast out of the group

A Major Cover Up: Beneath the façade of the alliance, lies deceit and betrayal. Nightshade pretends to be an ally of the alliance, but is out for redemption against Emberleaf for her suppression of his magic, exposing him to ridicule and scorn. Nightshade frames Willowbreeze as the betrayer of the group, and Emberleaf casts her out, before she discovers Nightshade is the one betraying the alliance, and is colluding with M’ranth-Jix for reign of Eveandor. What M’ranth-Jix does not know is that Nightshade is plotting against him for Eveandor to be his kingdom

Competitive Agendas: The alliance faces internal strife, and the bonds of the group are fractured. Emberleaf must find courage within her to keep reign of Eveandor. Nightshade wants redemption for her subjecting him to scorn and ridicule. Willowbreeze struggles with betraying the one who betrayed her and Thornwhisper must overcome his insecurities and believe he is proficient at magic. M’ranth-Jix wants Eveandor to be his kingdom, and must suppress Nightshade’s ambitions and keep the numinous amulet from be restored.

• This reply was modified 1 year ago by  Jan Westbrook.
• This reply was modified 1 year ago by  Jan Westbrook.

[Lee Tidball]

Lee’s Subtext Plots

SUBTEXT – BENEATH THE SURFACE

My Vision: I am a writer who is excellent, recognized as such by people in the industry, and has several projects sold for WGA-type fees and some of those produced and successful in the theater and/or on a major streamer.

What I learned doing this lesson is how exciting it is to think up subtext possibilities and how they will fit into the story I want to tell. And once again, the AI prompt was superb, leading to many new opportunities for subtext as well as exciting ways to augment ones that I’d already thought of.

2 – 3. Some subtext plots I’d like to use include…
1. Scheme and Investigation – Gabriel Knox is scheming to unleash a major cyber attack on the power grids of major US cities, Kellen is investigating if their cover story about taking over a gold mine is really true.
2. Layering – When Kellen discovers what Gabriel is really up to, it changes the whole way the story’s direction is going.
3. Someone Hides Who They Are – Kellen hides that she’s an ex-Green Beret, Gabriel hides that he’s really a domestic terrorist.
4. The Fish Out of Water – When Kellen escapes just before Gabe takes the class hostage, she puts Jesse, her nephew, their not-so-responsible counselor, in charge of everyone’s safety.
5. Superior Position – We know that Kellen was fighting in Afghanistan for much of Jesse’s life, but he doesn’t, and neither does Gabriel.
6. A Major Cover-up – Gabriel has constructed a very convincing pretext that his bunch are just gold miners who are squatters at an abandoned mine, but really are domestic terrorists about to set off a major attack.

Responses generated by AI Prompt

For your action/thriller screenplay centered around Kellen Hamilton, an ex-Green Beret turned teacher who faces a radical militia during a nature hike, here are seven subtext plot options that could be woven into the narrative:

1. Scheme and Investigation: Gabriel Knox, the militia leader, has schemed a cyber-terror attack under the guise of a radical patriotic movement. Kellen, using her military background and environmental knowledge, investigates the group's movements and plans. She uncovers layers of deception within the militia, revealing conflicting interests among its members that she can exploit to save her students.
2. Layering: Throughout the film, Kellen’s actions and decisions carry a deeper significance linked to her past military experience and her guilt. As she devises plans to rescue her students and thwart the militia's attack, flashbacks reveal the deeper emotional and ethical layers of her past missions, which mirror her current situation, ultimately guiding her towards redemption.
3. Someone Hides Who They Are: Mara Jensen, initially introduced as a cybersecurity expert aiding the militia, is later revealed to be working undercover to help Kellen. Her dual role is exposed when she sabotages the militia’s communications, aligning with her deeper motivation to correct her past mistakes and protect national security.
4. The Fish Out of Water: Jesse Hamilton, a cyber-savvy but socially awkward teen, finds himself out of his depth but must rise to the occasion. His knowledge becomes crucial when he has to hack into the militia's network to delay the attack, giving Kellen time to execute a rescue. His transformation from a hesitant youth to a decisive actor in the crisis adds a layer of growth and suspense.
5. Superior Position: The audience knows from the outset about the empty sniper rifle gifted to Kellen, a symbolic reminder of her past. As the tension builds, the viewers wait in anticipation for how this seemingly useless item will play a crucial role in the climax, enhancing the suspense and engagement.
6. A Major Cover Up: The militia has covered up the true extent of their network and influence, which includes infiltrations into various local and national systems. As Kellen uncovers the scope of the attack and the breaches in security, she exposes the disturbing breadth of the militia's reach, adding a layer of political intrigue.
7. Competitive Agendas: Gabriel Knox and Kellen Hamilton, both skilled strategists and leaders, engage in a high-stakes game of cat and mouse. Each uses their training and tactical acumen to outmaneuver the other, with their encounters laden with ideological debates and tactical showdowns, illustrating their conflicting agendas and highlighting the personal stakes for each.

These subtext plots enrich the screenplay by adding depth to the characters’ actions and the story’s progression, allowing for a multi-layered narrative that engages the audience on several levels.

• This reply was modified 1 year ago by  Lee Tidball. Reason: HTML formatting stuff that was for some reason stuck onto the bottom of my post box destroyed all my formatting, especially spacing. I tried to fix it using the "edit" button, but I couldn't eliminated the HTML tags. Thus, my response looks like a mess. So sorry

[Christopher Confer]

Chris' Subtext Plots
My Vision: When people watch the trailer for my movie, they have to watch the movie.
What I learned from doing this assignment is that ChatGPT helps expand the possibilities of a story, things I did not consider as subtext plots.

RETALIA NATION
Concept: As retail stores unite into Retalia Nation, imposing death for theft, a cunning thief must innovate or die, transforming shoplifting into a deadly art.
Subtexts:
1. Scheme and Investigation
Holly, the protagonist, secretly plants evidence to implicate competitors within the theft ring, effectively using Retalia Nation’s strict laws to eliminate her competition. Meanwhile, a dedicated investigator starts uncovering discrepancies in the evidence, leading to a game of cat and mouse that exposes corruption within Retalia Nation's own ranks.
2. Layering
As Holly executes her thefts, it’s revealed that her actions are part of a larger, hidden agenda: she’s gathering incriminating evidence against the creators of Retalia Nation. Her final heist aims to steal not just valuable goods but also data that could bring down the federation from within, revealing her as an unexpected whistleblower.

• This reply was modified 1 year ago by  Christopher Confer.

[Mary Spiers]

My vision is to be a leading creator of family-friendly movies that use psychological insights to develop diverse, dimensional characters who entertain and transform perspectives.

What I learned doing this assignment is that although there are possibilities for each type of subtext plot, the two most compelling stood out to me from the beginning. It was helpful to do this first as AI did confirm the same subtext plots I gave. Since it gave me 5 more plausible subtext plots I think I may have been overwhelmed if I would have started with this.

Tell us your concept and your choice of one or two of these Subtext Plots and give us a few sentences on how your Subtext Plot will play out inside this story.

Concept: A synesthetic musician's attempt to heal nature with her unique perception leads to a profound self-discovery.

√Someone Hides Who They Are – Diana Wildroot, while mentoring Ava, hides her true identity as Ava's grandmother and her own past involvement with the curse.
This plays out through hints of Diana's deeper knowledge of Ava, the family and the curse, leading to Ava’s increasing curiosity and sense of attachment to Diane. Then Ava gets a large hint into Diana’s true identity and motives. The revelation impacts their relationship, forcing both to confront their family history.

√The Fish Out of Water Ava is a fish out of water as a city person in the wilderness she is completely out of her element.
This plays out with initial wrong-headed assumptions about living off-grid in the wilderness, forcing her to start as a beginner. This dovetails her need to adapt and embrace her unique perception (synesthesia) of the world, turning her initial discomfort into a series of trial and error until she finally develops a profound connection with the natural world and her inner self.

• This reply was modified 1 year ago by  Mary Spiers.

[Bob Creager]

Bob Creager’s Subtext Plot
VISION: As a screenwriter, I aspire to craft highly unique, high-concept stories that intrigue from the first glance and reach an A-list storytelling level at my own pace.
What I learned:
Tell us your concept and your choice of one or two of these Subtext Plots.
CONCEPT: Santa, a tormented vampire, battles his bloodlust while romancing an Interpol agent investigating the “12 Days of Christmas” vampire attacks.
SUBTEXT PLOTS:
– Scheme and Investigation + A Major Cover Up
Santa hides being a vampire. Isabella is an Interpol agent investigating the attacks while falling in love with Santa (as Nicholas).
– Layering
Nicholas (Nick) appears to be a fan of Christmas and likes to dress up. It’s a cover for who he actually is and hides his vampire actions.
Nick loves children and will frequently drain them so that they will not become adults.
Isabella hates Christmas ostensibly because of the greed and commercialization but it’s really because she was abused by a fake Santa as a child.
Isabella never wants children because they are “parasites.” She had a bad childhood.
Nick admires the children of the world because of their pure nature, the opposite of what he sees in himself.
– Someone Hides Who They Are
Santa is a vampire.
– The Fish Out of Water
Nick as Santa or as a vampire never fits in.
– Superior Position
The audience knows that Santa is a vampire.
The audience and Nick know he’s falling in love but believes Isabella is only out to capture him
Isabella believes that Nick is too good for her and tries not to fall for him.
– Competitive Agendas

AI PROMPT:
Here are 7 possible subtext plots for your Christmas horror screenplay about a tormented vampire Santa battling his bloodlust while an Interpol agent investigates his “12 Days of Christmas” attacks:
1. Scheme and Investigation Vladimir Kozlov secretly schemes to expose Nicholas’s vampire identity and take over the Santa role for himself. Isabella unknowingly investigates clues that Kozlov plants, making her suspect Nicholas. A cat-and-mouse game ensues between Kozlov manipulating events and Nicholas covering his tracks.
2. Layering On the surface, the story appears to be about Isabella’s investigation into the vampire attacks. But a deeper layer emerges revealing the ancient rivalry between Nicholas and Kozlov over the power and responsibilities of being Santa Claus. Their supernatural battle has been playing out for centuries.
3. Someone Hides Who They Are Nicholas must hide his true vampiric nature from the world, including Isabella. As she gets closer to the truth, she starts finding clues that don’t add up. A game of cat-and-mouse builds tension as Nicholas scrambles to cover his tracks before the full horrifying truth is discovered.
4. The Fish Out of Water Isabella, the hard-nosed city Interpol agent, finds herself out of her element in the mysterious, Gothic town of Crimson North investigating supernatural happenings she doesn’t understand. She must rely on unlikely allies like Eirlys to navigate this strange new world.
5. Superior Position The audience knows from the start that Nicholas is a tormented vampire struggling against his bloodlust. This puts the viewer in a superior position, creating dramatic irony as Isabella remains oblivious to his true nature while falling for him.
6. A Major Cover Up For centuries, Nicholas and his supernatural allies have been engaged in an elaborate cover-up to conceal his vampirism and sinister need to feed during Christmas. When the “12 Days” killings threaten to expose the truth, they must go to ever more extreme lengths.
7. Competitive Agendas Nicholas’s mission is to resist his vampiric urges and spread Christmas joy. Kozlov’s agenda is to expose and destroy Nicholas, taking the Santa mantle for his own evil ends. Their agendas viciously collide, with Isabella caught in the middle.
Combined Subplot (1, 4, 6):
Isabella, the city Interpol agent, is a fish out of water investigating vampire attacks in Crimson North, unaware of Nicholas’s vampirism and the centuries-old cover-up by his ally Eirlys, who plants clues exposing rival Vladimir Kozlov’s secret scheme to implicate Nicholas and take over his Santa role.

• This reply was modified 1 year ago by  Bob Creager.

[Kathryn Gould]

I want to be a highly creative and energized writer who makes big movies and loves her life working with the most creative people in the world.

What I learned: I definitely always have tried to write with subtext, but I never thought about the different kinds of subtext and how I could look at the story through all those different lenses to make sure that subtext is woven throughout.

3. Give us a few sentences on how your Subtext Plot will play out inside this story.

1. I’ll be using 3) someone hides who they are and 6) A Major Coverup

– For someone hides who they are, it’s their mentor, Dr. Bennett – she is hiding the fact that she is a radical terrorist who plans to commit mass murder. I see this as maybe the midpoint revelation – she disappears and they think that something has happened to her, but it turns out she has gone underground because of this terrible thing she’s about to do.

– For Major Cover Up – in the inciting incident, the main character will discover that the giant global medical tech company has sleeper agents in major positions of power who are working to make sure they get to keep making as much money as possible and never have to share their technology or face any consequences for unethical actions. I think this can play well throughout, because we’ll never know if someone they’re talking to is a sleeper agent or not.

• This reply was modified 1 year ago by  Kathryn Gould.

[JOHN RAE]

What I learned is that it is important to plan out the subtext.

Concept: A misfortunate playboy’s mother returns, reincarnated in the body of a foul-mouthed, chain-smoking, 8-year-old girl hell bent on fixing him up and making him worthy of the fortune she left him.

Layering: As the reincarnated mother tries to guide Alex and resolve their relationship issues, there is a deeper layer where the playboy believes he is just humoring some child. The audience, however, sees the truth of the child’s words and actions as they past lessons she had tried to teach her son when she was alive. This layer of wisdom beneath the childish antics offers guidance, though it is comically misinterpreted.

Superior Position: The child’s bio-mom is a life-long grifter who may or may not be orchestrating the biggest con of her life. For much of the story, the audience is in on her conning ways, but it’s unclear if the protagonist is her mark, or an unwitting accomplice.

[Harry Rankin]

My vision for success from this program is:
To create scripts freely when working with producers, directors and cast, so to make award-winning work and create a lifestyle which is confident of financial freedom.

What I learned from doing this assignment is: How locating a subtext plot will elevate the whole intrigue and give the audience layers to follow. I can see how in my case those layers will be many-fold.

Title: Genesis
Concept:: Against a backdrop of worldwide civil unrest and climate danger, a couple consummate their love off planet at the International Launch Project. When disaster strikes, leaving them alone and isolated in space, they pacify the conflicts as they deal with their biggest challenge yet: childbirth orbit with the whole world watching.

Choice of Subtext Plots:
The Fish out of Water: Suli, accustomed to the controlled environment of the space program, finds herself completely out of her element when disaster strikes, leaving her stranded in space with Jon. As they struggle to survive, Suli must rely on her instincts and resourcefulness to navigate the unfamiliar territory of parenthood in zero gravity.
Superior Position: Throughout the mission, the audience is privy to information that Suli and Jon are unaware of, including Harrison's nefarious plans to sabotage the launch. As Suli and Jon face one challenge after another, the audience is kept on the edge of their seats, rooting for the protagonists to overcome the obstacles in their path.
A Major Cover-Up: Behind the scenes of the International Launch Project, Harrison orchestrates a major cover-up to conceal the truth about the mission's failure. As Suli and Jon race against time to unravel the mystery, they uncover evidence of Harrison's deception and must decide whether to expose the truth or protect the reputation of the space program.

Notes on how I will use these:
I can see that Fish out of Water is an obvious one. Nobody has experienced what Suli is going to go through! Well, maybe in ancient times there will have been some having childbirth unaided in caves or some other isolation, but not in zero gravity!
I can also see that a major subplot option can be what is transpiring on Earth whilst they are contending with the challenges of space. So Superior Position and A Major Coverup can come into play as the script progresses, adding story background layers to the plot.

• This reply was modified 1 year ago by  Harry Rankin.

[Margaret]

Margaret’s Subtext Plot
My Vision: To write profound faith-based screenplays that are produced
What I learned: Prompt for subtext structure
Two subtext plots I chose:

Someone Hides Who They Are:
• Jabin initially conceals his true feelings for Becca, afraid of getting hurt again after their past history. However, as their relationship deepens and Jabin’s condition worsens, he realizes the importance of being honest about his emotions. Meanwhile, Dr. Morgan struggles to come to terms with his own limitations as a physician, hiding his doubts and insecurities behind a facade of confidence.

The Fish out of Water:
• Jabin, a college student accustomed to the routines of campus life, finds himself thrust into the unfamiliar world of hospitals and medical procedures. Despite feeling out of place and overwhelmed by his circumstances, he learns to adapt and find moments of joy and connection amidst the chaos.

[Vernall Ritchey]

ASSIGNMENT: Lesson 4
Vision: To captivate audiences by writing, producing, and directing smart, well-written, blockbuster scripts.
What I learned from doing this assignment: is how helpful it is to get your 3 Act Structure down tight as soon as possible.
Subject Line: WIM – Vernall Ritchey’s – Subtext Plot
Subtext Plot: Layering
Throughout the story, the audience is led to believe that Father Gill, the bedridden priest is possessed by a demon, but in actuality, it is Kyla who is possessed by the demon (as revealed in Act III).

ChatGpt 3.5
Sure! Here are seven possible subtext plots for your horror screenplay about Kyla’s transformational journey:
1. Scheme and Investigation: Kyla, driven by her demonic nature, begins to scheme and manipulate those around her, planting seeds of doubt and fear. Meanwhile, Father Gill, unaware of Kyla’s true identity, investigates the mysterious occurrences surrounding the failed exorcism, uncovering clues that lead him closer to the shocking truth.
2. Layering: Beneath the surface of Kyla’s seemingly devout exterior lies a hidden layer of darkness and malevolence. As the story unfolds, this hidden truth is gradually revealed, exposing the true nature of Kyla’s demonic identity and the sinister forces at play.
3. Someone Hides Who They Are: Kyla, initially hiding her demonic nature, leaves subtle clues that hint at her true identity. Father Gill, unaware of Kyla’s dark secret, begins to investigate the strange occurrences surrounding the failed exorcism, eventually discovering the horrifying truth with devastating repercussions.
4. The Fish Out of Water: As Kyla’s demonic nature begins to emerge, she finds herself in increasingly unfamiliar and terrifying situations. Forced to confront her inner demons, Kyla must navigate a world of supernatural threats and moral ambiguity, testing the limits of her faith and sanity.
5. Superior Position: The audience is privy to Kyla’s true demonic nature, while Father Gill remains oblivious to the sinister forces at play. This dual perspective allows viewers to experience the tension and suspense of Kyla’s transformation, while also witnessing Father Gill’s unwitting descent into darkness.
6. A Major Cover Up: In the aftermath of the failed exorcism, Kyla orchestrates a complex cover-up to conceal her true demonic identity. Manipulating those around her, Kyla employs a series of schemes and lies to maintain her facade of normalcy, while secretly plotting her next move in the ongoing battle against Father Gill and the forces of good.
7. Competitive Agendas: As Kyla’s demonic nature begins to assert itself, she finds herself locked in a deadly game of cat and mouse with Father Gill. Both characters vie for control and dominance, using cunning strategies and supernatural powers to outmaneuver each other in a desperate bid for survival.

[Karen Haas]

My vision:
My one sentence vision : I am a creative writer who can dream up something new and then write it even better than I’d imagined and my writing life is always fun and satisfying.

What I learned doing this assignment: What's under the surface of a movie is often more interesting than what is shown on the screen… and those subtextual ideas aren't accidental, but created early on.

Concept = A twister in Oz whisks the Wicked Witch of the East to modern Kansas to seek revenge, only to face off against a descendant more cunning than Dorothy.

How your Subtext Plot will play out inside this story.
Fish out of water— Witch in modern day Kansas has trouble adjusting to her new location, modern ways, and people who are not subservient to her.
Layering: Maybe the witch is a stand in for the more judgmental aspects of our character, whereas Dot is the anything goes type… the con man just works with both so he can take advantage of either side— “there are very fine people on both sides”
Someone hides who they are— both the witch and the con man are hiding who they are. The witch, so she doesn’t get put away, and the con man so he can continue to con folks
Superior Position— We know who is who but some characters do not.
Major Cover up: some of the shoes are real, some are reproductions with no value. Maybe the con man has changed the color and style too, they are now golden sneakers. 🙂
Competitive Agendas— Everyone— the witch, Dot, and the Wizard/con man, and all their associated allies, they all want the shoes.

AI results:
Genre = Comedy
Concept = A twister in Oz whisks the Wicked Witch of the East to modern Kansas to seek revenge, only to face off against a descendant more cunning than Dorothy.
Protagonist = Wicked Witch of the East
3 Act Structure = Act 1: A twister in Oz sends the Wicked Witch of the East into modern-day Kansas where she discovers Dorothy's hometown and decides to hunt for her granddaughter, her long lost ruby slippers, and the wizard con-man who betrayed her sister.
Act 2: The witch makes enemies and allies of the townspeople, and prepares to peacefully plead her case to the authorities regain her slippers, and sue the con-man. While the witch is focused on reclaiming the ruby slippers and seeking revenge, a covert group in modern-day Kansas is secretly working to exploit the situation for their own gain, setting up a hidden conflict that comes to light in the climax. Also, as the witch navigates modern-day Kansas, she discovers that some of Dorothy's friends and allies have descendants who are willing to help her. However, these new allies have their own agendas, leading to humorous and unexpected partnerships.
Act 3: Thwarted by the greedy museum officials, and the con-man's team of lawyers, the witch take action on her own and summons her allies, and a few key associates from Oz to help her win by any means necessary. Then she happily returns home, leaving Kansas not much worse than she found it.

Major Story Hook = The witch's journey involves navigating the unfamiliar terrain of modern-day Kansas, facing off against adversaries, and forming unlikely alliances. She must adapt to the modern world while staying true to her own values and goals. Her journey is filled with comedic mishaps and unexpected twists as she works towards her objective.

Lead Characters = Wicked Witch, Dot (Dorothy's Descendant), Wizard/Con Man

Transformational Journey = Witch lets go of her thirst for vengeance, embraces forgiveness and redemption and goes from bitter and angry to empathetic and understanding.

Possible subtext plots:
Scheme and Investigation:
The Wizard/Con Man is scheming to maintain his power and influence, while Dot (Dorothy's Descendant) is investigating his shady dealings. This creates a dynamic of hidden motives, cover-ups, and lies, as the characters try to outsmart each other while the witch navigates the chaos they create.

Layering:
Beneath the surface of the witch's quest for revenge lies a deeper layer of meaning about forgiveness and redemption. As the story unfolds, the audience discovers that the true journey is not about reclaiming power, but about letting go of past grievances and finding peace.

Someone Hides Who They Are:
The Wizard/Con Man is hiding his true intentions and identity, posing as an ally while secretly working against the witch and Dot. As clues are uncovered and investigations unfold, his true nature is revealed, leading to repercussions for his deceitful actions.

The Fish out of Water:
The Wicked Witch of the East finds herself in modern-day Kansas, a place where she doesn't belong. As she navigates unfamiliar surroundings and social norms, she must perform and adapt to the absurd situations she encounters, adding to the comedic tone of the story.

Superior Position:
The audience knows that Dot is more cunning than Dorothy's other descendants, giving them insight into her plans and strategies. This creates tension as the witch and other characters remain unaware of Dot's true capabilities, leading to humorous misunderstandings and unexpected twists.

A Major Cover Up:
The greedy museum officials and the con-man's team of lawyers are involved in a major cover-up, hiding the true origins of the ruby slippers and their connection to Oz. Their schemes and lies add layers of complexity to the story, as the witch and Dot uncover the truth and seek justice.

Competitive Agendas:
The witch and the Wizard/Con Man are locked in a battle of wits, each trying to outplay the other to achieve their own objectives. Meanwhile, Dot is caught in the middle, torn between loyalty to her family and her own ambitions. The competition between the characters drives the plot forward, leading to humorous and unexpected outcomes.

• This reply was modified 1 year ago by  Karen Haas.

[jim ramsay]

Ramsay Module 2 Lesson 4
Superior Position—Early on, we begin following Hannah with her captors to the mansion. We know where she is before Mic has located her, and we know that Hannah is held captive by the cartel traffickers and is being taken out of the country. Mic must find her soon.

Competitive Agendas – Carlito wants Hannah for a gift to a Chinese General, and Mic needs to find Hannah. Mic discovers that Carlito is planning a large fentanyl deal with the Chinese, and she must stop it, or tens of thousands will die.
Subtext Plot: Superior Position
As the story unfolds, the audience is introduced to Hannah, the teenage neighbor abducted by cartel traffickers. We witness her harrowing journey as she is transported to the cartel’s mansion, unaware of her fate. Meanwhile, Mic begins her investigation to locate Hannah, but the audience already knows her whereabouts. This creates tension as Mic races against time to find Hannah before it’s too late, unaware of the imminent danger she faces.

Subtext Plot: Competitive Agendas
Throughout the screenplay, the audience knows Carlito’s plans to gift Hannah as part of a drug deal with a Chinese General. Meanwhile, Mic is not aware Hannah is with Carlito and his fentanyl deal; she is focused on finding Hannah. As Mic closes in on rescuing Hannah, the audience experiences the tension of knowing the full extent of Carlito’s agenda and its imminent danger. This subtext highlights Mic’s mission’s stakes and adds suspense.

[Elle Tracy]

ET's what's beneath the surface

My vision includes recognition for my best work, including money.
What I learned from this lesson is to figure out early how to create interest and engagement in a story, instead of just letting it happen as I write/ draft. Certainly avoids several re-writes!

Genre: Drama
ET’s Subtext in Senior STEAM
A Retirement community and private STEAM school share a revamped shopping mall — can they figure out how to work together?

Doc could be hiding his relationship to The Village – his wife, a lottery winner, purchased it for about $18M, and pumped more than triple that to win over the county council for zoning, address the EQ stability issues in the building, build out utilities and basics for interiors, and worked with the private school to open its STEAM doors in the facility. This isn’t revealed until the final scene.

Bee is hiding her disagreement with Tyler’s grandfather, her ex-employer. As an engineer in his factory, she designed the robotic assembly line, and included double redundant safety elements to protect humans from mechanical harm. Tyler’s grandfather fired Bee and blackballed her, professionally. He still smolders over Bee’s involvement – she turned whistle-blower on him; he removed one layer of safety switches, and one employee was killed in the line, because the safety switch wasn’t working in that spot. As soon as Bee hears Tyler’s name, she knows exactly who he is, and we do, too.

Gigi tells Bee how she lost her fingers, and Bee understands instantly, based on her experience at the robotics factory. Gigi lost her fingers in a trapeze accident, where her partner died.

Tyler is secretly enamored of Gigi – being 15; he’s genuinely speechless when he’s around her. But as he develops a relationship with Bee, he learns how to engage Gigi.

• This reply was modified 1 year ago by  Elle Tracy. Reason: All for matting is lost, no spaces, paragraphs -- yikes! can't fix!

[Deni sher]

Deni B. Sher's MOD 2/4 Subtext… Beneath the surface

VISION: The essence of my vision is to become an A-List writer, respected in the industry and in high demand by producers for the quality of my work.

I absolutely love the challenge of creating a story that audiences will love and I just switched my entire story to a Horror/Thriller, which I am going to post today.

My new concept is: What if drinking coffee mixed with cremation ashes of a killer drove you to commit murder? OR
A widow of a murdered man ingests her husband’s ashes and becomes him – a hit man.

My new logline is: When the gentle widow of a murdered man, accidentally spills his ashes into her coffee, she transforms into a murderous avenger, unleashing a spree of murders, only to desperately seek a way to free herself from his malevolent influence and stop the cycle of violence she has begun.

Dramatic Triangle

Arc Beginning: a gentle, ashamed widow who feels betrayed

Arc Ending: a blood thirsty, horrific woman

Internal Journey: From gentle and kind, to murderous

External Journey: From a weak, kind widow to a mass murderer

Old Ways:
Ignorant that her husband was a mass murderer
Soft spoken
Enjoyed a relaxing, tranquil life on a lake
Wouldn’t kill a flea
Didn’t believe in the death penalty
Loves nature, fishing, kids, animals, friends
Denial
avoidance of conflict
seeking comfort in routine and normalcy
maintains a façade of innocence and is somewhat passive,
a woman who believes in the inherent goodness of people, including her husband.
denying her husband's guilt, which heightens her fall.

New Ways:
Bully
Short tempered
Always on the prowl to beat someone up
Cruel
Sees the worse in everyone
Shuns her friends
Abuses animals and kids
Kills people

Lena, an innocent wife of a contract killer who becomes a killer herself
Detective Peterson: Works to solve crimes of murder
Jake: Lena’s brother, a Priest and a killer

Lena is a grieving widow of a murdered man, who transforms into a vengeful murderer
Det. Peterson is the small-town local detective assigned to solve the murder case(s)
Jake is Lena’s brother, a hit-man who killed Lena’s brother
The choice of my subtext plots are SUPERIOR POSITION and COMPETITIVE AGENDAS, sprinkled with FISH OUT OF WATER.
Superior position will be that the audience knows Lena drank her dead husband’s ashes and transformed her personality, but nobody else knows what she has done or how she has changed. She is driven to murder because not only was her husband murdered, but he was a hit-man for hire, as is Lena’s brother, the Priest… who killed her husband.

The COMPETITVE AGENDAS will surface throughout as Lena is out to kill and Detective Peterson is out to solve the murders, and in the mean-time he falls in love with Lena (under the surface). Then in the end, when the Detective thinks Lena is no longer the victim of the ashes and no longer a killer, they are in bed together and she kills the Detective…. Hopefully a sequel will evolve.

The FISH OUT OF WATER subtext will appear as well because before drinking his ashes she was a kind, sweet, innocent widow who transforms to a murderer.

• This reply was modified 1 year ago by  Deni sher. Reason: Have no idea why it clumped it all together

[Janeen Johnson]

Janeen's Subtext Plot

Vision: I strive for collaborative success in screenwriting, aiming for financial stability and recognition across diverse genres, supported by travel and a capable manager.

What I learned doing this lesson is that the AI output mirrored my own, but added an idea I hadn't considered but will include.

Concept: A musician and a retail clerk pretend they are siblings in order to afford the only two-bedroom available that allows only one dog.

Subtext Plots:

A Major Cover Up — Madison and Daniel pretend to be siblings with only one puppy while they actually have two puppies and don't know each other at all in the beginning, but then fall in love with each other.

Competitive Agendas — Madison and Daniel each have coworkers/bosses who thwart their attempts to be their genuine selves. They must learn to thwart their competitors and succeed on their own terms.

AI Output:

**2. Layering:**

– Beneath the facade of being siblings, Madison and Daniel share secret dates and moments. As they navigate their fake sibling relationship, their true feelings start to surface.

– *Subtext:* Their hidden romance adds a layer of complexity to their sibling act, creating tension and comedy as they struggle to maintain the ruse.

**6. A Major Cover Up:**

– Madison and Daniel devise elaborate plans to hide their identical dogs and their relationship from *Arsenio*, *Claire*, and *Krissa*.

– *Subtext:* Their cover-up leads to hilarious situations and close calls, testing their ability to trust and rely on each other.

[Scott Billings]

Tell us your concept and your choice of one or two of these Subtext Plots.

A by-the-book assistant DA discovers the woman he’s about to marry is living under an assumed name and wanted for murder.

Scheme and Investigation

David does an investigation into Emily’s background, finally discovering that she’s wanted for murder.

Layering

Emily has a “go bag” and a gun in her apartment. We later learn that she is a fugitive and running from an abusive husband.

Someone Hides Who They Are

Emily pretends to be an innocent schoolteacher when in reality she’s wanted for murder.

[Linda Kish]

Linda’s Subtext Plot
My Vision is: I will do whatever it takes to be a sought-after profound writer who has many successful movies produced and an Oscar on the mantel.
What I learned from doing this assignment is I was using several subtext plots, but my focusing on just one or two I could strengthen them and making the story more intriguing.

Concept: When a dying kingpin launches a brutal contest for his succession, a peaceful man's family is endangered, forcing him to battle for control of the cartel to save them and destroy it from within.

Choice of Subtext Plot: Layering and Someone Hides Who They Are

Layering
Beneath the overt brutality of the competition lies a deeper narrative of Joaquin’s moral and psychological transformation. Initially presented as a contest for leadership, the true essence of the battle emerges as a struggle for Joaquin's soul. As he progresses, the audience gradually discovers that each act of violence committed by Joaquin is simultaneously a step towards saving his family and a step away from his own humanity. This duality creates a layered narrative where every action has a deeper, often contradictory meaning.

Someone Hides Who They Are
Arturo, outwardly just another ruthless competitor, secretly harbors a deep-seated jealousy and hatred towards Joaquin, stemming from a personal vendetta related to their shared past love interest. This subplot of hidden identity unfolds through subtle clues—overlooked glances, ambiguous remarks, and unexplained sabotages. As Joaquin delves deeper, he uncovers Arturo’s true motives, leading to a dramatic confrontation where hidden emotions and past grievances explosively surface.

[Michael Katz]

Michael E. Katz’s Subtext Plots

Vision: I want to sell a script for a million dollars.

Concept: What if the only way for a divorcee to truly move on is to move out of the dream home she built with her ex…and burn it down?

Subtext plots for my Drama Comedy screenplay “I Love What You’ve Done To The Place,” each designed to add depth and intrigue to the main narrative but also serves to deepen the thematic resonance of the screenplay, making it more engaging and thought-provoking for the audience, all of which can enhance the commercial viability of the screenplay.

2. **Layering: “Unveiling Shadows”**
– **Subtext Plot:** As Kirsten redesigns rooms and tears down walls, she uncovers layers of her own repressed memories and emotions tied to her marriage with Jesse. Each design change in the mansion metaphorically reveals a deeper layer of Kirsten’s past relationship and her own identity.
– **Deeper Meaning:** This plot symbolizes the painful yet necessary process of confronting and healing from past traumas to move forward in life.

**2. Layering: Uncovering Hidden Stories**
– **Subtext Plot:** As Kirsten and Hallworth redecorate and remodel the mansion, each piece of art and furniture they choose is not only aesthetically significant but also carries a hidden story or significance that Kirsten is initially unaware of. For instance, a seemingly ordinary mirror might have been owned by a famous actress who also went through a public and painful divorce. As they continue their hunt for the perfect finds, each item’s backstory is revealed, helping Kirsten to see her own situation in a new light.
– **Deeper Meaning:** This plot uses the field trips and the items they collect as metaphors for uncovering hidden layers of personal history and emotion. It emphasizes the importance of understanding and integrating these past stories to shape one’s future, reflecting the journey from superficial changes to deep, personal transformation. This version strengthens the Layering concept by introducing elements that have hidden meanings or backstories, which when revealed, add depth to Kirsten’s emotional journey and her understanding of her own past and desires for the future.

**4. The Fish Out of Water: Breaking Ground**
– **Subtext Plot:** Kirsten, a wealthy upper-class woman with no prior experience in demolition or renovation, finds herself in the unlikely role of a demolition leader. As she embarks on a gut renovation to erase every trace of ex-husband from their dream home, she adopts an unconventional approach: hosting “smashing” parties. These events, initially intended as a therapeutic release, quickly turn into a symbol of empowerment for the divorced community. Kirsten, wielding sledgehammers and chainsaws, transforms from a glamorous figure to a demolition icon, shattering not just physical objects but also societal expectations about how a woman should cope with divorce.
– **Deeper Meaning:** This plot underscores the theme of empowerment through destruction. By stepping into a role traditionally associated with physical strength and aggression—domains often reserved for men—Kirsten challenges gender norms and redefines her identity. The act of breaking items associated with her past is not just about physical destruction but also about reclaiming her space and autonomy. Each shattered piece represents a step away from her past constraints and a move towards self-determination. The “smashing” parties serve as a communal catharsis, providing a space for others to join her in breaking free from their emotional shackles, thus highlighting the transformative power of shared vulnerability and strength. This narrative not only entertains but also delivers a powerful message about resilience and the unconventional paths to healing and self-discovery.

[Scott Billings]

DIRTY TRICKS–A principled but politicaly naive businesswoman is elected governor over her corrupt rival, then discovers her staff rigged the vote to make sure she won.

Genre: Comedy/drama

Comps: WAG THE DOG meets DAVE
Layering

Mark, who orchestrates the cheating, is actually working for Malcolm

Someone Hides Who They Are

Mark, Abby’s campaign manager, actually works for her rival, Gov. Sanders and undermines her from within.

Sanders pretends to be nice to Abby but is secretly undermining her

The Fish Out of Water

Abby is honest and confident in business but tentative in politics

Superior Position

We know that Sanders is undermining Abby while being nice to her face.

A Major Cover Up

Abby has to stay silent about the election fraud or risk going to jail.

Competitive Agendas

Abby and Sanders battle each other to become governor.

Abby is often in the dark about what’s going on, but when she finds out about the cheating, she doesn’t know what to do. This will play off her fears that she’s in over her head despite being smarter than her rival Sanders.

[Kristin Donnan]

KRISTIN’S SUBTEXT PLOTS
VISION: “I envision writing so well and consistently that I’m in demand, cherry-picking projects, selling beyond my wildest dreams, collaborating with people I admire and truly care about, and speaking my soul—on a big scale—so that I enjoy professional freedom, financial freedom, and joy.”

WHAT I LEARNED DOING THIS ASSIGNMENT: I can find a way to integrate all 7 of the subtext plots into this story, since there’s a lot of subterfuge and competing agendas. Layers of family history, and even the fish out of water. I’m not sure I’m “finished learning about this assignment,” as I assume that I will trade out which ones are most important. Since both my own brain and AI can rationalize the benefits of all 7, below I’ve placed my “gut reaction” to the assignment, my “instant response.” I will continue to chew on this one! PS: I also “learned” to do what Hal said: to KEEP GOING. I could totally fall down a rabbit hole on this one.

CONCEPT: When a dead woman is discovered on his property, a reclusive rancher is forced into a highly publicized murder investigation, and he must untangle a labyrinth of crimes before his family’s secrets are exposed.

SCHEME & INVESTIGATION
The two main characters are perfect for this subtext plot, because they are working at cross purposes. In fact, the “investigation” actually reveals a related subtext plot—COMPETING AGENDAS—but we’re “with our protagonist” as he investigates. He’s investigating the murder of a woman found on the property, at the same time his brother (antagonist / murderer) tries to cover it up / redirect it / set up the protagonist.

A MAJOR COVER UP
The protagonist is willing to cover up his family’s past—and even his brother’s past crime—but as he INVESTIGATES, he uncovers DEEPER LAYERS of intrigue. On one hand, he doesn’t realize that his brother (antagonist) is involved in the CURRENT CRIME, and he also discovers that his family was involved in a much more dastardly HISTORICAL CRIME. All of this causes him to question is loyalties. He has to ask: “Is anyone protecting me?”

• This reply was modified 1 year ago by  Kristin Donnan.
• This reply was modified 1 year ago by  Kristin Donnan.

[Terrie Shaft]

Terrie’s Subtext Plot
Terrie’s Subtext Plot

Vision: I am paid to write screenplays that become successful movies. My process is so solid I can enjoy my equestrian hobby while exceeding expectations with my writing.

What I learned from doing this assignment is to keep a separate file with all my prompts and save that to make it easier to tweak the parameters and re-run. I also found that how I was thinking of someone hides who they are and major cover up overlap.
Concept: An alien crashes into an off-the-grid hippie’s house and they accidentally swap bodies.

The subtext plots I’ve chosen are:
1. Someone Hides Who They Are
2. The Fish Out of Water
With a touch of
3. Competitive Agendas
I’m not sure these are even subtext plots – the first two are sort of the main story. Someone hides who they are: they have to hide Bill (the alien) and that he’s in Misa’s body and Misa is in Bill’s body. This creates all sorts of complications and possible comedic situations. Fish Out of Water: Bill is on Earth so he’s exactly that and constantly bubbling about and of course they are in each other’s bodies so they have that physical fish out of water as well. I think a bit of competitive agenda between Bill and Misa would keep their relationship interesting.
Here’s what the AI chose when asked which 2 are the funniest:
The two subtext plots that lend themselves most to comedy in your sci-fi screenplay are:
1. The Fish Out of Water:
• This subtext plot is inherently comedic because it puts Bill, an alien, into situations where he must navigate human life without understanding its nuances. Similarly, Misa, now in Bill’s alien form, faces challenges that play into the absurdity of their predicament. The comedic potential arises from their misunderstandings, mishaps, and attempts to adapt to their new identities.
2. A Major Cover-Up:
• This subtext plot adds comedy through the sheer absurdity of Bill and Misa trying to cover up their body swap and Bill’s alien identity while repairing the spacecraft. Their efforts lead to humorous situations, close calls, and comedic misunderstandings as they try to keep their secret from others. The comedic elements stem from the challenges they face and the creative solutions they come up with to maintain their cover.
These two subplots provide ample opportunities for comedic moments, physical humor, witty dialogue, and situational comedy, making them well-suited for a sci-fi comedy screenplay.
So agreement on Fish out of Water. But the AI comes back with Major Cover Up. I think to me Someone Hides Who They Are seemed more consistent with this story. I don’t consider this ‘a set of strategies are put in place to cover up a crime, scandal, conspiracy or history of illegal or disturbing actions. The subtext comes from the planning, schemes, lies, and every action they take to do the cover-up.’
Competitive agendas can still be worked in to create conflict and tension between the main characters.

• This reply was modified 1 year ago by  Terrie Shaft.

[Pam Ewing]

Pam Ewing’s Subtext Plot

Vision: Become a Writing Athlete
What I've learned: Just making myself do it and trust I can find improvements in the AI responses

Tell us your concept and your choice of one or two of these Subtext Plots.
• Layering – as the nature of the spa is uncovered the characters expose their layers in response
• A Major Cover Up – the spa has a dark, life-threatening agenda

• This reply was modified 1 year ago by  Pam Ewing.

[David Zelitzky]

David Z’s subtext plot

Vision:
I am an interesting, dependable, successful writer that people love to work with.

What I learned from doing this assignment is behaviors and thoughts are exposed even when we try to hide them

A Major Cover Up:
Tessa doesn’t know that her boyfriend Mick gave the drugs to her brother and he’s the pusher that causing all the death around her.
Competitive Agendas:
Mick is only concerned with his ambitions and will do whatever it takes to get there and Tessa is focused on rescuing her brother and ridding the town of the drug that are decimating the kids.
CHAT GPT
Layering:
Initially, Tessa believes her brother’s descent into addiction is solely due to peer pressure and poor choices. However, as she delves deeper, she uncovers a layer of sinister manipulation orchestrated by Mick, who has been preying on vulnerable youth to expand his drug empire. The revelation of Mick’s true intentions adds a chilling layer of horror to the story, as Tessa realizes the extent of the evil she’s up against.
Someone Hides Who They Are:
Throughout the screenplay, Mick presents himself as a caring boyfriend and supportive figure to Tessa, hiding his true nature as a ruthless drug dealer. As Tessa starts noticing inconsistencies and suspicious behavior, she begins to investigate, eventually uncovering Mick’s double life. The discovery shatters her trust and sets off a chain of events that leads to a confrontation with Mick and the dangerous world he represents.

[Andrew Foerster]

Drew Foerster’s Subtext Plot

My Vision: I am doing all that is needed to create a future where I am a well-respected Hollywood writer and have the freedom to choose the projects I put my time towards as well as working with amazing producers, directors actors, and agents/managers.

What I learned from doing this assignment is… What’s under the surface is what makes the story interesting and gives it heart.

High Concept: Two strangers meet after they are abducted by aliens and discover they share a unique psychic connection which pulls them to each other no matter how they fight it.

Superior Position: The audience is privy to Emma and Matthew's Alien created psychic connection, witnessing their unspoken thoughts and emotions even as they attempt to conceal them from each other. They are continually drawn to locations and into situa-tions with each other even though they live on opposite sides of the country. Seemingly attracted to each other like magnets for reasons they can’t comprehend.

• This reply was modified 1 year ago by  Andrew Foerster.

[William Curley]

Bill Curley’s Subtext Plots
Vision: To continually learn from this class and be accepted within the film industry.
My concept is a horror film titled ” The Bog”.
1. Scheming and Investigating.
A nefarious real estate developer desires to build on a Northwoods parcel with an old growth forest and adjoining bog. This real estate CEO has lied and manipulated his way to acquiring the land and has recieved critical assistance from a dishonest Town Board Chairman in the process. Once initial site preparation begins a 1000 year old Viking curse is unleashed on local townspeople. A local policewoman investigating the death of a surveyor becomes suspicious of events and sighting near the development. She learns of the illegal possession along with the assist by the local Chaiman.
Major Coverup
As Terror begins to reign down on a small Wisconsin community, all stemming from a Viking curse, it is realized that a cover up of the actions involving the real estate CEO and a local politician occured and is the very reason for the Nordic wrath from 1073 AD.
Superior Position
Caught and identified, the dishonest Chaiman and developer flee and hide by the bog. A policewoman in pursuit realizes both will be killed by angry Norse Gods.

[Charles Jessen]

Chuck’s Subtext Plot

My Vision: I am a writer/director known for a particular brand of storytelling, in both comedies and dramas, that greatly appeal to their respective markets. I have Studios, Producers, and Actors wanting to work with me.

What I learned from this assignment: There are many different angles from which to develop subtext.
Title: "Cat Town"

Scheme and Investigation:
Subtext Plot: Dr. Klaus Von Furbol, the former professor/mentor and now a rogue scientist, is working with a dark, nefarious secret government unit, to mutate the cat virus for population control. An unintentional lab leak has infected the small nearby town of Limestone Springs. Meanwhile, world-renown virologist, Dr. Kathryn (Katy) Wells, is drawn back into Tom’s life by the crisis. Eventually, they suspect Von Furbol's involvement and begins to piece together his secret activities through subtle clues, confrontations, and scientific investigation, leading to a dramatic revelation.

Layering:
Subtext Plot: Beneath the comedic chaos of Limestone Spring’s transformation into a cat-dominated society lies a deeper critique of human-animal relationships and the weaponizing of viruses by nefarious government factions. As Kathryn and Tom delve into the virus's origins, they uncover a layered history of the ancestral worship of cats, rouge factions interested in population control through biological virus weapons, and the consequences of modern humanity’s disconnection from nature. These revelation reshape their understanding of the pandemic and their personal responsibilities.

Competitive Agendas:
Subtext Plot: As the global threat of the virus escalates, different factions emerge with competing agendas. The new Mayor with her secret cat-worship society and a connection to the cat virus, Dr. Klaus Von Furbol, the scientist behind the virus development and mutations, the shadowy government agency interested in the test results from the experiment in Limestone Springs, with hopes of using the virus as a population control tool. Kathryn and Tom must navigate these competing forces, using wit and science to ally, outmaneuver, and ultimately expose each faction’s motivations and tactics.

• This reply was modified 1 year ago by  Charles Jessen.
• This reply was modified 1 year ago by  Charles Jessen. Reason: typo

[jamie handley]

Jamie’s Subtext Plot

My scripts will get made into powerful movies that impact audiences and view me as a talented, hardworking professional.

What I have learned in this lesson is amazing. It’s more like a breakthrough for me. Like when we were working on titles, do 100 and maybe get 3 or 4 you like. Well I did that with subtext which I think will help me in the long run with future scenes. I realized how important the subtext is for “story”. It really moves it forward if done right. Set-up and pay-offs, name it and you can find subtext.

On the surface:
Lindsey is the middle daughter of the clan who has been everyone’s rock far too long. For 16 she was the caregiver for her ex-husband and mother until their death. Just when she begins her new journey with a sense of freedom her older sister, Sadie, announces she has colon cancer.
Lindsey has been the families’ caregiver for 16 years.
Lindsey pretends to be strong and confident but hides her vulnerability and resentment.
She appears to be strong and resilient but is tired and exhausted.
Lindsey is kind, supportive, controlling, and protective.
Lindsey has various problems with her health after being in a horrific automobile accident leaving her physically damaged, but nothing will stop her when help is needed or wanted.

She’s dealing with the death of her mother, Sarah. She’s the executor of the will.
Why did her mother leave her with her journals and not Sadie?
Lindsey, the controlling caregiver, is thrust into the unpredictable world of assisted suicide, a realm she doesn’t understand and finds it morally wrong.
The audience is aware of Sarah’s ultimate intention behind the journal and the inheritance.
The family members are oblivious to the true purpose of her last wishes.
Her older sister, Sadie announces she has colon cancer.
How will she handle caring for her when she lives in another state?
Does she want to, knowing how Sadie manipulates her?
Sadie’s decision for assisted suicide is driven by a desire to cover up a hidden family scandal that Sarah’s journal contains.
The fear of losing another family member and becoming the next matriarch.
How will all the family issues of betrayal, abandonment, addiction, and moral values playout on the two daughters and family members?
The deep resentments between the sisters, can they heal the past before Sadie’s death?
Will Sadie and her daughter, Brooke, make peace, find solace and forgiveness before her assisted suicide?
Revenge against Lindsey.
Will she undermine Lindsey’s authority and create tension between Lindsey and Brooke?
What are the secrets within the journal?
Can this family come to terms, find ways to honor the legacy and final wishes that Sarah leaves in her journal.
Lindsey must face a new and compassionate transformation after Sadie passes.

• This reply was modified 1 year ago by  jamie handley.

[Diane Denham]

Title: ALIENS ON A PLANE

Genre: Sci-Fi Comedy

Concept:
A self-serving, arrogant time traveler from future Earth encounters three ET travel agents who are competing fiercely for dominance in the multidimensional vacations market on their distant planet. During a critical demonstration of the agents’ latest technologies, a malfunction occurs, propelling them and their three tourists into a commercial airline mid-flight over present-day U.S.A.

FISH OUT OF WATER:

All seven characters, the time traveler from the future, 3 travel agents and 3 tourists are fish out of water.
COMPETITIVE AGENDAS:

The 3 travel agents are competing against one another to corner the interdimensional travel industry.

[Farrin Rosenthal]

Farrin Rosenthal’s Subtext Plot

Farrin’s Vision: To do what it takes to become a highly paid A-List Hollywood writer whose produced movies will entertain audiences around the world.

What I learned doing this assignment is how to create a subtext plot, which happens under the surface and gives greater depth to a story, because multiple things are going on at once. Those at the surface and those underneath. There are seven basic subtext-oriented plots: Scheme and Investigation, Layering, Someone Hides Who They Are, The Fish Out of Water, Superior Position, A Major Cover Up, and Competitive Agendas.

Title: Shadows of Justice

Genre: Western

High Concept: Devastated by her father’s brutal murder at the hands of a ruthless outlaw gang, a refined 19th-century college student joins her sorority sisters to form the “Shadows of Justice.” Together, they blend their unique skills and diverse backgrounds to pursue vengeance, justice, and redemption across the Wild West. To save the town, the three young women of the “Shadows of Justice” face the impossible goal of defeating 100 heavily-armed outlaws.

My story has a few characters either hiding who they are, hiding their past, or hiding who is really in charge and pulling the strings. There are elements of layering because somebody sent the antagonist to the town to carryout someone’s deeper agenda. The story also presents a fish out of water story because the protagonist is a sheltered college student thrust into and experiencing the unforgiving world of the wild west for the first time. Another subtext plot driving the story is competing agendas. The protagonist and antagonist want opposite things. The antagonist wants total power and control over a gold-mining town, while the protagonist wants revenge and to free the town from the outlaw gang. Only one can win and it’s a fight to the death to see who will. Underneath the surface conflict is a sexual tension and attraction between these two characters that complicates what on the surface is pretty straightforward. Can you kill someone who creates mixed feelings within you? Someone you should hate and want dead 100% for murdering your father?

[John Trimbach]

John’s Subtext Plot
My vision is to sell or option two scripts and hire a manager this year.
I learned that every now and then if given the proper guidance, AI can come up with some good ideas and set ups.
Concept: Walter, a sailorman turned sheriff is forced to confront his sins from 15 years earlier (for example, that he unknowingly impregnated his own 18-year-old daughter on a one-night stand because he hadn’t seen her in 15 years) and that June, the result of this illicit encounter, is murdering people at the old brown house which is in Walter’s jurisdiction. Walter is unaware the young couple luring him to a death tribunal to hold him accountable is none other than he daughter, 33-year-old Mara and her half-brother, Morris, 23. Walter is also unaware that Mara and Morris take care of June at the old brown house but must keep her confined in a secret underground chamber for her own good. They don’t know, however, that June has discovered a way to escape her secret room and attack anyone who enters the house.
Tell us your concept and your choice of one or two of these Subtext Plots.
Give us a few sentences on how your Subtext Plot will play out inside this story.
Layering:
Lots of misleading lines of inquiry: Like Walter, the reader is unaware of who is murdering people until the major revelation during the Climax where Walter is shocke to learn that both Mara and June are his daughters.
Someone Hides Who They Are:
As a nosy FBI Agent grows suspicious of Walter because of Morris’s planted evidence, Walter must lie about certain aspects of the case in order to divert guilt away from him and towards a mysterious pyscho killer on the loose.

[hari messer]

Hari's Subtext Plot

My Vision: I want to write screenplays that enable me to work with like minded creative people in the industry to produce profound movies that will have a long lasting positive effect on the world.

What I learned… Try not to go off the deep end with too much subtext.

Concept: In a town where aliens use water as a conduit for assimilation, a suspended cop's investigation reveals a sinister ritual that could alter the fate of humanity forever.

1. Scheme and Investigation
Description: Colt McBride is investigating the mysterious occurrences in the town, while Sheriff Del Beck is actively scheming to cover up the alien assimilation ritual.
Subtext Plot: Beck plants false evidence to mislead Colt, uses informants to keep tabs on him, and sets up decoys to waste his time. Meanwhile, Colt uncovers inconsistencies in witness testimonies, finds secret documents, and follows a trail of clues leading him closer to the truth. Each action taken by Beck to derail Colt only serves to deepen Colt's resolve and sharpen his investigative skills.

3. Someone Hides Who They Are
Description: Jamaica Daly hides her true half-alien identity, initially unaware of it herself.
Subtext Plot: Jamaica experiences strange symptoms and unexplained phenomena that she hides from everyone, including herself, attributing them to stress or illness. Clues about her true nature emerge through Colt’s investigation and Evelyn’s guarded behavior. Eventually, Jamaica’s alien heritage is discovered, leading to personal and societal repercussions, including a crisis of identity and loyalty.

• This reply was modified 11 months ago by  hari messer.

[Dawn C Crouch]

Dawn Crouch’s Subtext Plot

To achieve success, I will write three-dimensional stories that connect and resonate.

What I learned from doing this assignment is to move quickly when you’re so far behind. No excuses.

Concept – Amidst a feud over the legal ownership of a lucrative oyster bed, a hot-shot corporate lawyer returns to help his estranged father.

James Fontenot, the proverbial Fish Out of Water, returns to his bayou roots and lands in the middle of a hotbed of scheme and investigation. Competitive agendas and A Major Cover Up complicate what should be a relatively easy legal case.

Secrets are revealed. The young man learns of his father’s past as a renowned chef whose culinary expertise could save the struggling oyster business and reveal his hidden love and talent for haute cuisine.

1. Scheme and Investigation
Subtext Plot: Hidden Motives in the Oyster Bed Dispute

2. Layering
Subtext Plot: Uncovering Deep-Rooted Family Secrets

3. Someone Hides Who They Are
Subtext Plot: Enes’s Hidden Identity as a Chef

4. The Fish Out of Water
Subtext Plot: James’s Struggle to Adapt to the Bayou

• This reply was modified 10 months, 4 weeks ago by  Dawn C Crouch.

[Tom Wilson]

Tom’s Subtext Plot
My vision is to coordinate plots and payoffs so they smoothly blend into the story.
Doing this assignment shows me how to weave updates into the Outline.
Creating a thrilling subtext plot for your screenplay requires a careful weaving of hidden meanings and motivations beneath the surface events. Here are seven possible subtext plots for your screenplay:
1. Scheme and Investigation
Plot:
o Surface Plot: Sara marries General Ratkin to secure her place in the Berkeley PhD program, while secretly continuing her relationship with true love Matt Brown.
• Subtext Plot: Fazela recovers and investigates Ratkin's involvement in the disease plaguing Afghanistan. She suspects Ratkin caused the disease to spread so he would have and excuse to return to the U.S. and run for President.
• Key Events:
o Scheming: Ratkin manipulates political and military events to ensure he’s elected.
o Investigation: Sara collects clues and secretly interrogates Ratkin's associates.
o Climax: Fazela nudges Zeno when he launches missile. Ratkin is injured not killed by missile.
2. Layering
Plot:
• Surface Plot: Sara's journey to marry Ratkin and pursue her research at Berkeley.
• Subtext Plot: The marriage is a facade; Sara and Ratkin have a secret agreement. The cure for the disease is already known, but it’s being withheld for political leverage.
• Key Events:
• Layer 1: Sara appears to be a devoted wife.
• Layer 2: Flashbacks reveal Sara's real plan to expose Ratkin's manipulations.
• Revelation: Sara discovers documents proving Ratkin had the disease engineered to infect the Afghans so he would have an excuse to return to the U.S. and run for President.
• Climax: Sara is torn between exposing Ratkin and securing her research position at Berkeley.
3. Someone Hides Who They Are
Plot:
• Surface Plot: Sara’s makes a breakthrough: she finds a potential cure for the disease killing her people, including her mother Fazela.
• Subtext Plot: Matt Brown discovers Ratkin spread disease among the Taliban which they used to inflict Afghan civilians which kicked off the epidemic Sara seeks to stop.
• Key Events:
o Hiding: Ratkin’s scientist tells him the disease meant to kill Taliban now kills Afghans.
o Clues: Sara stumbles upon the scientist’s activities and suspects a larger conspiracy.
o Discovered: Ratkin discovers Matt works with JAG to get him. But they learn he must run for President because the expected nominee is a traitor and must not be elected.
 
4. The Fish Out of Water
Plot:
• Surface Plot: Ratkin’s rivals elites try to discredit Sara’s lab success.
• Subtext Plot: Sara navigates deceit and political intrigue while researching a cure.
• Key Events:
o Performance Pressure: Acting she’s the perfect political wife, Sara secretly does her research.
o Climactic Challenge: A phony scientistt on social media claims Sara fakes her research.
o Resolution: Sara makes a pivotal breakthrough in her research.
5. Superior Position
Plot:
• Surface Plot: Audience sees Sara's marriage and career progression.
• Subtext Plot: Audience knows Ratkin orchestrated the disease outbreak to ensure he’s elected.
• Key Events:
o Climax: Ratkin’s secret begins to unravel during the inauguration missile strike, and Sara must quickly act on the knowledge she gains.
6. A Major Cover Up
Plot:
• Surface Plot: Ratkin’s rise to power and Sara’s quest for a cure.
• Subtext Plot: Ratkin and his cronies cover up his involvement in the disease outbreak.

[Rebecca Smith]

Becky's Subtext Plot
I am an extraordinary writer – prolific, produced, profound, joyful, and well-paid – who writes stories that entertain and inspire.

What I learned – I have always been challenged by creating subtext. This really helped. By using AI to prompt several different subplot possibilities, I was able to see the options and choose which I felt were best for my story and what I wanted to develop.

Subtext Plots for GOLDSTRIKE
Genre:Action/Thriller
Concept: Die Hard in a gold mine. When a treasure hunter covertly buys an abandoned gold mine under a touristy mountain community, residents resist its reopening. Mercenaries storm the town to open the mine and get the gold.
Major Story Hook: Will Daytona sacrifice his chance to reconnect with his estranged father to save the town, or will he choose family over duty, risking the release of an ancient evil?
Lead Characters:
Protagonist: Daytona Levesque
Antagonist: Joe Turner
Connecting Character: Linda
Transformational Journey:
Daytona starts as an emotionally distant ex-Navy SEAL haunted by his past, seeking peace in his hometown. He ends as a confident and connected leader who has reconciled with his father and found a new purpose in protecting his community.

1. Scheme and Investigation
Subtext Plot:
Joe Turner is scheming to uncover the legendary hidden chest of gold by manipulating town officials and planting false evidence.
Linda, the town historian, begins an investigation into the sudden interest in reopening the mine, uncovering clues about Joe's true intentions and his connections to the mercenaries.
Events: Joe plants forged documents suggesting the mine is safe; Linda discovers discrepancies and enlists Daytona to help her; together, they uncover Joe's manipulations and his plan to unleash the ancient evil.
Hidden Motives: Joe’s obsession with the treasure is driven by a need to redeem his family name; Linda’s investigation reveals her personal connection to the town's founding and the curse tied to the gold.
2. Layering
Subtext Plot:
Beneath the surface story of mercenaries and treasure, there's a deeper layer involving Harold James's pact with the original miners to seal away a malevolent force.
Events: As Daytona fights to defend the town, he uncovers old diaries and maps that hint at a dark history; Linda deciphers the clues, revealing the true reason the mine was sealed.
Deeper Meaning: The fight isn't just about gold; it's about preventing an ancient evil from being released. Daytona's journey mirrors the historical struggle, showing that true treasure is the safety and unity of the community.

[Sylvia Krawczyk]

WIM+AI – Module 2 -Lesson 4: What’s Beneath the Surface?
Sylvia’s Subtext Plot
My vision from this program is to challenge myself in my writing genre and write my most amazing script to date.
What I learned from doing this assignment is…The subplots are foundations for the main storyline. They help with the clarity of it.

ASSIGNMENT
Concept = An artist's unexpected reunion with her first love reveals mutual passion that turns to sinister betrayal leading to a crises that unravels her life.

Sub-plots:
1. Scheme and Investigation
2. Layering
3. Someone Hides Who They Are
4. The Fish Out of Water
5. Superior Position
6. A Major Cover Up
7. Competitive Agendas

TWO CHOSEN: (with a few sentences on how your Subtext Plot will play out inside this story.
1-#### 1. **Scheme and Investigation:**
Joy is hiding the fact that she is a convicted/sought after con-artist ripping off Hope’s identity.
2### 7. **Competitive Agendas:**
Hope and Joy are both trying to get ahead in the artistic community as Joy steals Hope’s artistic identity for her own personal gain. Will wants hope for appearances as he romances Hope’s brother.
Subtext Plots =
1. Scheme and investigation: One character is scheming and another is investigating. This allows for hidden motives, cover ups, lies, setting people up, playing suspects against each other, etc..
2. Layering: Beneath the surface, there’s a different layer of meaning that has been hidden and when revealed, shows us what is really going on.
3. Someone hides who they are: When the plot is about a person who is hiding, it might go through a sequence similar to this: hiding, clues, investigation, discovered, repercussions.
4. The fish out of water: Put the lead character in a place they don’t belong and create situations where they must perform even though they have no idea.
5. Superior Position: The audience knows something that one or more of the characters don’t know. This gives us two experiences at the same time. We get to live the life of the character who knows and the life of the character who doesn’t know.
6. A Major Cover Up: A set of strategies are put in place to cover up a crime, scandal, conspiracy or history of illegal or disturbing actions. The subtext comes from the planning, schemes, lies, and every action they take to do the cover-up.
7. Competitive Agendas: Two people or groups fighting against each other to get their own way. The competition allows for characters to plan, scheme, etc. to out play the other.
• Genre = Romantic Thriller
Concept = An artist's unexpected reunion with her first love reveals mutual passion that turns to sinister betrayal leading to a crises that unravels her life.
Major Story Hook = The woman Hope falls for steals her identity when she’s given credit for artwork to help her get her life back on track.
Lead Characters =
• Character: Protagonist: Hope
• Logline: A well-known artist, Hope, is unhappily married to Will.
• Unique: Hope is guilt filled that she respects yet does not love her husband. She’s still in love with Joy.

• Character: Antagonist: Joy is Hope’s old classmate.
• Logline: Full of life, Joy is an art curator.
• Unique: Joy was Hope’s first love in High School and Will’s best buddy from College.

• Character: Third Wheel: Will is Hope’s husband.
• Logline: Will is a family lawyer that avoids responsibilities with his wife, Hope.
• Unique: Will is secretly having an affair with Hope’s brother.

Transformational Journey =
3 Act Structure =
**Act 1:**
In the vibrant but secretive art scene of a Southern town, Hope Harwood, under the pseudonym "Lila Rayne," allows her high school sweetheart, Joy Sinclair, to use her artwork to stay financially afloat. Their intense reunion breathes new life into Ellie’s dormant passions, but tension mounts when Ellie discovers her husband Will in an intimate moment with her brother Michael, casting shadows over her already complex life.

**Act 2:**
Hope escapes with Joy to a tranquil lakeside retreat, seeking clarity and space to breathe. As they reconnect, Hope's sacrifice becomes a betrayal when Joy begins to claim Hope's entire artistic identity as her own. Back home, Will's hidden emotional connection with Michael surfaces, compounding the betrayals and leaving Hope feeling suffocated by the secrets surrounding her.

**Act 3:**
Returning home to a storm of deceit, Hope confronts the devastating impact of Joy's theft and the unraveling secrets between Will and Michael. Facing these betrayals, Hope chooses to reclaim her life and identity. She and Will part ways amicably as she begins to mend her professional reputation and personal relationships. As the dust settles, Hope rediscovers her voice in the art world, inspired by her journey through love's shadows and the quest for authenticity.

### 1. **Scheme and Investigation:**
– **Subtext:** Hope and Joy’s rekindled relationship is marred by ulterior motives. Joy appears to help Hope recover her passion for art but secretly schemes to steal her identity. Hope, sensing Joy's deception, begins investigating subtle clues: art sales under Joy's name, disappearing sketches, and inconsistencies in Joy’s behavior. The tension lies in their dynamic, where they both hide secrets—Hope’s shame about Will’s affair and Joy’s deeper betrayal.
– **How it plays out:** Hope slowly unravels Joy's plot while keeping her suspicions to herself. As the investigation unfolds, both women manipulate their surroundings, pushing each other to reveal deeper truths.

### 7. **Competitive Agendas:**
– **Subtext:** Hope and Joy are both vying for control—over the art world and their emotional dynamic. Joy seeks to manipulate Hope for her own gain, while Hope, unaware of Joy’s true intent, struggles to regain control of her life. Will also has his own hidden agenda, keeping his affair secret while trying to maintain his marriage for appearances.
– **How it plays out:** Every action in the plot stems from the characters trying to outplay each other. The competition between Hope and Joy escalates until the final confrontation, where both women’s true agendas are exposed, leaving Hope to either triumph or lose everything.

• This reply was modified 8 months ago by  Sylvia Krawczyk.