Screenwriting Mastery Forums Writing Incredible Movies with AI WIM AI 1 WIM AI – 1 Module 8 WIM+AI – WIM Module 8 – Lesson 3: Anticipatory Dialogue

  • Margaret

    Member
    October 22, 2024 at 6:38 pm

    Margaret loves Anticipatory Dialogue

    My Vision: To write profound faith-based screenplays that are produced.

    What I learned: Importance of anticipatory dialogue to move the story forward.

    Anticipatory Dialogue added:
    NURSE
    Whoa, there! Let’s get you a wheelchair and take you on back before you fall and break something.

    JACOB
    I need to go to class today, I can’t afford to miss any more if I’m going to graduate. Do you think you could take me?

    DAWN
    (into phone)
    Are you serious? Jacob? Jacob Munoz?
    (a beat)
    Dying?

    EMILY
    You won’t graduate.

  • Monica Arisman

    Member
    October 23, 2024 at 8:48 pm

    Subject: Monica loves Anticipatory Dialogue

    VISION: I am a very successful screenwriter who has made multiple movies.

    What I learned from doing this assignment is the different ways to write anticipatory dialogue to move the story in the direction you want the audience’s attention to focus on.

    • 1. Direct prediction – Scene 7 – When God tells Emily she will change her life.

    • 2. Indirect prediction – Scene 1 – Emily predicts that she can’t rewrite this current chapter of her life even though she’s written hundreds of stories.

    • 3. Countdown – Scene 13 – Paul wants to thank the staff for all their hard work with an afternoon “tea”.

    • 4. Imply consequences – Scene 7 – As God and Emily tour the library – God says the computer patch is being worked on (implying humanity has a limited time left until…).

    • 5. Imply hopelessness – Scene 2 – Emily says she’s out of places to hide.

    • 6. Shield from consequences in advance – Scene 10 – Dickens tells Emily if you release an author from a book but then close the book, the author has to return to the book. Need to leave as many books open as possible.

    • 7. Warnings – Scene 21 – Dickens warns Emily it’s not safe as long as Donahue is around because he’s unpredictable and who knows what he’d do to Emily.

    • 8. Create reputation for the villain – Scene 10 – When Emily encounters Donahue she asks him what kind of library guardian is he to treat books with such disrespect.

    • 9. Confront someone hiding from a future consequence – Scene 30 – God confronts Donahue reminding him that God sees all, hears all, and knows all.

    • 10. A challenge issued – Scene 22 – The author’s explain the intricacies of the After-Life to Emily and the challenge is to send Donahue packing and release the real guardian of the library.

    • 11. Silence at a strange time – Scene to be added when Emily overhears Paul planning something that has to do with her and she confronts him.

    • This reply was modified 6 months, 2 weeks ago by  Monica Arisman. Reason: Formatting
  • Edward Lusk

    Member
    October 24, 2024 at 11:44 pm

    ED Loves Anticapatory Dialogue

    MY VISION is to be a bankable, reputable, and industry go-to writer who’s demonstrated how to entertain and hold an audience’s attention through unforgettable characters and stories that are as enjoyable to write as they are to watch.

    What I learned doing this assignment is how to discover opportunities there were in my dialogue for using anticipatory dialogue techniques. Sometimes just changing a statement to a question or vice versa was enough to create different implications and consequences. I did have some techniques, such as warnings, countdowns, and direct and indirect predictions. I need to study more about a shield from consequences in advance, as that's a little more complicated.

  • Michael Collado

    Member
    October 27, 2024 at 3:06 pm

    Mike’s Anticipatory Dialogue

    My Vision is to write an original screenplay, make a couple of calls to pitch it, to start a bidding war.

    This lesson taught me how to take a scene and add anticipatory dialogue to point to the future. Many of my scenes end with this type of dialogue or description.
    Look at the questions left after the end of this scene.

    MR. BLACK
    Who's brain are we looking at?

    CHARLIE
    Willie's. (Who is Willie? Willie turns out to be a Chimpanzee!)

    MR. BLACK
    Very good. How are we going to introduce them to the host?

    CHARLIE
    You are going to love this.

    Charlie ushers him over to another part of the lab. (This is the end of the scene, so what is the delivery system, and why will he love it?)
    (Later, we find out that a vitamin is the delivery system, and Mr. Black owns a vitamin company.)

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